SANITY USES A FALSE MASK
In William Shakespeare 's Hamlet, the protagonist, Prince Hamlet of Denmark has been dealt a series of tragic experiences by fate that cause many people in and out of the play to believe he has been driven to his mind’s end with madness; however, the man stays sane for the sake of staying true to his honorable deed of vengeance for the compensation of his father’s treacherous murder. The story of Hamlet reveals that people aren’t defined by the experiences they have gone through, rather by how these experiences are dealt with. If Hamlet could stay in control after his tragic life’s experiences, then all people must be capable of finding the inner strength to stay in control, even if their personality does change, so
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Ophelia is portrayed as an absolute lunatic that has no control over herself which eventually leads to her own suicide; on the other hand, Hamlet acts slightly crazy only when around other people and is constantly showing his self control when making sly insults to other characters that usually either go way over their head or unheard by the recipient. The difference between the two’s madness is much like the difference between night and day. Hamlet stays sane and in control while Ophelia is driven to death by true …show more content…
Ironic as it sounds, Laertes is the person to thank for Hamlet’s eternal peace even though he was the one who poisoned the blade that killed Hamlet. The reasoning behind this is that even though Hamlet and Laertes are responsible for each other’s they both confessed their guilt and asked for each other’s forgiveness, which they both received. Denmark’s Protestant religion states that those who die without the chance to ask for forgiveness will wait in Purgatory until their judgement is passed and if not for Laertes opening up to Hamlet, they both would have passed on to the afterlife without forgiveness and would have to wait in Purgatory. Laertes is also given the credit of bringing to light the foul deeds that Claudius carried out such as the planned murder of Prince Hamlet because if Hamlet were to accuse Claudius of everything he did then the accusation would have been heard by deaf ears because everyone still thought Hamlet was insane at that point. Hamlet was given a final chance to finally take revenge on Claudius for the deaths of those close to Hamlet and restore the kingdom to order. All of this was managed in Hamlet’s final hour when he finally
After the fatally wounded Laertes points the finger at the king, Claudius, who has been a silent observer to Laertes' confession, backs up, trying to distance himself from being the focal point responsible for the evil that has taken place. However, he is unsuccessful, as a raging Hamlet follows him. The closeup of Hamlet killing the king twice amplifies his triumph.
Claudius uses Laertes to do his dirty work. Claudius is basically working behind the scene of this murder. He wants Hamlet dead because he feels Hamlet coming on to him. Claudius says, “Oh for two special reasons.”(Shakespeare4.7.9-24) Claudius wants Laertes to kill Hamlet. He knows that he really can’t punish Hamlet or put him away because of Gertrude and his royal standards. He didn’t want to hurt Gertrude any type of way because he loves her unconditionally. He also couldn’t punish him because Hamlet is in a public court and all the people love him and that would look bad for Claudius because everything would fall on him and the people will hate him for it. Claudius is a snake in the grass and waiting for his prey to come along so he can
Throughout the play, Laertes is as an extremely caring member of his family. His strong emotions for family have an opposing side to it, a shadow that has repressed feelings of anger which cause him to add to the disaster in Denmark. An example that depicts this is when Laertes attempts to request more rites for Ophelia’s funeral. After he is denied, he starts a commotion by calling the priest “churlish”, explaining that Ophelia will be “A ministering angel” while the priest will “liest howling”(5.1.217-218). His compliments to Ophelia shows how much he loved her, while his nasty insults to the priest show his repressed rage. While this is occuring, Hamlet hears Laertes’s mention of Ophelia during the commotion and throws himself into a brawl with Laertes. It is the conflict built up from there that causes Claudius to target Laertes as his next weapon to kill Hamlet with. Laertes’s deep anger for Hamlet makes himself the best candidate for Claudius’s manipulation. Once Laertes’s sides with Claudius, he shows his dark intent by requesting Claudius to not “o'errule me to a peace”(4.7.58). On the day of the duel, Laertes undergoes a confrontation of his shadow while he clashes with Hamlet. His realization of his shadow comes too late into the duel when both Hamlet and Laertes are struck by poison, as this happens he declares that he is “ justly killed with mine own treachery (5.2.337).” In the moments that he is still alive, he dismisses his shadow and ends the circle of murder by announcing the true nature of Claudius. Laertes’s repressed anger guides the play into the duel where many deaths occur including Hamlet’s.
