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Little Women Bylouis May Alcott
War throughout history and the effect on families
Little Women Bylouis May Alcott
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The Power of Love in Little Women
"Truly, love does work miracles!" (335) The March family portrayed in Louisa May Alcott's Little Women, was the classic American family. The father is fighting in war, the mother is all knowing and wise and the four daughters are budding seeds of independence. In the beginning of the novel we are introduced to all four of the sisters. Meg, the oldest, is wise and very concerned with class and the styles of the times. Jo was the least like any of her sisters. She longs to be a boy and not have to worry about such petty things as her hair and what she is wearing. Beth is a kind gentle soul who is always contented with what she has. Amy, the youngest, is very conceited. She is always concerned with her looks and who she will marry.
"'It's so dreadful to be poor!' sighed Meg, looking down at her old dress.
'I don't think it's fair for some girls to have plenty of pretty things and other girls nothing at all,' added little Amy, with an injured sniff.
'We have Father and Mother and each other,' said Beth contentedly, from her corner . . . . Jo immediately sat up, put her hands in her pockets, and began to whistle. 'Don't Jo-it's so boyish!'{Amy said}
'That's why I do it'" (p.3-4).
Though different in many ways, they all loved each other. It was, however, love from, and for, other people that changed them all in so many ways.
Being the oldest sister, Meg felt a lot of pressure on her to marry into the right class. She longed for pretty things and large house. She wasn't as conceited as Amy, but continually let Jo know how disappointed in her she was. Jo's unladylike tendencies disgusted her. After going to a coming out party for Annie Moffat, Meg was a changed pers...
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...n any other love. In her short life she changed many people for the better.
The March family survived many hardships and surpassed many obstacles. Without the love for each other, they wouldn't have made so far. Many years later, Mrs. an Mr. March are sitting back, watching their daughters and grandchildren romp in the orchard. They both see how much they have all grown and changed, Mrs. March turn to Mr. March and says, "Truly, love does work miracles! How very, very happy they must be"(335)
Work Cited
Alcott, Louisa May. Little Women. New York: Signet, 1983.
Douglas, Ann. Introduction. Little Women. By Louisa May Alcott. New York: Signet, 1983. vii-xxvii.
Elbert, Sarah. A Hunger for Home: Louisa May Alcott and Little Women. Philadelphia: Temple Press, 1984.
Hollander, Anne. "Portraying 'Little Women' Through the Ages. New York Times 15 Apr. 1994.
Catherine first becomes exposed to the opposing forces as she experiments with her desires for love and a better quality of life. *6* Because she constantly shifts priorities from one man to the other, her love for Heathcliff and Edgar results in a destructive disequilibrium. *1*In the novel, Cathy is portrayed as a lady with untamable emotions. *7* In her childhood she learns to l...
Fetterley, Judith. The Resisting Reader: A Feminist Approach to American Literature. Bloomington and London: Indiana University Press, xi-xxiv. Print.
Fisher, Jerilyn, and Ellen S. Silber. Women in Literature: Reading Through the Lens of Gender. Westport, Conn: Greenwood Press, 2003. Print.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Hartmann, Susan M. The Home Front and Beyond: American women in the 1940s. Boston: Twayne Publishers, 1982
The short story “Cathedral'; includes three characters. These characters include the narrator, his wife, and her blind friend Robert. Early into the story, the narrator expresses that he possesses many stereotypes, these stereotypes keep him “blind'; from the true reality of blind people. The narrator says “My idea of blindness came from the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs.'; This explains where the narrator originally gains his misconceptions of blind people. The narrator’s wife tells him that Robert will be visiting for the weekend. Once Robert arrives at their home, the narrator is shocked to find out that Robert doesn’t wear dark glasses, carry a cane, and is wearing a full beard. Throughout the story some of the narrator’s stereotypes are erased. Howeve...
Little Women, by Louisa May Alcott, was published in 1868 and follows the lives, loves, and troubles of the four March sisters growing up during the American Civil War.1 The novel is loosely based on childhood experiences Alcott shared with her own sisters, Anna, May, and Elizabeth, who provided the hearts of the novel’s main characters.2 The March sisters illustrate the difficulties of girls growing up in a world that holds certain expectations of the female sex; the story details the journeys the girls make as they grow to be women in that world. Figures 1 and 2 in the Appendix are of Orchard House, the basis for the March family home, where the Alcotts lived.
