The Real Inspector Hound
Contrasting settings, ideals and people dominate The Real Inspector
Hound. Almost every character has an opposite, and is otherwise
totally unique. Cynthia is opposite to
Felicity, Simon is the contrast of Magnus, and so on. Tom Stoppard has
included these contrasts for a variety of reasons and effects that
combine to create the disturbing effect of the play incredibly
effectively. But what individual effects do his characters create by
opposing each other so accurately.
At the start of the play, Stoppard deliberately confuses the audience
with the opposing characters of Birdboot and Moon, at first; the
audience is left to indulge in the view of moon and the body, this
allows them to create their own impression of Moon, and Stoppard
encourages this impression with moons early actions. Moon begins by
staring blankly ahead, then he reads his program, then he continues to
stare. This affects the audience because Moon appears to be a simple
member of the audience, and so the audience become infuriated at the
pause, yet he is on the stage and so the audience become perplexed as
to whether Moon is a member of the audience, or a character in the
play. It is when the audience are most confused and becoming bored
that Stoppard introduces the next part, Birdboot. Birdboot is a polar
opposite of Moon, and as the audience will swiftly become aware,
represents one stereotypical type of critic, whilst moon represents
another, the opposite.
Birdboot settles into the chair next to Moon eating a packet of
chocolate, instantly the contrast is obvious to the audience, here is
Moon, reading his program and thinki...
... middle of paper ...
...on takes the role of Hound. At this
point Hound and Simon occupy the Critics seats, the plays are now
almost totally merged. The play is ready, Magnus unveils himself in
all his glory, he is the real inspector Hound, Albert, and most
importantly Puckeridge. Only Moon and the audience know, and seeing as
Magnus had successfully framed Moon for the murder, going so far as to
convince Moon himself of Moon's guilt. He shoots Moon takes Cynthia,
and presumable lives happily and evilly ever after. The actors are
totally flummoxed and their two dimensions are suddenly apparent. Now
the audience are in the know, and the actors are ignorant. The
audience want to scream at them. The contrasts at this point no longer
matter, they have been Broken, and this break subconsciously makes the
audience realise it is the end of the play.
Throughout the short story “The Half-Husky” by Margaret Laurence, every character is affected by external forces in many ways. The audience sees the author suggests ideas on external forces as early as the second page of the story. When Laurence embeds the story with external forces so early, it advises the audience that it is very important. Also, the author affects every character with external forces which also proves why they are vital to the story. Margaret Laurence suggest that the majority of the external forces are negatively influencing the characters throughout the story for instance Vanessa, Nanuk, and Harvey. The author develops ideas such as Vanessa growing up with a tough Grandfather, Nanuk being assaulted his whole life, and Harvey growing up with an abusive aunt, by using external forces.
However, the clever and deliberate use of props, costumes, and the stage helps it establish its themes and context and set it apart from other plays. In the beginning, the props are set to evoke the setting of a slave ship. The chains surrounding the pedestal in the middle of the stage invoke the idea of being imprisoned, the images on the side depict slaves being shackled, and the basic idea how the living conditions were on the boat. In addition, the screens often depict vivid imagery of the time period, or historical figures of the time. The images along with the sound effects add to the atmosphere, as it makes a stronger statement than words alone. The costume choice is well-done, and they serve well to differentiate the actors from each other or the different characters. The man in shackles that was hidden underneath the cloth in the moving dolly gives off the appearance of the stereotypical slave. Considering Malik Proctor also portrayed the kid, the waiter, and Flo’rance, the audience does not focus on the actor but the character he is playing. The characters portrayed are differentiable as the costumes set them apart, aided by the tone and inflection in the way the characters speak and act. Having the characters being able to be told apart gives the play immersion, as it allows the audience to focus on what is happening, not why the actors are playing
Throughout history, advances in technology are made to suit society. As society progresses, so does the technology that is used in daily life. Often, people do not realize that advanced machinery is actually a reflection of themselves and their needs. In Ray Bradbury’s Fahrenheit 451, books are illegal and burned to prevent further knowledge of the people so that society can live in peace without opposing views, which causes the society to confine to a materialistic lifestyle. Firemen, like the protagonist Guy Montag, burn houses and the people in them who are caught holding books, with the assistance of Mechanical Hounds. Mechanical Hounds are somewhat like electronic dogs, with needles that have the potential to kill. Their one goal is law enforcement and they punish anyone who breaks the rules. The Mechanical Hound is actually personified to Montag’s society, where people have a single objective. Bradbury’s personification of technology parallels the people in Montag’s society, revealing that people are functioning without purpose or impact.
