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Female roles in medieval literature
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Taming of the Shrew: persuasive essay
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Recommended: Female roles in medieval literature
The Power of Love in 10 Things I Hate About You and Taming of the Shrew 'The Power of Love' is portrayed in various themes throughout both.
Some of which depict superficial love, motivation by money and
love-at-first-sight. These ideas can be contrasted and compared
between the 1500 Elizabethan time of Shakespeare's play 'The Taming of
the Shrew' and the present contemporary period of teenage movie '10
Thing I Hate About You'.
The motif of motivation by money in love is a frequently suggested
theme in both texts: - 'Taming of the Shrew' and '10 Things I Hate
About You'. In 'The Taming of the Shrew' Petruchio is motivated by
dowry money that he would receive if he married the shrewd and
foul-tongued Katherina.
Petruchio:'I come to wive it wealthily in Padua; if wealthily then
happily in Padua.'
Petruchio explains that the only way to a happy lifestyle is to marry
a wealthy wife in Padua. His theory is that money will make him happy,
although in contemporary society that hypothesis has been challenged.
Gremio: 'You shall have me assisting you in all. But will you woo[1]
this wildcat?' Petruchio: Will I live?...Think you a little din can
daunt mine ears? Have I not in my time heard lions roar? Have I not
heard the sea, puffed up with winds…and heavens artillery thunder in
the skies?...And you do tell me of a woman's tongue, that gives not
half so great a blow to heard.'
Petruchio boasts taming Katherina will not be difficult as he has
experienced far worse in his life than just the scolding tongue of a
woman. He highlights that he is fearless in his chase for Ka...
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...ontribute to his thoughts and feelings about her. When
the camera is shot at her she is depicted walking slowly and sweetly,
like and angel, while Cameron watches on in amazement. Similar to 'The
Taming of the Shrew' Bianca also falls in love with Cameron and they
attend the Prom together, which is the contemporary equivalent to the
wedding of Lucentio and Bianca in 'The Taming of the Shrew'
All of the themes, 'motivation by money', 'superficial love' and 'love
at first sight' are depicted strongly in both texts, the 1500
Elizabethan period of 'The Taming of the Shrew' and the modern
contemporary time of '10 Things I Hate About You'. All these themes
can be used to portray 'The Power of Love' and highlights the changes
and continuities that have occurred over time.
[1] Try to win a woman's hand in marriage; court
Many people never realize or take much notice on what deaf people go through in life, but by watching the movie "Love is Never Silent", hearing people are able to have a clear view of what it is like to be deaf in the hearing world. Many different perspectives towards how deaf people live, socialize, party or work are built by many distinctive types of people. As the movie "Love is Never Silent" shows, Margaret and her family are isolated from their community. They aren 't allowed to sign in front of the hearing because it 's strange and abnormal. Seeing a deaf person sign during a time where being different can make a person look like an outcast makes hearing people pity the deaf and end up treating them as ignorant people. Although deaf
In the novel, To Dance with the White dog, Terry Kay crafts a love story about Sam Peek and his wife Cora, that seems to extend beyond the grave in the form of a white dog. At the same time, the film Moulin Rouge is a fast paced, tensely dramatic, love triangle between Christian, the poor writer, Satine, the courtesan that everyone fancies, and the Duke, who has the money to transform the Moulin Rouge into a theatre with real merit. Both movies center on the main theme of love but take two different stands on that love. While Satine is unable to concentrate solely on a single relationship, Sam Peek is able to focus solely on the love of his life, Cora.
From the beginning of fiction, authors have constantly exploited the one topic that is sure to secure an audience: love. From the tragic romance of Tristan and Isolde to the satirical misadventures in A Midsummer Night’s Dream, literature seems obsessed with deciphering the mysteries of affection. The concept most debated is the question of where the line falls between lust and love and what occurs when the two are combined, and few portray it more clearly than Edmund Rostand in his French drama Cyrano de Bergerac. The influence of fickle physical attraction and deep romantic love on each other are explored by the interactions of the four main characters: De Guiche, Christian, Roxane, and Cyrano.
Information from this site will be beneficial when explaining the reference of love as a way to combat evil. This theme is quite strong throughout the series.
' Here's much to do with hate, but more with love.' Act 1 scene 1.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
10 Things I Hate About You takes William Shakespeare’s classic play, The Taming of the Shrew and manages to make it relevant to a modern audience. The story remains the same with the younger sister, Bianca, not allowed to have a relationship until her older sister, Kat, does. They did maintain several original scenes and even used several direct quotes from the original play. The writers have eliminated some of Bianca’s suitors and changed the way Kat is tamed to appeal to a modern audience.
“Love is not love that alters when it alteration finds” (“William”). Like a newborn creature, love looks around and evaluates, planning its next move. Match the two lovers together so they can spend an eternity together; love’s only goal. Before love can match the two people together, it must evaluate the situation around it. Do they have the right chemistry? Well, if a person wants a family and the other doesn’t, then no. If one likes to camp and so does the other, then yes. There is only important question love must answer; does it change when times do? Some would say of course because everything changes as time passes. Others may say no due to the raw emotion that derives from love. Love comes from the heart and soul deep down inside oneself. No matter if in the 18th century or the 24th, love does not change.
However, Shakespeare also picks on love. Not only did Malvolio's confusion about his and Olivia's relationship prove to add to the comedy, but it rather showed how one can play with love, and use it for another's harm. Apart from this example, love is depicted as a light and lovely emotion.
What is love? Many people would answer this question differently. People fall in love, get married, and form families with children, pets and houses. Every family differs from one another. The reason that no identical families exist in this world is that people understand love in their own ways.
In the first scene of Act one there is the servants Sampson and Gregory talking about sexual love. As they both talk about taking girls virginity. They both sound arrogant as they talk as if it is through experience. To them the thoughts of taking a girl’s virginity seems a joking matter.
When most people think of love, they imagine a beautiful concept, one of which is and should be a part of life. Some will imagine the unconditional love of God, others will picture a spouse or family members, and some may even think about materialistic things. While there are many ways in which love can be defined as, it usually has positive connotations. This is not necessarily the case in Lewis’ novel Till We Have Faces, at least through the character Orual. Love is a major theme in the novel and is portrayed in both a humanly and a divine way. The humanly love which Lewis displays is mainly shown through Orual and is demonstrated as a perverse love. The divine love is presented through Psyche and is portrayed as selfless. In Till We Have Faces, C.S. Lewis differentiates perverse love and selfless
For hundreds and hundreds of years, we, as humans have yearned for companionship; sharing our life’s with one another in an intimate, and special way. For some, this is extremely difficult, the feeling of being loved and loving somebody doesn’t happen as easily, quickly, or frequently as they would like, struggling their entire life to find that person who they are meant to be with. These are the people who are desperate for even the slightest bit of affection, the people who will do and give up about anything to feel wanted in this world. For others, this comes rather naturally, adopting the characteristics and behaviors of their parents, people or the environment around them. These people, who are experts at the art of being vulnerable and loving others, are presented with their own problem of being susceptible to get taken advantage of and heartbroken by others. To love is to be vulnerable, although that may seem like an obvious statement; the trick is the perfect amount of vulnerability. Love is a great, outstanding creation, but if somebody is too vulnerable or not vulnerable enough, it can come to a screeching halt where people get hurt or worse. Throughout history other pieces of work by various authors portray love to be a questionable thing that is untrustworthy and that vulnerability is a concept with hidden evils.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love. Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff.
Romeo and Juliet is a love story and it is the power of love that