One of the most well-known American Literary Classics is “Little Woman”. Louisa May Alcott’s stirring tale about hardship, loss, and coming of age is appealing to girls and women alike. In an homage to this classic story, Geraldine Brooks gives us “March”. Written for an older crowd, “March” is the harrowing account of Mr. March, the father and wife of the protagonists in “Little Women”. The companion novel details his adventures in the South, and the events that lead to him joining the Union Army in his 40’s. Mr. March is a multi-faceted man, with a head for teaching. However, the once innocent, well-meaning and naïve man who volunteered to be a chaplain in the Union forces was scarred beyond recovery by what he saw during his tour of duty. Throughout the book, he learns and changes from the person that he once was. Facilitators of this transformation include Silas Stone, Zannah the former slave, and his wife, Marmee. For better or for worse, they each changed Mr. Marsh and the way he thought about the world.
Solomon, Barbara H., ed. Rediscoveries: American Short Stories by Women, 1832-1916. New York: Penguin Group, 1994.
At the time of the writing of the novel, society and women’s rights were slowly increasing. Through the four March sisters, Alcott depicts ways that women dealt with the norms of the time. Meg, marries young and creates a family; Beth is dutiful to her sisters and parents; Amy focuses on herself and her own beliefs and likes, which Amy does at first, but later settles into life as a lady; and Jo’s struggle to find a professional life, but also live a dutiful family life. While Meg and Beth conform to the 1800’s women expectations, Jo and Amy attempt to break away, and be individuals. Eventually, they both settle into a customary way of life. Alcott doesn’t suggest that one woman is stronger or weaker, nor does she suggest that in the end you must always rebel or conform, but she does recognize that one is more realistic than the other.
... Now that people of all economic groups were becoming more educated and more importantly literate, society changed. The first great, American, woman authors began to write. Lousia May Alcott wrote Little Women. This was a story attempting to give a realistic and sentimental view on life. This story was, like the works of Twain, relating everyday experiences and romanticizing mundane daily life, making her stories popular to the common person and most importantly, the children of the time.
The story of social class in Wuthering Heights is no less paramount and essential to the novel. There are two high class families in the novel, The Lintons and the Earnshaws. Both families are of the aristocracy, and they make it apparent from their manners and action towards the people of the lower class. Both families, like many rich people today and of the late eighteenth and nineteenth century, believe that the only people good enough to associate with them or on a romantic level are those of noble birth. This becomes an issue in the novel when Heathcliff comes to live with Catherine and Hindley. While Catherine isn’t particularly fond of Heathcliff at first, she becomes emotionally attached to him, and he becomes a great source of happiness for her. This leads into a problematic issue and a love triangle between Catherine, Edgar, and Heathcliff. The feelings that Catherine faces lead into love and a difficult question she must conclude with. Should she hold true to family values and forget the romantic fondness with Heathcliff? Or follow in her true instinct of love and neglect the option of tradition? Although immediately after Catherine’s decision of doing what is “rational” and marries Edgar, she clarifies to Nelly, the housekeeper, that her reason for doing this is because, “It would degrade me to marry Heathcliff…” (81). These previous
Watson, N. (2009) ‘Louisa May Alcott, Little Women (1868-9) Introduction’, in Montgomery H and Watson N (eds), Children’s Literature Classic Texts and Contemporary Trends, Basingstoke, Palgrave Macmillan in association with Open University, pp.13-17
Catherine is the first woman that Heathcliff is introduced to. He treats her well; Heathcliff has never struck her or curse her. Throughout their childhood and adolescence, the pair are inseparable. When Catherine is injured at the Linton’s he refuses to leave her side,
Louisa May Alcott tells the story of family growing together in her novel Little Women. The four March sisters, Meg, Jo, Beth, and Amy all mature in different ways over the course of the novel. Meg and Amy both deeply concern themselves with looks and reputation at the beginning of the book, but as the story progresses, each of these characters develops into women with unselfish