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Throughout The Scarlet Letter, everyone had some form of a secret they’d rather not share, but sometimes not telling can do more harm than good. At the end of the film, Hawthorne left us a quote saying, “Be true, be true, be true.” Hawthorne is trying to say keeping secrets isn't always the best because it only leads to someone getting hurt.
Everyone at some point has lied and kept a secret, but it depends on the situation you're in. In the first scene, Hester is pressured to tell the truth about the father’s name, but Hester refuses. This is an example of keeping a secret in order to keep someone else from harm; which in this case in Pastor Dimmesdale. Dimmesdale is a well known, honorable man who the town looks up to, but Hester doesn’t want for him to ruin his name, even if it means she has to live in ignominy. There are numerous accounts of secrecy displayed throughout the movie. In The Scarlet Letter it begins with Hester Prynne and her child, Pearl, being brought forth onto the scaffold to confess the father’s name. With his hand over his heart, Pastor Dimmesdale b...
French dramatist Jean Racine states, “There are no secrets that time does not reveal.” In Nathaniel Hawthorne’s The Scarlet Letter, we meet Hester Prynne who is, at the beginning of the novel, battling to keep her child’s father a secret. Eventually we come to find out that the father of her daughter, Pearl, is no other than minister Arthur Dimmesdale. However, if it had not been for Pearl, the reader might suspect that Hester and Arthur would have kept their relationship discreet. Arthur Dimmesdale seeks to hide the truth of his relationship with Hester Prynne, while she refuses to reveal the name of her child’s father to her husband, Chillingworth. As Racine said, secrets will be revealed in time, and eventually Pearl came along and became the one article that
In Arthur Cleveland Coxe’s review of The Scarlet Letter by Nathaniel Hawthorne, he repeatedly criticizes the novel and expresses his moral disapproval for the story. Distinctively, Coxe argues that lying is made out to be a worse sin than adultery, that Hawthorne intends for the evil-doing characters to stand out and be specifically fascinating, and that the novel overall is entirely rude in that it attempts to accumulate pity for the sinners. Taken as a whole, Coxe feels that the novel challenges ethics which he and his fellow-church-goers have been holding true for hundreds of years. I mostly disagree, but there is some truth in his statements.
As a closed egg carton hides its contents from view, so the characters in Nathaniel Hawthorne's novel hide their shame and secrets. Certain characters in The Scarlet Letter take great lengths to conceal their secret shame. Hester Prynne, the adulterous lover to Reverend Dimmesdale, lied in order to conceal the true meaning of her Scarlet Letter from her daughter, Pearl. Hester tells Pearl, "... as for the scarlet letter, I wear it for the sake of its gold-thread" (Hawthorne 166). Hester's guilt ridden lover, Reverend Dimmesdale, concealed his shame as well. As he himself phrased it, "Cowardice which invariably drew him back [from revealing he was Pearls father], with her tremulous gripe, just when the other impulse [remorse] had hurried him to the verge of a disclosure" (Hawthorne 136). In Dimmesdale's case, it was his fear of shame that kept him from acknowledging his part in Pearl's creation. Besides concealing their shame, the charact...
It's something that has been said since forever by well meaning parents and high school counselors and in The Scarlet Letter by Nathaniel Hawthorne, the author reiterates this bit of advice to the characters as well as the readers: "Be true!" When viewed from the surface, almost none of the characters followed the simple suggestion offered by Hawthorne, or the entire conflict of the novel could have been averted. Chillingworth the revenge monger was unwilling to reveal even his real name and intent, and Dimmesdale the sentimental and trusted pastor, was unable to reveal his dark secret. That leaves Hester. In the beginning she was not only forced to be true to herself and the whole town, but to emotionally and mentally evolve. She had found her identity in the novel the day she stood on that scaffold. If given a choice, Hester would have rather worn the mark of shame than not, because the letter had transformed her into who she is. The blood red letter may not be pretty, but it is immensely better than living a lie. By digging a little deeper into the novel, it's plain that Hester is the only one true in the entire book, both to her self and society. Hester and Hester alone had the courage to do what was right by showing who she really was. She let the events of the novel shape her like a ball of clay into the person she would become, instead of controlling events or resisting change. Although many may say she didn't learn her lesson by wanting to run off with Dimmesdale, she had in fact learned her lesson thoroughly and by admitting her love she didn't make the same mistake a second time.
