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Diversity in healthcare
Diversity in healthcare
Diversity in healthcare
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So-called ‘real’ vampires do not disclose their practices to medical professionals because of the very human fear of being discriminated against or labeled as mentally ill, a study finds. The study, published in the most recent issue of the journal Critical Social Work, looks at people who self-identify as ‘real’ vampires– that is, needing others’ blood to gain energy – not members of the subculture, which embraces vampirism as a lifestyle. The research led by Dr. D.J. Williams, director of social work at Idaho State University, found that although helping professionals, including social workers, are commonly taught to embrace human diversity, ‘real’ vampires were distrustful of helping professionals and preferred to “stay in the coffin” for fear of being misunderstood and potentially having to face severe repercussions to their lives. “People with real vampire identities, were …show more content…
Some real vampires called “sanguinarians,” seem to prefer feeding by consuming small amounts of human blood or animal blood, while “Hybrid” vampires report feeding from more than one form - psychically or from blood. Unlike lifestyle vampires, real vampires believe that they do not choose their vampiric condition; they are born with it. Researchers thus argue that real vampirism should be approached as an alternative identity, rather than a subculture or lifestyle. The real vampires community A large international demographic survey shows that real vampires (Atlanta Vampire Alliance, 2007), reflect an extensive demographic diversity - a variety of ages, religious and spiritual views, races and ethnicities, occupations, education levels, and sexual and gender identities. The number of self-identified real vampires should be in the
Vampires have been a successful and popular form of superstition and entertainment for centuries. The vampire legend began in Eastern Europe, although many forms have existed in several cultures all over the world. Bram Stoker’s Dracula was the first
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
Bram Stoker’s Dracula has increased the number of vampires in media exponentially, partly because of one man: Vlad the Impaler. He, as well as other various sources, led to what is known as the vampire today.
“You’re impossibly fast and strong. Your skin is pale whit and ice cold. Your eyes change color and sometimes you speak like -- like you’re from a different time. You never eat or drink anything. You don’t go out in the sunlight…” (Bella, from the movie Twilight) At that point in the movie Twilight, Bella is putting pieces together that Edward Cullen is a vampire, but can vampires actually be real in real life? All that is really needed to be considered a vampire is by the want and urge to drink human blood. This paper will inform you on just how vampires can be real to a certain extent.
One of the most interesting and misunderstood cultures is that of the Eastern Europeans and, most notably, the myths of the vampires. Vampire myth has its greatest hold among the West Slavs and the South Slavs (Willis 2006). The vampire was created for different reasons, but the main two were to “curse” those who were evil and to explain the natural decomposition of the body. Those who are worst affected were also the most misunderstood: werewolves, sorcerers, witches, sinners, and the godless. In certain places, like Bulgaria, murderers, robbers, prostitutes and others who were socially undesirable (ibid). Vampires were thought to roam the earth at night, biting victims and sucking out their souls, eventually leading the individual to wither and die. They were also connected to many untimely deaths of family mothers, with one belief that vampires could even kill family members by chewing on their burial garments (Barber...
The sexual overtones of many vampire stories, including recent ones, in which the vampire bite serves as a stand-in or metaphor for penetration, undergo a radical
“Tonight you or someone you love will likely be visited by a vampire- on cable television or the big screen, or in the bookstore. Our own novel describes a modern-day epidemic that spreads across New York City”.
As it is presented here, vampirism is not a product of art, it is a path followed by every selfish and powerful one who misuse his powers on the account of others’ happiness. It is the moto of the outcast and those who are deprived of the good nature.
The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this transformation is to compare arguably modern day’s most famous representation of the vampire, Stephanie Meyer’s “Twilight” with “Dracula”, the foundation from which a large number of modern works draw inspiration. Examining this comparison closely, one finds that a new socially acceptable, sexually abstinent and desirable creature is fast replacing the fearsome and sexually voracious monster, as depicted in early tales of the vampire.
All vampires have the craving for the blood of humans. Without this blood they could not survive. In Dracula multiple vampires drank human blood, and one was even using children to quench her thirst. The new generation of vampire is given an alternate food source to control their inner hunger. Bill Compton and other vampires from the True Blood series have been provided with an organic substitute called Tru Blood. Other famous vamps have been known to use animal substitutes. The “vegetarian” vamps of the Twilight series and Angel from the Buffy the Vampire Slayer series overcame their craving for human blood and drank from deer and rats.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre; These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
We live in a world where creatures have abilities that can blow our minds, however we are ignorant of this. We live in a world where a constant power struggle is occurring between these secret species, a struggle that most human beings have no inclination of. We live in a world where people who know the truth are sworn to secrecy, and those proclaim this truth are considered crazy and locked away; to be sane is to be ignorant. Well, that is what I would love to be true. In actuality, I am fascinated with the topic of monsters; I love them all: lycanthropes, Frankenstein’s monster, witches, fae, necromancers, zombies, demons, mummies, and my favorite: vampires. This fetish has been manifested in the movies I view, the televisions shows I watch, and the books I read. When my obsession with reading is crossed with my obsession with monsters the result is a bookshelf containing more vampire novels than most people would consider healthy. I have discovered that every vampire novel varies vastly; no two books are ever alike. For example, the Twilight Series, the Anita Blake Series and the Vampire Chronicles Series have different legends and lore, different relationships between vampires and society, and different genres, theme, and purpose; this array of novels display most clearly the range of audience for vampire genre can cater.
...e people and love the living. Next, since when have vampires protected humans? Vampires are supposed to be creatures that prey ruthlessly upon humans, not cold-blooded creatures that assure the safety of humans. Along with that, what type of vampire refuses to drink human blood? Isn’t that what the most basic and well-known trait of a vampire? Apparently, Twilight has changed the most fundamental and defining trait of the monster called the vampire, the thirst for human blood. What do you call a vampire that doesn’t drink blood. This change has led Yabroff to say “Twilight especially pushed the vampire myth to it’s extreme”(Yabroff par.7). Thus, there are many differences with the original vampire and the new Twilight version. The past work of all fictional writers, movie directors, etc. have all been spat on by the new refined vampire image from the Twilight Saga.
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...