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Symbolism in death of salesman
Role of Women in Death of a Salesman
Linda's character in the death of a salesman
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The Power of Love in Death of a Salesman
Love is one of the most confusing emotions that one can experience. It is simple yet complicated, unconditional but demanding, overused and unique. It is hard to explain what its means to feel love, to feel loved, or to be in love, however, there are aspects of love that are easily expressed. For example, ones unquestionable affection to the one they love, or the hardships and sacrifice that is endured for loved ones, and the underlying fact that once it is experienced it is not easily dismissed. The play Death of a Salesman by Arthur Miller describes love in just these ways, and, most of all, as the ultimate moral value that is the eternal bond that keeps people together. One can see this in the love that Linda has for her husband Willy, the unmistakable devotion that Willy has to his family, and the masked love that Biff has for his father, Willy.
Before experiencing the play Death of a Salesman the reader or viewer must understand the family standards that were in place during the time period that the play was set. It was a time where the man of the house had the final word in everything. The woman of the house was the follower of the man through any hardships, and never overstepped her role. Linda is that woman, always putting her needs second to Willy's. She is the eternal wife and mother, the point of affection both given and received, the woman who suffers and endures for her family. Linda's love for Willy is unquestionably pure and unconditional:
No. You can't just come to see me, because I love him. He's the dearest man in the world to me, and I wont have anyone making him feel unwanted and low and blue. You've got to make up your ...
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... that love makes is extremely strong, and can withstand the strongest and longest tests that humankind could put it through. It is everlasting, and beautiful to experience.
Sources
Field, B.S. "Death of a Salesman" Twentieth Century Literature. January, 1972. 19-24. Rpt. in World Literary Criticism. Ed. Frank Magill. "Arthur Miller" Detroit: Gale Research, 1992. 2366-2368.
Hoeveler, D. J. "Redefining Love" Arthur Miller's Death of a Salesman: Modern Critical Interpretations. Ed. Harold Blum. Philadelphia: Chelsea House, 1988. 72-81.
Miller, Arthur. Death of a Salesman. Gerald Weales, ed. New York: Penguin, 1996
Parker, Brian. "Point of View in Arthur Miller's Death of a Salesman." Arthur Miller: A Collection of Critical Essays. Ed. Robert Corrigan. Englewood Cliffs: Prentice Hall, 1969. 98-107.
Found within the storyline, Willy implements features of a tragic hero as he shows the reversal of events in his life due to his own actions. Willy, through the downfall with his son, Biff, shows that his actions have caused a bridge between him and his son in which his son chooses to grow apart from his family. As seen at the beginning of the play, Willy represents a tragic hero as he is distressed and troubled as he comes home from another failed sales trip. Although Willy represents a tragic hero in many cases, there are also others found within Death of a Salesman that help implement the role of a profound hero. Willy’s wife, Linda, implements the heroine as she presents herself with many wise and understanding words for Willy has he faces his hardships. Throughout the story, it is seen that Linda represents herself as a put together woman for her husband but is often found distraught by her husband’s actions in which readers and audiences can empathize with
Miller, Arthur. Death of a Salesman. The Bedford Introduction to Literature. 8th ed.Ed. Michael Meyer. Boston: Bedford, 2008. 1908-1972. Print.
Gioia, Dana, and X.J. Kennedy. "Death of a Salesman" Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed. New York: Pearson; Longman Publishing, 2007. 1212-1280. Print.
Murray, Edward. “The Thematic Structure in Death of a Salesman.” Readings on Arthur Miller: Death of a Salesman. San Diego: Greenhaven Press Inc., 1999.
Eisinger, Chester E. "Critical Readings: Focus on Arthur Miller's Death of a Salesman: The Wrong Dreams." Critical Insights: Death of a Salesman (2010): 93-105.
Miller, Arthur. "Death of a Salesman." The Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol. 2. New York: W.W.Norton, 2013. 1235-295. Print.
Miller, Arthur. “Death of a Salesman.” The Norton Introduction to Literature 10. New York: W. W.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999
Miller, Arthur “Death of a Salesman” Literature: Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw Hill, 2012. 205-13. Print.
"Death of a Salesman By Arthur Miller ." Goodreads . N.p., n.d. Web. 23 Apr. 2014. .
Eisinger, Chester E. "Focus on Arthur Miller's 'Death of a Salesman': The Wrong Dreams," in American Dreams, American Nightmares, (1970 rpt In clc. Detroit: Gale Research. 1976 vol. 6:331
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
In the original 1949 play of Death of a Salesman, Arthur Miller was the American playwright. Death of a Salesman was a tragic play that presents a story about a salesman named Willy who believes that personality and being “well-liked” will achieve his American Dream. The play premiered on February 10, 1949 at the Morosco Theatre in Manhattan, New York (Avery). Miller’s play reflected on his relationship with uncle, Manny Newman who was also a salesman like the protagonist of the story and two sons who he took great pride on (Tierney). Through his characterization of Willy and Biff Loman, Miller presents contrasting (or surprising similar) illustra...
Eisinger, Chester E. "Focus on Arthur Miller's 'Death of a Salesman': The Wrong Dreams," in American Dreams, American Nightmares,
Arthur Miller’s Death of a Salesman is a play that follows the troubles of a salesman named William “Willy” Loman, whose overzealous definition of true success inevitably leads to his suicide. I feel that a few of Willy’s unique characteristics contribute to his downfall, but that his unstable point of view and completely misconstrued concept of reality make the greatest contributions.