letter *A* embroidered on her chest. The A served as a symbol of her crime, was
Although perceived as two utterly different men, Dimmesdale and Chillingworth share some remarkable similarities. Lying is one of these connections, as both men lie to one another concerning their connections to Hester and she conceals the secrets of their connections to her as well. Inquisitive as to whom Hester loved Chillingworth questions her, and she replies, “That thou shalt never know!” (86), so Chillingworth says to Hester “Breathe not, to any human soul, that thou dost ever call me husband!” (88), and she replies, “I will keep thy secret, as I have this” (88). Even though one would suppose both men to have significant roles in Hester’s life, they distance themselves and pretend as
"No man, for any considerable period, can wear one face to himself and another to the multitude without finally becoming bewildered as to which may be true”. In Nathaniel Hawthorne's The Scarlet Letter, this quote applies to the two main characters of the novel. It applies to Arthur Dimmesdale in a literal way; he clearly is not the man that he appears to be, and the guilt that goes along with such deception consumes his entire life. The quote also applies to Hester Prynne, but in quite a different way because it was not her choice to wear the “face” that she was forced to wear. The mark of the scarlet letter on her bosom determined how others perceived her and, in turn, how she was expected to perceive herself. At first, Hester did not consider the sin that she committed as blasphemous and horrible as the people of Boston did, but she was forced to wear the “face” of a sinner.
The Power of Secrets in The Scarlet Letter & nbsp; & nbsp; Deception is defined by Webster's Dictionary as the art of misrepresentation. Throughout the history of mankind, the use of deception to promote oneself to a higher level, or to hide one's past, has been a common occurrences. In the novel The Scarlet Letter, by Nathaniel Hawthorne, Chillingworth and Dimmesdale both use deception to hide secrets from each. other, and from the rest of the town. & nbsp; & nbsp; Hester Prynne is the only one who knows the secrets of Dimmesdale. and Chillingworth are hiding from the townsfolk. Hester has to control her. desire to tell the truth and practice the art of deception to hide these secrets. When she will not reveal the father of Pearl, Reverend Dimmesdale says, "She will not speak." " & nbsp; It is & nbsp; ironic that the person who committed the sin with Hester is the one who announces publicly that she will not reveal the name of the other sinner. Later, Chilling worth wants.
The secrets which Hester keeps are because she is silent and hardly talks to anyone. “Various critics have interpreted her silence… as both empowering… and disempowering… Yet silence, in Hester’s case, offers a type of passive resistance to male probing” (Elbert, 258). One may refer back to the scene at the beginning when Reverend Wilson is trying to get the name of the other sinner. As Hester refuses, one may see this as a foreshadowing for other events. Hester is a strong woman who would not tell a soul the secrets that interconnect Dimmesdale and Chillingworth. The secrets however begin to take a toll of Hester especially as Chillingworth comes to town and is dying to know who the father of Pearl is.
