Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sexuality in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sexuality in literature
Through our discussions in class, we determined that the sexualized reading of “Goblin Market” was not the intended message of the author. Meanwhile, several secondary sources address the inherent sexual language in the description of the goblin men and their “Bloom-down-cheeked peaches.” (Rossetti p.1466, 9) This spectrum of interpretations on the sexualisation of the text speaks to the imagery that is used by the author to express the magnetism of the goblin men to the sisters Lizzie and Laura. The two sisters, as Janet Casey puts in her article “The Potential of Sisterhood: Christina Rossetti’s Goblin Market”, serve simultaneously as Christ figure and a representative of Eve in the Garden of Eden. This establishes a dichotomy of the agency …show more content…
This loss leads Lizzie to “thrust a dimpled finger / In each ear, shut [her] eyes and r[un]” (Rossetti p.1467, 68-69) from the possibility of danger posed by these sinister little creatures. This paranoia as a result of the dangers in straying from the societal norm reflects the shaming that women are subject to when they make choices for themselves that deviate from societal expectations. The fear of being on the receiving end of such scorn and causes her to flee the very presence of such elements; “Dear, you should not stay so late, / Twilight is not good for maidens;/ Should not loiter in the glen / In the haunts of goblin men” (Rossetti p.1468, 143-146). When forced to choose between her own fears about the beasts in the market and the wellbeing, however, she selflessly shirks her own reservations in order to improve upon the lot of her fading sibling; only once the corruption spreads to the one she holds most dear in her life does she dare to open her eyes and ears and forge her own path through the darkness. In doing, so she dares to stray from the straight and narrow in solidarity for the state of her sister. This effort speaks to the growth of feminism in society out of a desire to improve the lot in life of those women who find themselves less fortunate, whether due to circumstance or choice. In choosing to defy the goblin men and asserting her free will over the desires of the shady salesmen, the sweetness of their words quickly fades as they realize that their machinations will not be able to penetrate through her stalwart defenses. Instead, in resorting to violence to reassert their dominance, the nature of societal repression on the agency of women is exposed; should a woman be so bold as to challenge their predominance, she must be shown the error of her ways.
The characterizations of women have, throughout history, been one of the most problematic subjects in literary tradition. An extraordinary dichotomy has existed with women as being both the paragon of virtue and the personification of evil. Ancient Greeks feared women, and poets such as Hesiod believed the female sex was created to be the scourge of the gods and the bane of men (Fantham 39). Romans, on the other hand, incorporated tales of brave and virtuous women as an intrinsic part of their legendary history (219). Many Catholic saints, revered for their piety, were notoriously misogynistic (Dollison 106), and yet the church counted legions of holy women in the rosters of saints alongside their male counterparts. Despite much historical controversy as to the precise nature of women, none of this confusion seems to seep into the writings of George MacDonald, and there appears to be no conflict to MacDonald’s regard towards women in his female characters in The Princess and the Goblin. The character of the Grandmother in particular is one of the most complimentary fabrications of the figure of the mature female in literature. MacDonald created this fascinating construct of femininity by steeping the Grandmother not only in the arcane feminine symbols such as spinning, pigeons, and the moon, but also in his own concept of the ideal woman, as wise and compassionate as she is mysterious.
In Christina Rossetti’s “Goblin Market,” the main foci are on feminism and the oppression of women by men. The first part of Rossetti’s message is given through her thoughts on feminism, which is surely a major theme in this poem. For instance, the two main characters, Laura and Lizzie, reside free of any positive male interaction. Considering Rossetti’s background as part of Victorian society, the conclusion can be made that Rossetti longed for a place where she could be free of masculine overbearance. Even so, she understood the impossibility of any such personally ideal world. The poem illustrates this realization by including the Goblin men, who seem to haunt the female characters. The Goblin men’s low-pitched cries follow the girls. Laura and Lizzie constantly hear the goblins in the forest: “…Morning and evening / Maids heard the goblins cry…” (Rossetti, 1713.) Even while the characters were alone or in the exclusive presence of women, the presence of the Goblin men exist...
This essay explores the blurring of gender roles within Bram Stoker’s Dracula and Angela Carter’s The Lady of the House of Love, focusing on the presentation of a sexually assertive female and its threat to the patriarchal society, and the duality of the female characters as they are presented as enticing and thrilling, but also dangerous and somewhat repulsive.
