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The play of power in the tempest
The play of power in the tempest
The play of power in the tempest
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Power: it is something that everyone wants and so few know how to justly maintain. Power causes blood to be shed and divisions to be created among friends and family that may be irreversible. In Shakespeare’s The Tempest, Prospero, Antonio, Sebastian, and Alonso grapple with the effect power has on them and how to remain just. All four lose their sense of morals and harm others in order to have personal gain. Power, whether it is the idea of possessing it or the possession of it, will cause individuals to become corrupted and immoral, thus losing their attachments to others. The idea of power alone is enough to cause individuals, such as Antonio and Sebastian, to act immorally and lose their connection to others. The power gained is more important …show more content…
Prospero recounts his tale of woe to Miranda of being expelled from his dukedom due to the greed of his brother and his brother conspiring with the king. Prospero states, “The King Of Naples, being an enemy / To me inveterate, hearkens my brother’s suit,” (1.2.145-146). The King of Naples recognized his power over Prospero due to his position and gave power to Antonio by furthering Antonio’s “suit”. Alonso did this not only to help his friend, but to make a subordinate out of Antonio. The power Alonso possessed by being the King of Naples enabled him to act on his greed and act immorally. Although Prospero knows how it feels to have a person of authority abuse that position, his power of Caliban becomes too much temptation and he treats Caliban terribly. In a fit of rage, while yelling at Caliban, Prospero exclaims, “Thou most lying slave / Who stripes may move, not kindness, I have used /thee/ Filth as thou art,” (1.2.412-416). Prospero is using rude language to Caliban with terms such as “filth as thou art” and calling him a liar, and even threatens to use physical violence. From his possession of power over Caliban, Prospero uses it to harm him and force him to do the chores for Prospero. Although Prospero did originally treat Caliban with kindness until Caliban attempted to force himself onto Miranda, he swung to the other extreme and is now getting revenge for it. Prospero uses his position of power and his magic to force Caliban under his will and subordinate him. The corruption caused by powers is exempt for morally just individuals such as Miranda. Miranda is able to make a new attachment due to her position of power rather than becoming isolated. She finds a husband in the person who was her subordinate, and does not abuse that position against him. Miranda is the purest and righteous
What is power to a human? As time has gone by, there have been many forms of control and influence in the world. Many strive to achieve total rule over a society or group of individuals. Yet the question still presents itself to the average man. Why does man desire power so greatly even though there is visible trouble that follows? Shelley’s Frankenstein, Vonnegut’s “Harrison Bergeron”, and Shakespeare’s Julius Caesar, whether through the situation or the character themselves, depict the evils and hardships due to an imbalance and poor management of power.
Power- power is the complete domination of others, and since all men want to dominate those around them, power is valued as one of the most important possessions. Power is highly sought after, thus the correct decisions must be made to obtain it, and this is clearly proven by Shakespeare's "Julius Caesar". Power is obtained much easier than it is kept. "Liberty! Freedom! Tyranny is dead!" The conspirators celebrate the death of Caesar, because they believe that they make the right decision in killing him, and so far they have, but the decision to spare Mark Antony is one that will haunt them in the end. Power is not always beneficial, it can be a very dangerous possession. "You shall not stir out of your house today." Calphurnia makes the decision to persuade Caesar to stay home, and not go to the Senate meeting. When one has power, there are those who want it, like Brutus and the other conspirators. Calphurnia makes the right decision, yet Caesar makes the wrong one by deciding ...
He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect. In Act I of the play, Prospero finally tells Miranda the woeful story of how she and he arrived on the island. From the beginning, Prospero plays his subjects and his sympathetic audience as pawns in his game of manipulation. He explains that twelve years ago he was the Duke of Milan, but being enthralled with his studies, he left most of the governmental responsibilities to his brother Antonio. Antonio, hungry to be "Absolute Milan" himself (1:2, p.6), proceeded to betray him with the help of King Alonso of Naples.