The way Hester and Dimmesdale approached their sins has a direct correlation with how they lived the rest of their lives. Hester confessed her sin because she had no choice she already had incriminating evidence in the form of a child and had to confess or be expelled from the community. In this sense, Hester had no choice but to confess or leave the community and she chose to confess. Although, we may not know why she made this choice, but we know she made it and she decided to stay with it and not leave the community in order to possibly confess her sins. Arthur Dimmesdale did not confess his sins for all the wrong reasons. He didn’t confess for mostly two reasons those being: his belief that man did not judge other men but only God can do that or that he will better serve his people with a sinful heart and not a sinful appearance. Arthur had to deal with all the pressures of a life of sin but also the pressure of his own conscience to confess those sins. The pressures on his body were worse than that of Hester who had confessed her sins. One of the main reasons that Arthur was in poor physical condition was that the wise Doctor Chillingworth had poisoned him, and kept poisoning him until he had confessed of his sins at the end of the book. This and the fact that his grief and guilt had led him to totally decimate his body both spiritually and physically he had just driven himself too far. Farther than any person should take this kind of self-mutilation. His social life also suffered as a result of this physical and mental torture because he had turned into a walking zombie and had not been very responsive to anything but his terrible torment. In this way, he was degrading himself and thought it necessary to do so for repentance. Although, he had not voiced his sin publicly he had preached about himself not being pure and being a sinner. In spite of this, the unknowing congregation worshiped him all the more for his self-proclamation of sinfulness without telling what his sin was.
Nathaniel Hawthorne’s The Scarlet Letter is one of the most respected and admired novels of all time. Often criticized for lacking substance and using more elaborate camera work, freely adapted films usually do not follow the original plot line. Following this cliché, Roland Joffe’s version of The Scarlet Letter received an overwhelmingly negative reception. Unrealistic plots and actions are added to the films for added drama; for example, Hester is about to be killed up on the scaffold, when Algonquin members arrive and rescue her. After close analysis, it becomes evident of the amount of work that is put into each, but one must ask, why has the director adapted their own style of depicting the story? How has the story of Hester Prynne been modified? Regarding works, major differences and similarities between the characterization, visual imagery, symbolism, narration and plot, shows how free adaptation is the correct term used.
The virtue of truth and the evil of secret sin are clearly illustrated in the novel, The Scarlet Letter, written by Nathaniel Hawthorne. The three main characters in this novel display their own honesty and sins.
One of the main themes in The Scarlet Letter is that of the secret. The plot of the book is centered on Hester Prynne’s secret sin of adultery. Nathaniel Hawthorne draws striking parallelism between secrets held and the physical and mental states of those who hold them. The Scarlet Letter demonstrates that a secret or feeling kept within slowly engulfs and destroys the soul such as Dimmesdale’s sin of hypocrisy and Chillingworth’s sin of vengeance, while a secret made public, such as Prynne’s adultery, can allow a soul to recover and even strengthen.
Guilt is a feeling of responsibility or remorse for some offense, crime, wrong, whether real or imagined. There are different types of guilt. Guilt can be caused by a physical thing a person did that he isn’t proud of, or wanted to hide, can be something a person imagined he did to someone or something else, or can be caused when a person did something to his God or religion. Everyone at some time in his or her life has a run in with guilt, and it has a different impact on each person. People, who are feeling guilty because of something they did or said, can influence how other people act and feel. Some people are affected worse by guilt than others, for example, Dimmesdale from The Scarlet Letter. Talked about in The Scarlet Letter, Dimmesdale, a man with the deepest guilt, was responsible for the moral well-being of his people. He went against his teachings, committed adultery, and left the woman to suffer publicly alone while he stayed like a hero in the town. On the other hand, sometimes the masses are affected by one person’s guilt. He was affected much more by guilt, because he didn’t tell anyone of what he had done. By keeping guilt internalized, a person ultimately ends up hurting himself. More than seventy percent of all things that make people feel guilty are found out later on in their life by other people. Guilt has three categories that it affects the most in people: physical, mental, and spiritual.
“To the untrue man, the whole universe is false,--it is impalpable,--it shrinks to nothing within his grasp. And he himself, in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.” (Hawthorne 115) Throughout the hostile novel The Scarlet Letter, author Nathaniel Hawthorne used contrasting settings to represent opposed ideas that were central to the meaning of the work. Some have argued that when it came to the theme that secrets have a destructive effect on the secret-keeper and truth, by contrast, was natural, a character evaluation would best advocate these differences. However, two settings, Dimmesdale’s house and the secrets that lie within, and the scaffold representing the truth, better embody the adverse ideas posed by the point at issue.