... men’s fruit. Because of this, she suffers premature aging. Rossetti is conveying the importance of being aware of the possible peril that waits in the outside world, and controlling one’s desires in order to keep oneself from being vulnerable. If one gives in to their desires and makes oneself vulnerable, one will ultimately suffer. Lizzie does not succumb and does not do what the goblin men want her to do. As a result of this refusal, she has the power to bring her sister back to normal and take away her premature aging. Christina Rossetti is conveying the importance of maintaining control over one’s self: if one keeps oneself from becoming vulnerable, resists desires, and chooses the right path, one will remain safe and be rewarded handsomely.
A Room of One’s Own and Elizabeth Barrett Browning’s “Aurora Leigh (Book I)”, the women’s voices are muted. Female characters are confined to the domestic spheres of their homes, and they are excluded from the elite literary world. They are expected to function as foils to the male figures in their lives. These women are “trained” to remain silent and passive, not only by the males around them, but also by their parents, their relatives, and their peers.
Her chief arguing points and evidence relate to the constriction of female sexuality in comparison to male sexuality; women’s economic and political roles; women’s access to power, agency, and land; the cultural roles of women in shaping their society; and, finally, contemporary ideology about women. For her, the change in privacy and public life in the Renaissance escalated the modern division of the sexes, thus firmly making the woman into a beautiful
Laura and Lizzie’s first initial reactions to the goblin men’s offers can be interpreted as either a Christian or sexual context. After the goblin men describe what they have to offer Laura and Lizzie, the girls try to ignore the goblin men and refrain from giving into their temptation. Laura “bow’d her head to hear”, and Lizzie “veil’d h...
“Men weren't really the enemy - they were fellow victims suffering from an outmoded masculine mystique that made them feel unnecessarily inadequate when there were no bears to kill.” (quotegarden) As changes in industry and lifestyle swept the nation in the mid-nineteenth century, questions regarding women’s place in society started to arise. This prompted many women to reevaluate their positions in their own lives. At the time, women were dominantly domestic figures, residing in the house to matronly care for children and tend to household duties not to be bothered with by the husband. It is important to note that men in this century were raised and cultivated to have a certain view of women, so they are not actually malicious as some might view them, they are simply products of their environment. It just so happened that women drew the metaphorical “short stick”. Socially and politically, women were not independent. The only voice they had was through their husbands, and relationships and ideas shared with other women at this time were thought to be nothing more than domestic chatter, not to be taken seriously. The only exception to this widely accepted rule was, of course, a widow. She was not tied to a husband or father, or any male for that matter, so she had more freedom over not only her estate but her personal life as well. This is the situation Louise Mallard finds herself in in Kate Chopin’s short story, The Story of an Hour. Chopin illustrates the woman’s newfound feelings of pure freedom that come with the death of her husband and helps readers to understand the oppression felt by women during this time period using Mrs. Mallard’s view on her marriage and her intense emotions, along with the inner conflict she feels. ...
For centuries, women have been forced to live life on the outskirts of a male-dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters.
Christina Rossetti tackles multiple taboos of the Victorian era in her poem “The Goblin Market”. Introducing a sense of supply and demand with the physical body as a form of commerce. With a demon infested marketplace setting Rossetti tests her characters Lizzie and Laura sense of worth when it comes down to a tempestuous trade the goblin market men. Like any other Victorian maiden they cherish their virtue and value their religion. Struggling to fight the human urges of desire and sexuality to uphold a holy lifestyle and refrain from allowing their bodies to become nothing more than any other commodity at the market.
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
My research paper is entitled, Analyzing Heart of Darkness through a Feminist Lens. Through this paper, I will investigate and examine Heart of Darkness by means of Feminist Criticism and literary theory. I aspire to thoroughly analyze the entire narrative, in order to pull out and pinpoint various aspects and examples linked to feminist theory. I want to investigate and spotlight specific occurrences, in the novel, where characteristics of Feminist Criticism can be found or applied. I specifically want to look at the tree women characters introduced in the text; “The Intended” “The Mistress” and Marlow’s aunt. I also want to prove that Heart of Darkness is a text that openly conflicts with the basis of feminism.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
“Jane Eyre” by Charlotte Bronte is a novel about an orphan girl growing up in a tough condition and how she becomes a mature woman with full of courage. Her life at Gateshead is really difficult, where she feels isolated and lives in fear in her childhood. Her parents are dead when she was little, her dead uncle begged his evil wife, Mrs. Reed, to take care of Jane until she becomes an adult. But Mrs. Reed does not keep her promise, no one treats Jane like their family members even treats her less than a servant. By the end of this essay it will be proven that Jane’s life at Gateshead has shaped her development as a young woman and bildungsroman.