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Existentialism with the stranger
Existentialism with the stranger
Existentialism with the stranger
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One of the ways existentialism is created in The Stranger is through the use of the philosophical idea of nihilism that the main character, Mersault, holds true to. Nihilism is the dismissal of all religious beliefs and essentially is the belief that life is meaningless. Mersault is of nihilist thought in that he puts no meaning to life through the total concentration of the physical and virtually believes in nothing. Rejecting any consideration of being thoughtful towards any potential meaning is an obvious point being made in Camus' attempt to convey this perspective of existentialism throughout the novel. During the scene of the priest's visit to Mersault at the end of the last chapter, the priest tries desperately to reach Mersault and Camus uses his character's strong beliefs even further to develop the idea of existentialism: “'Every man I have known in your position has turned to Him.' I acknowledged that that was their right. It also meant that they must have had the time for it. As for me, I didn't want anybody's help, and I just didn't have the time to interest myself in what didn't interest me” (Camus 117). Camus creates Mersault to concentrate predominantly on his own needs and desires in order to truly represent his existential philosophy, and therefore blatantly denies any consideration to the meaning of life. In this way he detaches himself from the world and causes himself to find more importance in the physical. Furthermore, the extent that Mersault goes to avoid confronting potential religious beliefs allows him to hold strong in existentialist thought by determining his own purpose, through his physical and impulsive desires singularly.
Throughout the text, Camus incorporates the philosophy of fatalism by the ...
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...e of skepticism that Mersault looks so broadly through. Mersault is skeptical of the value of life, much less any thing, and by doing so uses minimalist thought to express that he does not place importance on any one thing because they all are in equal in the end. This view inherently leads him to be unemotional towards people: "Salamano's dog was worth just as much as his wife" (Camus 121). It is clear that Mersault is skeptical on the meaning of anything at all, and inescapably, it is difficult for the reader to not adopt the skepticism exemplified in the novel. We are left to judge whether anything the character does has any meaning through the knowledge that we ourselves already have. This explains existential skepticism in that he creates his own meaning this way and will not leave himself to conform and allow others definitions of things impact his chosen path.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Camus establishes in his argument that life is meaningless. He believes that people following the same regiment repeatedly for years will eventually ask themselves the point of this endless behavior. For Camus, there are two ways to approach this dilemma. People can either just ignore the thought continuing on the usual path, or they can encounter the definitive
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
The Motif of the Sun in The Stranger In Camus' novel The Stranger, the predominate motif of the sun has been variously interpreted by many critics as a symbol of Meursault's repressed emotions. This is an interpretation I simply cannot accept, for I have always regarded the sun as symbolic of the superego - the force of society within Meursault. Like the sun, society is generally thought to be a positive thing. People usually regard a good, strong society that instills its members with a strong, unified code of morals as something to be desired. In the same way, people tend to think of a bright, warm, sunny day as something good and positive.
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
Within The Stranger, Albert Camus includes a passage concerning the story of the Czechoslovakian man. Camus employs this passage not only to foreshadow Meursault’s final fate, but also to emphasize Meursault’s antihero status by creating foils between Meursault and the Czechoslovakian man. The Czechoslovakian man has a brief appearance in the story which plays a large part in Meursault’s emergence as a dynamic character. Meursault’s emotionless demeanor throughout the story distinguishes him as a flat character, at face value, at least. Once he enters prison, he must find ways to pass time, and one of those ways becomes recalling how to remember. The story of the Czechoslovakian man turns into one of his means of remembering, as he reads and rereads this story, memorizing details and forming actual opinions. These shifts within Meursault represent his first real commitment to any single entity, even if that entity exists only to pass time.
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
I, Albert Camus, am a famous French author who had written The Stranger in 1942. I was born in Algeria, and my experiences there had deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy involving the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper. In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups
In the short novel The Stranger, Mersault is also an existentialistic character. He does not wish to become involved with anyone, including God and his own mother and does not have any emotion what so-ever when she dies. Although Mersault does not want to become involved with anyone, he also does not want to create waves, thus he cannot help but to say yes to a friend when he asks him for help.
Existentialism is a term that was coined specifically by Jean-Paul Sartre in regards to his own life. Sartre had adopted the Atheistic approach to life and its meaning, and while he was not the first or only one to do so, was the first and only one to come up with a way to describe it. Under Existentialism, man lives without higher power or guidance and must rely solely on himself and what he is aiming to do in order to lead a fulfilling life. This can be anything. Critics of Sartre propose that, because such a vast array of options exists within the meaningfulness of life, this philosophy is obsolete and trivial in nature. This is not true, as it is seen in everyday examples – celebrities, namely – that a thirst
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.
Existentialism is defined as "a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his or her own development through acts of the will”. In other words, existentialism emphasizes individual freedom. Throughout The Stranger, the amount of existentialism is abundant. The use of Mersault’s experiences coveys the idea that human life has no meaning except for simple existence. The idea of existentialism in Albert Camus' The Stranger reflects through Mersault's life experiences with his relationship with Marie, the death of his mother Maman, the murdering of the Arab, and Mersault's trial and execution, all these events show that Mersault’s life of no meaning.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.