The Dramatic Techniques J.B. Priestley Used to Create and Develop Tension in Act one of An Inspector Calls
JB Priestley’s intent in ‘An Inspector Calls’ was to convey the attitudes of socialism to the minds of the society in the Edwardian Era as he was a passionate believer of the concept. Priestley has attempted this through the employment of ‘Inspector Goole’ in the play. In the play drama is displayed through a variety of methods for the interest of the audience and the communication of personal views from JB Priestley.
The present lifestyle of the average Canadian revolves around consumerism and the achievement of self-actualization needs. These desires and materialistic ideals however, are relatively new concepts as a result of capitalism, which was spurred by the introduction of the department store during the late 19th century. Stores such as Timothy Eaton, Hudson Bay Company, Simspon’s and other major retailers stimulated the economy by encouraging cash sales, ultimately modernizing Canada and making it what it is today. Donica Belisle’s “Retail Nation: Department Stores and the Making of Modern Canada” encompasses the negative and positive impacts of the department store on Canada during the 20th century. Furthermore she explains how these corporations dominated and adapted to the lifestyles of the average Canadian. Belisle effectively supports her arguments by including in depth research and presenting both sides of the story.
By having Watson narrate, Doyle is able to write in a more literary manner. For instance, the first time Watson, as well as the reader, is introduced to the hound of the Baskervilles, it is through auditory imagery. Watson describes a “long, low moan” that “sounded incredibly sad” that sweeps over the Moore and grows into a deep roar (50). When Watson hears the howl again later in the book, he describes a “wild and menacing howl” that pierces through the silence of the Moore before dying away in a sad moan (69-70). In both instances, the descriptions are important in developing the tone of the novel, and the atmosphere of the Moore. Were it Holmes narrating, the descriptions would likely result in a more inquisitive and curious tone, rather than one of dread and foreboding created when described by Watson. As the novel is not only a mystery, but a mystery wrapped in a horror aesthetic, it is important that a sense of rising tension and terror is established. By having Watson narrate the novel rather than Holmes, Doyle is able to develop a much greater sense of dread, tension, and anticipation for the
Misunderstandings generate conflict and drive stories forward. William Shakespeare’s Much Ado About Nothing is a play filled to the brim with misunderstandings and comedic situations. The constable of Messina, Dogberry, contributes to many such comedic situations with his twisted speech and juxtaposing sobriety. In this essay, Dogberry’s reality, character, and wrongly-used phrases are to be compared to actual reality.
One of the most analyzed plays in existence is the tragedy Hamlet, with its recurring question: "Is Hamlet’s 'antic disposition' feigned or real?" In truth, this question can only be answered by observing the thoughts of the main characters in relation to the cause of Hamlet real or feigned madness. In the tragedy Hamlet, each of the main characters explains Hamlets madness in their own unique way. To discover the cause behind the madness of Hamlet, each character used their own ambitions, emotions and interpretations of past events. Characters tried to explain Hamlet's "antic disposition" by means of association to thwarted ambition, heartbreaking anguish, and denied love. In the workings of their thoughts, the characters inadvertently reveal something about their own desires, emotions and experiences to the reader.
At the very outset of the play, readers are presented with the power-hungry, self-loathing Duke of Gloucester, defined by his thirst for vengeance and power and by his uncanny ability to manipulate the minds of the people around him. Richard appeals to the audience’s sympathies in his self-deprecating description, when he declares that he is deformed, unfinished, and so hideous and unfashionable that dogs bark at him as he passes by. The imagery he utilizes throughout the opening soliloquy also evokes a feeling of opposition and juxtaposition which speaks to the duality of his nature.The juxtapositions he employs are more than rhetorical devices, as ...