This has been cultivated through Prospero. Who is a multi-layered character that is depicted as a father, magus and god/ruler of the island, thus Prospero is learning to balance and redefine himself which often leads to his intellectual response to get the better of him. Prospero’s personal context of having come from Milan means he expects power when he comes to the island, which is evident in the motif of mater vs servant relationship which is manifested by his knowledge about dominance. Shakespeare has created a complex character of Caliban, who fails to remove himself from a servant position. Caliban is the reflective nature of Prospero’s inner turmoil, “we visit Caliban my slave”, “My slave”, the use of personal pronoun, “my” further states Prospero’s intellectual response to control Caliban. Shakespeare here comments on how Prospero’s past lack of control has caused his power obsession and thus need to regain control. However, towards the end, Prospero’s rediscovery of compassion would have lead to the release of his servant Caliban, but due to the discovery of alcohol from Stephano and Trinculo, results in replacing them as his, “noble lord”. Further re-establishing his desire for authority, through his intellectual and emotional response which has been provoked by the
In summary, Shakespeare’s The Tempest play explores the theme of opposition to the colonial-style authority of Prospero based on various characters’ covert and overt reactions to the master’s antics. For instance, Ariel opposes Prospero’s continuous detention of the former regardless of an earlier agreement to the contrary. Moreover, Caliban expresses his dissatisfaction with the forced labor that her does for Prospero. To prove his opposition to Prospero’s authority, Caliban plans the master’s death. Miranda also makes a statement that indicates her displeasure with the way Prospero executes his authority especially with regard to Ferdinand. The imprisoned Ferdinand also indicates his opposition to Prospero’s power through a disproving statement made before Miranda.
Power is a critical aspect of aristocratic society since it provides authority to those who possess it and influences the actions of others. When one is given too much control, it often results in the abuse of power. In the play, King Lear written by Williams Shakespeare, the corrupting and destructive effects of power are witnessed through three significant occurrences: Regan and Goneril betraying King Lear, Edmund deceiving his father and Cornwall abusing his power.
Removal from a position of power can leave an individual desperate for normality that was once held, causing one’s capacity for discovery to become hindered. Prospero tells of his usurpation of dukedom to Miranda, weaving the story as to paint him as the victim in an attempt to elicit a response of sympathy from Miranda. This was Prospero’s manipulative response in attempts to regain control over an unplanned situation. The duologue between Miranda and Prospero introduces the obsession of Prospero’s past influence over people and the strong need to regain it. This duologue presents a flashback of Prospero about an event that happened 12 years earlier. Afterwards, he forcibly takes control of Miranda by telling her that she is ‘inclined to sleep’ and that ‘thou canst not choose’. This illustrates Prospero’s
To become powerful, is to become corrupt and The Tragedy of Macbeth is a prime example. In William Shakespeare's tragic tale, a young noblemen soon becomes corrupt when he is given the opportunity to become king. His need for power and safety drives him to corruption, ultimately killing off anyone who stands in his path: innocent or not. Throughout the play, many characters portray the impact power has on a relationship: Lady Macbeth and Macbeth, Banquo and Macbeth, Macduff and Macbeth and many more. While all these characters were affected by power in the play, Banquo and Macbeth's relationship best demonstrates the effect of power. By examining the effect that power can have on relationships in The Tragedy of Macbeth, it is clear that Banquo and Macbeth's relationship represent best what the impact of power on friendship can be like. This ultimately illustrates that the need for power can drive people to take extreme measures in capturing that power.
By manipulating situations, Prospero cruelly exercises power over others in order to assert his dominance. Prospero persistently attempts to maintain power in order to regain the hierarchical status he held prior to the usurpation of his dukedom. Ironically Prospero must steal the isle from the native Caliban to
In Shakespeare’s ‘The Tempest’, there is evidence both for and against the idea that ‘Prospero is a good ruler’. On one hand, he successfully conjures a plans and escapes from the island he is currently imprisoned on and also eventually gains his title back once returning to Milan. He is a powerful father for his daughter and torments those who may disobey his orders. But on the other hand, his slack approach to his role as Duke Of Milan led to his removal in the first place and there are also elements of cruelty and abused power that he continues to show throughout the play.
... maybe then one might wonder if Prospero’s shift of actions can be justified. But this may not be entirely true, if we look at the history before the Tempest. We do know that Caliban was born from a witch and from an incubus which is defined as an evil or unholy male creature who has sex with women in their sleep, so he was not conceived from love but from lust which can be interpreted as sinful.This automatically makes him below Prospero who was born into a noble status; he was born to be ruler of Milan. Partly because of Caliban’s upbringing, and knowing he attempted rape on Miranda he can be characterized as as someone who is driven by pleasure. Prospero on the other hand, is driven by intellect. He tries to do what he thinks is right to maintain his position of power. He has to put more thought and planning into his decisions to manipulate situations and people.
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly.
If there were no king the country would be in chaos for there would be
The Tempest is a play written by William Shakespeare, and involves the main themes of power, control, betrayal, forgiveness and revenge. Shakespeare very intentionally inter-relates numerous diverse forms of power throughout the course of the play. There is political authority, shown through the plethora of political characters and their schemes, while at the same time there is parody provided of by the comic characters. The power of magic and love, and its ability to unify and absolve also plays a main part in the play. From the beginning to the end the play, Prospero, the main character, takes excessive advantage of his control and authority, both properly and improperly.
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.