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Poe's use of symbolism in tell tale heart
Literary analysis of Edgar Allan Poe's poems and short stories
Literary analysis of Edgar Allan Poe's poems and short stories
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In his essay "On the Nature of Man", Lavater expounds his opinion that " an intimate correlation exist[s] between man's spiritual internal essence and his physical constituent parts" (Lavater 98). Human beings experience life trusting that eyes are lenses to the outer world without comprehending the very fact that eyes mirror the interior more than the exterior part. Many literary works discuss this physical-psychological bond, but none is as perfect and profound as Edgar Allan Poe. In his story "The Tell-Tale Heart", Poe accumulates perversity, madness, paranoia and self-destruction to play on the "Eye" pun. The narrator uses this pun to embody all the symptoms of psychological disturbance both in the projection of his evilness and the discord of his physiognomy.
To begin with, the narrator of "The Tell-Tale Heart" projects his wickedness onto the old man which raises the primary question: Is it the "Evil Eye" of the old man which vexes the narrator or his/her own "I" that he /she fears to encounter? The narrator declares at the very beginning that "the eye of a vulture_ a pale blue eye, with a film over it" (Poe 317) is the main reason why he/she murders the old man. In that eye which "chille[s] the very marrow in [his/her] bones" ( Poe 319) resides the superb power of evilness which is actually hidden in the narrator's veiled psyche. Robinson In his article "Poe's 'The Tell Tale Heart'" re-conceptualizes the link between the "eye" and the "I" saying that "it's the narrator's evil 'I' that makes him see the evil eye in the old man"(377). However, throughout the whole story, there is no indication in utterances or actions for the vice of the old man. In contrast, the dissimulation and hypocrisy of the narra...
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...ridan. London: Hogarth P and Institute of Psycho-Analysis, 1977. Print.
Lavater, J.C. Essays on Physiognomy. London: Johnson, 1789. Print.
Pitcher, Edward. "The Physiognomical Meaning of Poe's 'The Tell-Tale Hear.'" Studies in Fiction 16.3 (1979): 231-233. Academic Search Premier. Web. 10 Sept. 2011.
Poe, Edgar Allan. "The Tell-Tale Heart." The Selected Writings of Edgar Allan Poe. Ed. G.R. Thompson. Indiana: Purdue University, 2004.317-320. Print.
Robinson, E. Arthur. "Poe's 'The Tell Tale Heart.'" Nineteenth - Century Fiction 19.4 (1965): 369-378. Print.
The Holy Bible. Revised Standard Version. New York: New American Library, 1962. Print.
Wing-chi Ki, Magdalen. Ego-Evil and 'The Tell Tale Heart.'" Renascence 61.1 (2008): 25-38. Academic Search Premier. Web. 11 Sept. 2011.
Edgar Allen Poe’s structural choices in “The Tell-Tale Heart” affect our understanding of the narrator and his actions. An example of this is the way he presents the main character. The main character appears to be unstable, and he killed an old man because of one of his eyes, which the main character refers to as “the vulture eye”. In the story, the character is talking about the murder of the old man after it happened; he is not narrating the story at the exact moment that it happened. You can tell that he is talking about it after it happened because the narrator says “you”, meaning that he is talking to someone, and is telling them the story. For example, in the story he said, “You should have seen how wisely I proceeded—with what caution—with
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
The article “Ego-Evil and The Tale- Tell Heart” by Magdalen Wing-chi Ki; argues the symbolism of the eye to represent selfishness and greed in “The Tale-Tell Heart.” Wing- chi Ki discusses that Ego- Evil is different from Superego-Evil. The Ego-Evil focuses more on oneself. Therefore, the Ego-Evil is more focused on self-love; while the Super-Ego “welcomes evil due to some "fanatical devotion" or an "ideological ideal" (Wing-chi Ki, Magdalen). The “fanatical devotion” shows the way that the narrator felt when he got rid of the body. The narrator is fascinated with thinking that he will get away with hiding the body of the man with the evil eye. The “ideological ideal” emphasizes on the narrator’s obsession with the man’s evil eye. This gives the narrator the idea of murdering the old man, but only because he feels so uneasy in the presence of the evil eye. Wing-chi Ki argues that Edgar Allan Poe gives the narrator so little knowledge of the old man. Therefore, this entices the narrator into viewing the old man based on his fondness for the man, and not the truth on why the evil eye is present. The narrator; therefore, judges the old man only on how he feels towards the eye itself, and not the old man.
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.
Poe, Edgar A. “The Tell-Tale Heart”. American Literature: Volume One. Ed. William E. Cain. New York: Pearson, 2004. 809-813. Print
Edgar Allen Poe's "The Tell Tale Heart" is a short story about how a murderer's conscience overtakes him and whether the narrator is insane or if he suffers from over acuteness of the senses. Poe suggests the narrator is insane by the narrator's claims of sanity, the narrator's actions bring out the narrative irony of the story, and the narrator is insane according to the definition of insanity as it applies to "The Tell Tale Heart". First, Poe suggests the narrator is insane by his assertions of sanity. For example, the narrator declares that he planned the murder so expertly he could not be insane. He says, "Now this is the point.
The Tell-Tale Heart: An Analysis In Edgar Allan Poe’s short-story, “The Tell-Tale Heart,” the storyteller tries to convince the reader that he is not mad. At the very beginning of the story, he asks, "...why will you say I am mad? " When the storyteller tells his story, it's obvious why. He attempts to tell his story in a calm manner, but occasionally jumps into a frenzied rant.
The. 15 March 2014. http://xroads.virginia.edu/drbr/wf_rose.html> Poe, Edgar Allan. The "Tell-Tale Heart." Skwire, David and Harvey S. Wiener.
...binson, E. Arthur. "Poe's 'The Tell-Tale Heart'." Twentieth Century Interpretations of Poe's Tales. ED. William L. Howarth. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1971. 94-102.
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
Edgar Allan Poe is one of the most recognized prose poets, short story authors, and literary composers of all time. His works contain trending themes such as love, time, death and the concept of “oneness.” Poe often expressed these themes according to events that he had experienced, and some of his themes intertwined with others. Take for instance, his love for beauty and perfection played a major role in his concept of oneness, or state of absolute fulfillment. However in his short story, The Tell-Tale Heart, Poe effectively explores the power of guilt, and leads his readers through a cynical plot to murder while enduring the struggle to silence a beating conscience by treading the lines of genius versus insanity, moral reasoning versus indifferent resolution, and meticulousness versus obsession.
Ki, Magdalen Wing-chi. "Ego-Evil and 'The Tell-Tale Heart '." Renascence: Essays on Values in Literature 61.1 (2008): 25+. Academic OneFile. Web. 24 Sept.
“The Tell-Tale Heart by Edgar Allan Poe.” University of Virginia, n.d. Web. 27 March, 2014.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.