“Good show, Watson!” John Watson, and his role model Sherlock Holmes are characters from Arthur Conan Doyle’s most famous Sherlock Holmes Series. Young Sherlock Holmes is a movie that recreated the first time that Sherlock and Watson become friends. The characters in this movie, Young Sherlock Holmes, are that of many. Of course there was Sherlock Holmes himself and his apprentice John Watson, but also there was others. Including Sherlock’s love interest, Elizabeth Hardy; the professor, Professor Rathe; and the nurse, Mrs. Dribb. In the movie, it shows the first time Watson and Holmes meet. Right away, Holmes is shown to be a student with very high intelligence. When citizens start having mental breaks and committing suicides, Holmes starts to suspect something. He rushes down to the police station, and tells the lead detective that he believes that something is wrong, but the detective just blows it off. After Sherlock finds a clue that leads him to an egyptian cult, he gets himself and his friends into trouble. Arthur Conan Doyle has written many other works that included important characters such as Sherlock Holmes, Brigadier Gerard and Professor Challenger (Sir Arthur Conan Doyle Literary Estate). If the film, Young Sherlock Holmes, is historically correct compared to the novels written by Arthur Conan Doyle, then the film could be used to learning purposes.
Sir Arthur Conan Doyle writes a short story about how innocence gets victimized by a royal subject. When a royal figure clashes with someone who is not equal in social class, he will do anything to hide his mistake. This is when the King hires Sherlock Holmes. Arthur Conan Doyle based Holmes off of a man named Dr. Joseph Bell, who was a friend of his in medical school. When Doyle saw that medical practice was not a success, he began writing Holmes stories for money. The public became infatuated with not only the stories, but mainly Sherlock Holmes. When Doyle wanted to write in more respectable genres (Duncan 3), he made one enormous mistake.
There is duality to human nature and character flaws in everyone that we meet in life. “All creatures are flawed, but out of the flaw may come the universe” by Marguerite Young is one of my favorite quotes that describes the characters so well. There are flaws to every creature and from all of our flaws we make up the whole universe. The characters in the novella aren’t perfect either. Mr. Utterson was a longtime friend of Dr. Jekyll and he was someone who never showed emotions, even though he was a trustworthy and honorable man. He was portrayed, as the ideal Victorian man who was a God-fearing man, wasn’t a man who enjoyed parties so much, reserved in his thoughts. Mr. Utterson was a high honored man on one side, but on the other side he has very strange walks with Enfield. Even the most ideal and “perfect” man has character flaws.
The Character Of Sherlock Holmes In this essay I will explain why the Victorians found Arthur Conan Doyles' Sherlock Holmes character quite so compelling and why the stories are still so popular today. Victorians will have found Sherlock Holmes' very interesting because he was an upper class educate4d gentleman and this was the sort of person who was very well respected in Victorian times, and they would also have loved how he solved all his crimes, because there police force were so unreliable. The stories are still so popular today because we modern readers enjoy the thrill of a mystery and the tension of a case, which Conan Doyle creates.
“The world is full of obvious things which nobody by any chance ever observes,” states Sherlock Holmes (Doyle, The Hound of the Baskervilles loc 1238). According to TV Tropes, mystery is a genre of fiction where the plot revolves a mysterious happening that acts as the driving question. With any given problem there is a solution; however, and the question is “how does one come about to that solution”? Extremely high intelligence level, keen observation, creative imagination and sensitivity to details are just some of the qualities that Holmes possesses. In the process of solving mysteries, there is always a borderline between mere guessing, a coincidence, and a scientific approach that Holmes calls deductive reasoning. In Sir Arthur Conan Doyle's 1902 novel, The Hound of the Baskervilles, Dr. Mortimer seeks advice from Holmes as he explains the curse that has been plaguing the Baskerville family. With the power of deduction, Holmes realizes that Mr. Stapleton is actually a Baskerville descendant and has been planning to get rid of the other members of the family to claim the family fortune. Conan Doyle tells the reader what their mind is capable of doing by incorporating Holmes through his novels as he uses observation, deduction and knowledge in solving his cases. One important key that makes him different from most people is that he sees everything that people often neglect to pay attention to. A remarkable proof which shows that Holmes holds an extraordinary analytical mind and is uniquely capable of solving a mystery through his great sensitivity to minute details and the ability to draw connections from it was shown as he observes and deduces information from the letter received by Sir Henry Baskerville the moment he arrived...