It is too late though, the poisonous sword had cut Hamlet. In anger, Hamlet steals the poisoned sword and runs it into Laertes. He then charges Claudius and runs into him. He also takes the wine and forces Claudius to drink from it. Both Claudius and Laertes died before Hamlet.
Perhaps Hamlet truly is sane and has little fits of hysteria as the world seems to stack up against him. His anger and feelings of betrayal overload to explosive outbursts that can be interpreted as real madness. Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He question Ophelia’s motives by asking whether she is honest and fair. He...
Hamlet questions what may or may not happen however Laertes just wants the revenge fast and effective. Although these characters have different standards when it comes to revenge, they both immediately blamed and directed their anger towards Claudius when they found out their father’s were dead. Hamlet’s reason to blame Claudius is simply because he is his father’s murderer. In 1.5 while Hamlet is talking to the ghost of his father he says, “Haste me to know ’t, that I, with wings as swift/As meditation or the thoughts of love/May sweep to my revenge” (Shakespeare 1.5.31-33). At first is seems as if Hamlet would seek revenge right away because he seems eager to find out who the killer is and when he does find out he says he knew it was Claudius all along. He is furious and after this part in the play, Hamlet’s anger is mainly focused on Claudius. On the other hand when Laertes found out Polonius is dead he went straight to Claudius assuming it was him. By doing this he shows that he is controlled by his impulses unlike Hamlet who waited until he got proof to act on his fury. Laertes also blamed Claudius for not giving his father a proper burial, which can relate to Hamlet’s anger too because Hamlet felt as if there was not enough mourning for his father death. Not only did they both lose their fathers, but they both lost Ophelia, a female figure in their lives that they both loved.
Both Hamlet’s and Laertes’ fathers were killed. When Laertes discovered that his father’s been murdered he immediately assumes that Claudius is the killer. As a result of his speculation he moves to avenge Polonius’ death. Laertes lines in Act IV Scene 5 provide insight into his mind displaying his desire for revenge at any cost. “To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, that both worlds I give to negligence, let come what comes, only I’ll be revenged most thoroughly for my father.” (Act IV Scene 5 lines 136-141) In contrast to Laertes speculation of his father’s killer, Hamlet assumes the individual spying on his conversation with Gertrude is Claudius. “Nay, I know not. Is it the King?” (Act III Scene 4 line 28). Without thinking, Hamlet automatically thrusts out attempting to kill who he believed was Claudius and actually kills Polonius. Fury and frustration instigate Hamlet’s and Laertes’ indiscreet actions and causes them not to think of the consequences that may follow.
Hamlet truly loved Ophelia, In my eyes, and I do believe that if his mind was not clouded with anger, he would’ve done nothing to ever harm her. Hamlet without even realizing, because of his insanity used Ophelia as a release for his anger, and eventually drove her mad. He basically tortured Ophelia without even knowing, not only by the progression of anger and rejection towards her, but also by killing her own father.
