Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Comparison of Macbeth and Lady Macbeth
The tragic moment in Macbeth
Comparison of Macbeth and Lady Macbeth
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Comparison of Macbeth and Lady Macbeth
In Macbeth and Lady Macbeth, Shakespeare has created a terrifying couple fuelled by the need for power, which causes them to commit treacherous acts. Given that Macbeth was first performed in 1606 shortly after the famous gunpowder plot to overthrow the monarchy, this play, which included regicide would have excited the Jacobean audiences. However, the message that the excessive ambition leads to terrible consequences is clear, as both Macbeth and his ‘Dearest Partner of Greatness’ suffer and die as a result of their heinous crimes. As the title would suggest, it is Macbeth’s rapid rise and great fall which ultimately drives this tragedy. However, it is the character of Lady Macbeth, with her single minded sense of purpose coupled with her ability to dominate Macbeth, who would have engaged the …show more content…
This is intriguing because the audience has already been introduced to Macbeth as a heroic leader on the battlefield. Immediately after reading Macbeth’s letter in Act 1 Scene 5 she states that Macbeth is ‘too full of the milk of human kindness’. Milk has connotations of femininity, and this implies that Macbeth is not masculine enough. She repeatedly questions Macbeth’s masculinity when he expresses doubt. In Act 1 Scene 7, Lady Macbeth calls her husband’s faith ‘green and pale’, this suggests cowardice which ‘assaults’ Macbeth’s ‘manliness’, as shown in Christopher Mills’ essay on the relationship between Macbeth and Lady Macbeth. She persuades Macbeth not to ‘live a coward’ because when he ‘durst do it then [he was] a man’. Calling Macbeth a coward, and repeatedly challenging his masculinity shows her dominance and superiority. In the Jacobean era, it wasn’t natural for a woman to be superior over her husband, and the fact that she had the power to persuade him to commit murder emphasises her power and reinforces the regicide of a good
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
Initially, when her character is introduced, she displays her masculine traits with complete disregard for any form of femininity. She commands the heavens in these lines, ”Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty.”(1.5.30-33). In this, Lady Macbeth sheds any attachment she has to her natural embodiment as a woman, and asks the supernatural to help her in her quest to power. It is clearly shown that Lady Macbeth yearns to achieve ambitions that weren’t considered womanly in the time period that this play is set in. As a consequence, she pushes her husband to fulfill her horrendous dreams, because she knows that she will not be affected if Macbeth fails to execute his plans. If Macbeth gets caught, then she remains blameless, and if he doesn’t, she becomes a queen. Either way she doesn’t get hurt. Nonetheless, Lady Macbeth hides another aspiration, one which is evidenced from her humane actions. As a loyal companion to Macbeth, Lady Macbeth wants to ensure that her husband achieves his dream, to be king, at any cost, even if that means sacrificing her femininity and humanity. Generally speaking, this unique perspective on Lady Macbeth shows that her demeaning of Macbeth’s masculinity is actually a display of her true feminine traits; to always support her husband regardless of the price. Lady
Lady Macbeth was “choked with ambition”. Her infatuation to be queen is the single feature that Shakespeare developed far beyond that of her counterpart in the historical story he used as his source. Lady Macbeth persistently taunts her husband for his lack of courage, even though we know of his bloody deeds on the battlefield. At this point in time, with all her will converging towards seizing the throne, she has shown no signs of remorse or hesitance in her actions and hence preventing the events in the narrative from digressing away from imperative themes and climaxes of the play.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
Humans are always fascinated by power. Sadly, they do not realize the danger of it until it is too late. In the play Macbeth, William Shakespeare's underscores how Macbeth and Lady Macbeth are both consumed by power. In the beginning, Lady Macbeth dominates Macbeth, manipulating him to kill Duncan. After the death of Duncan, Macbeth becomes ambitious, and hires murderers to kill Banquo without notifying Lady Macbeth. Even though he is a decorated soldier, when Macbeth rises to power, he becomes ruthless. On the other hand, Lady Macbeth becomes weak, and insane. Shakespeare illustrates how Macbeth’s obsession with power undermines his moral judgement, leads to his mental deterioration, and ultimately results in his death.
One permeating aspect of Shakespeare’s depiction of masculinity is its dominance over femininity. Lady Macbeth is a vital contributor to this mindset throughout the plot. As a means of obtaining power, Lady Macbeth sees her femininity as an obstacle and obtaining masculine attributes as a step toward the throne. We see this when she says, “Come, you spirits that tend on mortal thoughts, unsex me here, and full me from the crown to the toe top-full of direst cruelty” (33). In this quote she is literally asking to replace her feminine attributes with masculine ones, which she perceives as cruelty and aggression. She continues to emphasize this ideal when she states “Come to my woman’s breasts, and take my milk for gall” (33). This line is a blatant reference ...
