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Beowulf character essay
Beowulf and anglo-saxon culture
Beowulf and anglo-saxon culture
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The Purpose of Lines 1 – 18 of “Beowulf” August 31, 2005
“Beowulf” begins the British literature. As a classic heroic epic, it outlines the tribal history of the Jutes, providing a great insight into the Anglo-Saxons’ epoch. In the poem “Beowulf,” we meet the most heroic man in the time of the Anglo-Saxons; a man with all the extraordinary characteristics necessitated to being a true hero. Beowulf was his name. He slaughters the monster Grendel, a descendent of Cain, Grendel’s mother and a dragon. By including the mere first eighteen lines of the section The Coming of Grendel in the poem “Beowulf,” the anonymous author successfully reflects the various customs of the Anglo-Saxons, the magnanimity of King Hrothgar and the values of the Anglo-Saxons. It is perhaps the most suitable opening for a work of admirable heroism; revealing grandiose, powerful and gloriousness of the Anglo-Saxons’ period.
Anglo-Saxons lived in times when people believed war was essential for survival whether it was against man, or a ferocious creature. Through such conditions developed the battle customs of the Anglo-Saxons. The battle customs of the Anglo-Saxons, taking into account that Jutes are always victorious, seems to be the division the spoils among everyone, “old and young.”(9) With King Hrothgar taking the throne, it was impossible for the Jutes to face defeat. Drinking a cup of mead, they celebrate their victory in the mead-hall. For his comrades and kinsmen King Hrothgar opens a banquet for every victory, and the Jutes eat, drink and speak in Herot, a place considered peaceful and of community. They again verify their loyalty to the king and promise for continual dedication.
As the King of the Danes, King Hrothgar is portrayed as a wise and generous leader of his people. Not only does he equally distribute the spoils amongst everyone, but also he grants mercy by “leaving the common pastures untouched, and taking no lives.”(10-11) By displaying compassion for those who do not fight in battles, King Hrothgar earns more respect from his followers. Such generosity is rarely found in the man of war. King Hrothgar’s grandeur temperament also pulls attention. When he is for something he truly desires, he has to make it grand and appealing. He built the “most beautiful of dwellings”(14) named Herot, a mead-hall where he can commemorate his victories and share the spoils from battle. When time comes to congratulate his victories in battle, he was glad to “[open] out his treasure-full hands”(18) for a banquet.
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
8. Based on Beowulfs opening address to Hrothgar my first impression is that he is very confident and perhaps even self obsessed. He brags about his success and his strength. He says “of my youth have been filled with glory” and also states “my people have said, the wisest, most knowing, and best of them, that was duty was to the Danes’ Great king. They have seen my strength for themselves, have watched me rise from the darkness of war, dripping with my enemies blood. I drove five great giants into chains, chased all of that race from the earth.” And also to continues to list all of his world changing achievements that he accomplished all on his own. To me personally, he comes off as self conceded and feels as if he is untouchable.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
The character Beowulf, “a man of great strength and bravery” (Magill 388), is a hero in the way he defends his neighboring country, Denmark. When the word that a hostile creature, known as Grendel, was killing tons in Denmark, Beowulf set sail to help defend the people and rid them of the hideous monster.
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
Beowulf begins with a history of the Danish kings. Hrothgar is the present king of the Danes. He builds a hall, called Heorot, to house his army. The Danish soldiers gather under its roof to celebrate and have fellowship with each other. Grendel, who lives at the bottom of a nearby swamp, is awakened and disgusted by the singing of Hrothgar's men. He comes to the hall late one night and kills thirty of the warriors in their sleep. For the next twelve years Grendel stalks the mead hall known as Heorot.
The society that he terrorized was happy and always rejoicing. “As now warriors sang of their pleasure/ So Hrothgar’s men lived happily in this hall… (11)”
“It doesn’t take a hero to order men into battle. It takes a hero to be one of those men who goes into battle,” Norman Schwarzkopf. In the epic poem, Beowulf, an epic hero from Geats travels far out of his way to help the Danes with their fight against the nasty Grendel. However, in the story Beowulf encounters three monsters that he takes into his own hands and defeats them all. In doing so, Beowulf is rewarded greatly and becomes king and is looked up to by all. In his last battle, Beowulf defeats the dragon but dies soon afterwards, he is given an honorable burial. This poem was told throughout the era of the Vikings and was later written down as the first actually hard copy of the story. It was Burton
In Part I of Beowulf the poet establishes Beowulf as an incomparable superman and celebrates his greatness. The occasion for this was the unfortunate situation which Grendel had created in the court of King Hrothgar, Heorot, where there was considerable sorrow due to the uncontrollable ravaging of the monster:
"So,” begins poem. “The Spear-Danes in days gone by/ and the kings who ruled them had courage and greatness./ We have heard of those princes’ heroic campaigns” (1-3). What follows is a brief history lesson, the story of “Shield Sheafson, scourge of many tribes,/ a ...
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
to have been composed between 700 and 750. "No one knows who composed Beowulf ,