Stephan Schwartz used the “locale and period of Prince of Egypt” to influence the music written for the movie. He wanted to make sure the music fitted with young listeners as well as the plot line of the movie. He prepares to do this “by listening to and playing the piano” for a source of inspiration, then he starts to write. His preparation greatly benefits the film because he listened to “Hebrew folk records, and tapes of ancient Egyptian court music”. Schwartz made sure the score for The Prince of Egypt included Egyptian and Hebraic undertones.
In my opinion, Schwartz did an amazing job creating appropriate music for the period and subject matter of the film. I think he made the movie enjoyable for all viewers and managed to keep it historically
The film soundtrack was an important element in creating the juxtaposed world that Taymor desired. Taymor selected Elliot Goldenfall, a veteran composer for the stage and screen whom she had known for twenty years, to head the scoring. Their long association served them well in this endeavor - the final film score was both stunning and effective in combining ancient and modern musical elements. Goldenfall manipulated four main musical styles to score the film (symphonic, jazz, hard rock, and aria), and each style represented particular emotions.
The film elects to use a soundtrack comprised of only popular music from the 1970s. Frith writes, “The sociologist of contemporary popular music is faced with a body of songs, records, stars and styles which exists because of a series of decisions, made by both producers and consumers, about what is a successful sound” (Frith, 134). I reference this quote because it is important to note that this film was released in 1993. The people who are responsible for choosing the soundtrack have the luxury of knowing what music is able to ...
“The pharaoh of ancient Egypt is normally described as the typical example of a divine ruler” (J. Ray, Hatshepsut, Vol 44, Issue 5, 1994) The ancient Egyptian world has seen hundreds of pharaohs; some excelled and some didn’t. Many of the pharaohs were men, only few females succeeded in gaining such great power, yet some did... specifically Hatshepsut. Few pharaohs of the 18Th Dynasty have aroused as much controversy as Hatshepsut. Hatshepsut was the sixth pharaoh of the New Kingdom and set up co-regency with her nephew and stepson, Thutmose III. (J. Lawless, Hatshepsut, a Personal Study, 2010) Hatshepsut created many junctions in history through politics, building programmes and military. This makes her so recognised in modern day studies, though almost all evidence of her existence has been partially or completely destroyed. Due to this many theories have been created about the standard of her reign.
Overall, the score was beautiful and appropriate, adding suspense and mystery at all the right times. The sound effects added psychological flavor to the story without drawing too much attention to it.
The film The Prince of Egypt is in the most part very accurate with the exception of some minor details. The movie was released in 1998 produced and animated by Dreamworks which was about the story of Moses. The first topic that will be discussed is that the the plot was overall the worst section done. Another accuracy of the film that will be reviewed is the settings element is the best and most accurate part of the film. Finally, the diversity in the characters will be reviewed and are mostly accurate in the whole. Therefore, there are many similarities and differences between the Bible and the movie, ‘ The Prince of Egypt’.
One of its numerous strengths was the costuming and set. This musical would not have been the same had these elements not come together to transport the viewer. In addition to the costuming and the set, the actors were very well cast. Each actor was in a role that fit them and they portrayed their characters very well. For example, the man who played Glen really seemed like a greedy Wall Street worker. The choreography was also well done. It fit true to the style of dance in the 1980s and added to the immersion experience. The only thing that could have made this experience better would be to add more music. This may just be a personal preference, but when I see a musical I like for the music to be central like it is in Hamilton or Les Miserables. However, this musical was very good and not much could be added to enhance the
...lassical composers, I applaud this man for his creativity, style, but most of all for the great contribution he has made to the music and film world.
The sound design and choreography intensified the overall musical. They created the time, place, and mood through rhythm and great energy. The actors had wireless, behind the ear mikes, that attached to the mike pack which amplified the sound, making it very clear. I could easily understand what they were talking about or singing.
In Ancient Egypt there were over 29 Kings and Pharaohs and over 5 Queens. Some of the most famous kings and queens were: Ramses II, Ramses III, King Tut, Cleopatra, and Nefertiti.
The music suited the movie very nicely. By the type of music playing, you could determine what sort of scene was coming up, either fast and light...
While they just enter the cave, it is violins plucking make that background music. I have to say this scene really scares me because I am very afraid of spiders and the music at here plays in synch-point when they find out there are spiders on their bodies. When Jones turns back, the audience finally sees the spiders and there is a sudden sound made by the percussion and then followed by scratching strings’ sound play in a fast tempo. This creates the tensions of seeing those huge spiders and how Jones will overcome this problem. The music is kind of exotic since it is out of the normal music that we will hear from the orchestra, and it captures the dangerous and adventure unpredictable feelings since they are at the cave of the rainforest. Another example is the scene that happens around (00:36:23), which is when Jones and Marion arrived at Cairo. The music is different from what it was before since there was some western orchestra music before this. It adds more local instrument in the underscoring music, and I feel like it maybe some kind of instruments that are similar to flute or piccolo. Also, I hear some traditional percussion’s sound as well. Back into the releasing time of this film, many people may not have a comprehensive understanding of music from those cultures, and the composer basically helps us be more focused on the storyline
The film’s music largely consists of famous pieces from the 19th century, from either romantic orchestral composers or from operas. Also, there is always a pianist playing in any scenes involving a restaurant, and this pianist sings popular songs of the early 20th century that happen to fit into the storyline lyrically almost too well. The score, then, has a two-fold purpose. The most obvious reason ...
There are thousands of movie composers in the music industry, a few who triumph and whose work is well known to almost half of the world. One example of that can be the famous Maestro John Williams. John Williams is the musician for Jaws, Harry Potter, Star Wars, Jurassic Park, E.T and lots more. But there is a piece which everyone recognizes, and that is the theme from the movie Jaws. Imagine Jaws without the music. People would not feel scared; they would laugh at the plastic shark. And that is why music is one of the most important elements in cinema. John Williams in a late interview said this: “The music is part of a whole, which if I try as a composer to take that part of the whole, like in a concerto. I would not succeed, because the attention would go only for the music and not for the picture” (John Williams Interview). In Jaws, the music blends with the picture and acting; there are no imbalances. The picture and the music need to be in perfect harmony. Therefore, in Jaws, every time the daring melody comes out; the audience knows something bad is going to happen, and the music may anticipate a particular situation, but without the music overpowering the actors and sound effects.
In the eyes of a child, there is joy, there is laughter. But as time ages us, as soon as we flowered and became grown-ups the child inside us all fades that we forget that once, we were a child.
The 14th century texts The Education of a Christian Prince by Desiderius Erasmus, and The Prince by and Niccolò Machiavelli, are both integral texts for gaining an insight in the beliefs which individuals had during the Renaissance about what an ideal ruler was. Essentially, each book represents a “how-to” guide on how a ruler should manage his empire. Most significantly however, is that each author have quite strikingly differences in their system of beliefs on how an empire should be ruled, however, there are instances in each of their texts which they relate. For instance, in The Education of a Christian Prince, Erasmus writes his text to advise the reader on the credentials of a good ruler. Erasmus believes that a ruler should be capable