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
As Shakespeare’s tragic tale of ambition unfolds, the two central characters, Lady Macbeth and the title character Macbeth, undergo a dramatic shift of dominance in their relationship. In the beginning of the play the couple act as a team, plotting the death of Duncan to further their mutual bloodthirsty ambition. Lady Macbeth soon shows her power over Macbeth when she questions her husband’s manhood and devotion to her when he gets cold feet. As Macbeth’s confidence slowly grows and the witches proclaim positive futures for him he begins to separate himself from his wife, planning Banquo’s assassination without telling her, and no longer being susceptible to her insults. By the end of the play the roles have completely switched and Lady Macbeth spirals into guilt-fueled insanity as Macbeth prepares to battle to keep his throne. This essay will explore the relationship between Macbeth and his wife, paying particular attention to the scenes previously mentioned.
Shakespeare is known for strong male heroes, but they are not laying around in this play, not that Macbeth is full of strong female heroines, either. The women in the play, Lady Macbeth and the witches have very uncommon gender belief, and act as inhumane as the men. While the men engage in direct violence, the women use manipulation to achieve their desires. As Lady Macbeth impels Macbeth to kill King Duncan, she indicated that she must take on some sort of masculine characteristic in order to process the murder. “Come, you spirits/ that tend on mortal thoughts, unsex me here, / and fill me from the crown to the toe top-full/ of direst cruelty.” (i v 31-34) This speech is made after she reads Macbeth’s letter. Macbeth, she has shown her desire to lose her feminine qualities and gain masculine ones. Lady Macbeth's seizure of the dominant role in the Macbeth's marriage, on many occasions, she rules her husband and dictates his actions. Her speeches in the first part of the book give the readers a clear impression. “You shall put this night’s great business into my dispatch, which shall […] gi...
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
Women can manipulate men to change either for the good or the bad. Macbeth is certainly an example on how women can influence men for the bad. Macbeth is a play that exhibits the power of greed and manipulation. Both of which, Lady Macbeth used to change Macbeth to an evil tyrant. The source of evil in “Macbeth: isn’t King Macbeth himself, but his wife, Lady Macbeth. If it wasn’t for her, Macbeth would never have become a tyrant. Primarily, Macbeth was comfortable with his position as an honorable solider, he was interested in the witches’ predictions, but he didn't want to force it. Furthermore, the murder of King Duncan that Lady Macbeth forced him to commit, unleashed Macbeth’s evil. Lastly, Lady Macbeth ridicules his manliness and courage in order to make him commit murder, although he didn’t want to.
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
Throughout William Shakespeare’s play, Macbeth, Lady Macbeth is presented as an evil, cold-hearted person, but, when it comes to the actual act of committing the murder, Lady Macbeth does not commit murder. In the end, it is Macbeth who plunges the knife into Duncan’s heart. Lady Macbeth had planned the whole murder, brought the daggers, and even intoxicated the guards, but it is Macbeth who ultimately killed Duncan. After the crime is committed, it is Macbeth who collapses and Lady Macbeth who smears blood on the guards to complete their plan. From Lady Macbeth actions, it is readily apparent that she is physiologically and physical capable of committing murder, but why does she not? Lady Macbeth is unable to kill Duncan because of the 1600s notion of how a woman should be, Macbeth, being a man should, be the one to seek power, and Lady Macbeth’s feminine qualities forbid her to commit such a crime.
Evil is a destructive force; it causes harm to those who embrace it and their victims. In Shakespeare's Macbeth, the protagonist Macbeth and Lady Macbeth fall into the hands of evil. Evil is what drives people to commit unnatural actions of destruction. Macbeth succumbs to evil through his fatal flaw, greed, and it causes him to disrupt the chain of being. When Macbeth willingly murders, massacres, lies and deceives, he loses his heath and sanity. Evil corrupts everything it touches, and Macbeth decides to be evil's servant. But, when Macbeth embraces evil, it corrupts him, and it ultimately destroys him as well. Lady Macbeth is a victim of Macbeth's fatal flaw, since she is drawn in, and becomes greedy for power herself. She pushes Macbeth into destruction when she adds the small touch that plunges Macbeth into a chain of murder, destruction, and lying followed by the loss of their sanity and health. After Macbeth and Lady Macbeth are well into the depths of corruption and greed, it is clearly seen that their guilt will haunt them for the rest of their lives. The harm they have caused others will be returned to them as revenge and they have lost their sanity in order to gain power. The fate of Macbeth and Lady Macbeth clearly illustrates that to embrace evil is to negate our own need for order and well being.