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Brit lit poets
Brit lit poets
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The Poetry of Simon Armitage
Simon Armitage was born in Marsden, West Yorkshire in 1963. He studied
Geography at Portsmouth, and Psychology at Manchester, qualified as a
social worker and worked for six years as a probation officer. He has
also worked as a shelf stacker, disc jockey and lathe operator. He is
now a freelance writer and broadcaster. His work includes song lyrics,
plays and scripts for TV and radio.
Armitage's first collection, Zoom, was published by Bloodaxe in 1989.
Subsequent poetry books, all published by Faber, include Kid (1992),
Book of Matches (1993), The Dead Sea Poems (1995), Moon Country (1996)
and CloudCuckooLand(1997).
Untitled Poem: "I am very bothered when I think..."
This poem comes from Book of Matches, 1993. It appears to be based on
memories of Armitage's schooldays. He says that:
"most poetry has to come from personal experience of one kind or
another."
The first two lines actually come from a probation service
questionnaire, but Armitage has chosen to use them in a different
context. Here he tells the story of a science lab prank that went
wrong.
The person in the poem heated up a pair of tongs and then handed them
to another person, presumably a girl. This girl innocently slipped
them onto her fingers and was badly burnt. The doctor said that she
would be "marked for eternity" by the ring-shaped scars. The narrator
claims now that he was using this as a way of attracting her
attention:
"that was just my butterfingered way, at thirteen,
of asking you if you would marry me."
The language in stanza two emphasises this idea of a marriage proposal
with words such as ...
... middle of paper ...
...
* What was the final demand?
* What did the note of explanation say?
From all these details we can guess what might have happened, but we
cannot know for certain. But this does not matter: it's the thought
processes involved that are more important.
The structure of the poem is a series of rhyming couplets, although
some of them are not complete rhymes. The opening couplet sets up a
steady, regular rhythm. This is orderly and satisfying and perhaps
suggests the "regularity of police methods". The longer lines have
four beats and the shorter ones have two beats, until the last two
lines, where the regular rhythm seems to break down. "That was
everything" is ambiguous: it could mean that the list has finished, or
it could mean that the ring is the item that was most important. It
finishes off the poem.
In this paper, I plan to explore and gain some insight on Audre Lorde’s personal background and what motivated her to compose a number of empowering and highly respected literary works such as “Poetry is Not a Luxury”. In “Poetry is Not a Luxury”, Lorde not only gives voice to people especially women who are underrepresented, but also strongly encourages one to step out of their comfort zone and utilize writing or poetry to express and free oneself of repressed emotions. I am greatly interested in broadening my knowledge and understanding of the themes that are most prominent in Lorde’s works such as feminism, sexism and racism. It is my hope that after knowing more about her that I would also be inspired to translate my thoughts and feelings
kitchen. The message of the poem is of praise for simplicity of spirit and the
“We'd like to do a poem for you called 'The revolution will not be televised'
poem. It almost seems that the narrator is recalling the woman that was from his past and
Pattern 1A: Three UCLA basketball players were arrested for shopping lifting; however, they were not prosecuted through China’s stringent judicial system.
William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.
The poet uses a effective metaphor in the second stanza of the poem, ''a roar of tongus''.
"His customary evasions of logical and thematic closure allow his poetry to register cultural nuances and patterns that…more overt narrative or thematic intent might overlook" (Miller 3). John Ashbery's poetry, through the use of unique techniques that evade traditional poetry writing, allow said nuances to be discovered. His writing is a cluster of ideas shoved into a page too small to fit all the words. The patterns created in his writing may seem random and chaotic, but each line is a whisper of a bigger truth; his truth. John Ashbery is a post-modernism writer who incorporates into his writing elements of the Romantic era while giving it his own twist to discuss larger issues such as life itself, and the elements of life. Through the many
Instructor Mendoza English 1B 22 July 2015. Robert Frost: Annotated Bibliography. Research Question: What are the common themes in Robert Frost's work? Robert Frost is a very successful poet from the 20th century, as well as a four time Pulitzer Prize winner.
The Poems of William Blake What have you understood, from reading the poems of William Blake? William Blake, a late 18th century English Romantic poet uses traditional forms for his poetry in that he blends the ballad, the nursery rhyme and the hymn. The meaning he constructs from these forms however is far from traditional. His style was to express very complex ideas in very simple language and compressing a lot of deep meaning into often very short poems. Blake was a rebel and was over enjoyed when the French revolution liberated the repressed underclass.
He may have used this technique to make war seem if it had made men
needs. He chooses to add an extra two lines in the form of a rhyming
In lines 5-10 it says, “Often you must have seen them loaded with ice a sunny winter morning after a rain. They click upon themselves as the breeze rises, and turn many-colored as the stir cracks and crazes their enamel. Soon the sun’s warmth makes them shed crystal shells.” Throughout the poem the speaker mentio...
William Blake was one of England’s greatest writers (Tejvan) in the nineteenth century, but his brilliancy was not noticed until after he was deceased. Blake was very much a free spirit who often spoke his mind and was very sensitive to cruelty. At the age of twenty five he married a woman named Catherine Boucher. They created a book of all Blake’s poems called Songs on Innocence, which was not very popular while he was alive. On the other hand Blake’s other book of poems, Songs of Experience, were much more popular. These two collections are so magnificent because it is two different forms of writing successfully written by one man. Two major poems written by William Blake were “The Tyger” and “The Lamb”. The Lamb is from Songs of Innocence while The Tyger is from Songs of Experience, they may share different perspectives on the world yet they both complement one another very well. Blake believed that life could be viewed from two different perspectives, those being innocence and experience. To Blake, innocence is not better than experience. Both states have their good and bad sides. The positive side of innocence is joy and optimism, while the bad side is naivety. The negative side of experience is cynicism, but the good side is wisdom (Shmoop Editorial Team). The Tyger and The Lamb are two completely different styles of poems yet it wouldn’t have the same affect on a reader if one poem didn’t exist.
Literature is rarely, if ever, merely a story that the author is trying to tell. It is imperative that the reader digs deep within the story to accurately analyze and understand the message the author is trying to portray. Authors tend to hide themselves in their stories. The reader can learn about the author through literary elements such as symbolism, diction, and structure. A good example of this is Robert Frost’s poems The Road Not Taken and Nothing Gold can Stay in which he uses ordinary language unlike many other poets that became more experimental (Frost, Robert. “1.”).