Ophelia’s madness is because of what she encounters throughout the play by everyone around her. Her character is often looked past, people really don’t give her a second thought, and her emotions and wellbeing are almost entirely forgotten about. When her father and brother are telling her to stay away from Hamlet, she tries to speak up and tell them that she knows that Hamlet truly loves her. She tells them her feelings, but they say no, she is not to speak to Hamlet again and must obey. They didn’t take a second to try and look things over from her perspective. After Polonius and Claudius plan for Ophelia and Hamlet to meet and talk while they hid to listened, Ophelia is verbally abused by Hamlet and her father is too caught up with Hamlet’s
A mask is a covering worn on the face or something that disguises or conceals oneself. All the characters in Shakespeare's Hamlet hide behind masks to cover up who they really are, which contridictes a main idea, expressed by the fool, Old Polonius, "To thine ownself be true" (Polonius - 1.3.84). All the characters share strengths and triumphs, flaws and downfalls. Instead of revealing their vulnerabilities, each of them wears a mask that conceals who they are and there true convictions. The masks brought about feelings such as fear, hatred, insanity, indecisiveness, ambitiousness, and vengeance all of which contribute to the tragic ending of the play. Shakespeare reveals the idea of the masks in the first lines of the play, "Who's there" (Barnardo - 1.1.1). "Nay, answer me. Stand and unfold yourself" (Fransisco - 1.1.2).
Laertes has the ability to perform tasks that may be unpleasant or dangerous. Laertes does not simply try to kill someone by thinking cautiously the whole time, but by directly confronting them and facing them head-on. When Laertes returns home to Denmark he even confronts Claudius about the death of his father. Swearing Laertes says “I dare damnation. To this point I stand,/That both the worlds I give to negligence,/Let come what comes, only I’ll be reveng’d/Most thoroughly for my father.” (IV. v. 133-136). With this declaration Laertes plots with Claudius to kill Hamlet and they construct a plan to have Laertes fence with Hamlet and for him to kill him. They instrument a plot of revenge for the death of Polonius, quickly coming up with three ways to kill Hamlet: stabbing him with an unblunted sword, placing poison on the sword, and poisoning Hamlet’s drink (IV. vii.). After they construct this plan they swiftly utilize the plan. Laertes did not wait for the perfect moment, at the perfect time, and at the perfect place. He created the place, time, and moment to carry out the dangerous task. Hamlet, however, waited and waited for what he thought one day would be the perfect moment in which he could kill his uncle. Even when Hamlet had an opportunity to kill Claudius, he talked himself out of it. When compared to Laertes, Hamlet is a coward because of his inability
...m to put his life in danger to find out more information about Hamlet, which ultimately leads to his death. Claudius also planted the idea of murdering Hamlet into Laertes’ mind, and this became the main goal of Laertes towards the end, which leads him to his death. Hamlet has hurt the women that he loves, both Ophelia and Gertrude die. Claudius and Hamlet also die, which is ultimately how the corruption of the nation of Denmark ends, through this it can once again be the great nation that it once was.
Ophelia's insanity is driven by the fact that she has basically been cut out of Hamlet's life. " Like sweet bells jangled, out of time and harsh,/ That unmatched form and feature of blown youth/ Blasted with ecstasy" (III.i. 158-160).Her role as an "innocent lady" is to complete the picture of faithfulness and obedience. Without Hamlet, it is difficult for Ophelia to fulfill her role. Ophelia is completely pushed over the edge whe...
He has the ability to perform tasks that may be unpleasant or dangerous. Laertes does not simply try to kill someone by thinking cautiously the whole time, but by directly confronting them and facing them head-on. When Laertes returns home to Denmark he even confronts Claudius about the death of his father. Swearing Laertes says “I dare damnation. To this point I stand,/That both the worlds I give to negligence,/Let come what comes, only I’ll be reveng’d/Most throughly for my father.” (IV. v. 133-136). With this declaration Laertes plots with Claudius to kill Hamlet and they construct a plan to have Laertes fence with Hamlet and for him to kill him. They instrument a plot of revenge for the death of Polonius, quickly coming up with three ways to kill Hamlet: stabbing him with an unblunted sword, placing poison on the sword, and poisoning Hamlet’s drink (IV. vii.). After they construct this plan they swiftly utilize the plan. Laertes did not wait for the perfect moment, at the perfect time, and at the perfect place. He created the place, time, and moment to carry out the dangerous task. Hamlet, however, waited and waited for what he thought one day would be the perfect moment in which he could kill his uncle. Even when Hamlet had an opportunity to kill Claudius, he talked himself out of it. When compared to Laertes, Hamlet is a coward because of his inability to
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other