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The story, The Pit and the Pendulum, starts with the narrator accepting a capital punishment for an obscure wrongdoing from an institution of the Catholic government in Spain which persecuted all Protestants and heretical Catholics called the court of the Inquisition. He then tries to remember what happened in the previous couple of days before opening his eyes. Understanding that he is unbound and in a dark cell, he reasons that he must not have been at an auto-da-fe. As opposed to general society appeal to God that would have prompted an auto-da-fe execution, he has been most likely been set in one of the prisons of Toledo, a spot known for unfeeling tortures and disciplines. Frightened, the narrator blacks out, and after he awakens for the second time, he begins to investigate the prison while pondering what his destiny will be. He finds a stone wall and removes a cloth from his robe …show more content…
He then notices that large rats have been released into the dungeon. For about the next hour he focuses on keeping the rats away from his food, but when he looks back up at the ceiling he notices that the pendulum has descended and has a razor-like edge of steel on it. For an endless timeframe, the narrator watches the pendulum swinging closer and closer to his body. At first, he requests to God for a swifter plummet and, losing mental control, and battles to drive himself closer to the sharp edge. At this moment he again faints and when we awakes he noticed that the pendulum had not further descended which makes him believe it wasn’t a long faint, but reconsiders an thinks that his captors were watching him and stopped it. As his mental pressure builds, he battles between hope and despair, losing quickly to despair as he thinks about the tangled strap that holds him in place. He then gets his thoughts together for enough time to find a solution. He spreads the remaining spice and oil on the
Have you ever watched a movie and been dissatisfied, because it was not similar to its book? There are multiple movies that seem as if they are their own story, for they don't resemble their book at all. For example, “The Pit and the Pendulum.” by Edgar Allen Poe. He, himself would not approve of the film that follows his story. For one thing, the storyline was no where near to being like his book. Another reasoning is that he wrote based of one man not multiple people. And finally, he wouldn’t of approved of the art on the walls in the room with the pit and pendulum. These are the reasonings of why Poe would not appreciate the film.
...sees is death around him. He begins to wonder how easy it would be to give up, but he doesn’t.
Once he woke up he realized he was on a beach and insects were tearing him up. He had landed in a lake and drug himself up. He was still very tired and hurt from the crash so he just fell back asleep again. Once he woke up we went to the lake and got a drink, he was hungry. All he had to survive was a 20-dollar bill, the clothes on his back, and the hatchet his mother had given him before he left. He found a shelter and some berries.
Torture brings about fear and anticipation. The narrator in this story was constantly reminded of death. He was not tormented by people or the judges that sentenced him, rather he was tormented in his own mind ad thoughts. He knew, before he received his sentence, that death awaited him. He did not stand still, and he knew he could not save himself from death or escape it. The narrator did not save himself, someone else did.
“You’ll never leave” is carved faintly into the brick wall of the small jail cell, probably from its last guest. Every day, I started to believe the phrase more and more. I lay on the uncomfortable cot, pretending to be asleep. I’m lonely, but I’m not alone. I can hear him breathing and slowly flipping the pages of the newspaper; I assume it’s Mr. Heck Tate.
The story begins with the narrator explaining the recommendations for treatment of her nervous depression given by her husband John, a physician. John brings the narrator to a secluded home for the summer, and orders her to rest in a bedroom with yellow wallpaper for the vast majority of her stay. The narrator quickly develops an obsession with the wallpaper and insists that there are “things in the wallpaper that nobody knows about but me, or ever will” (302). Here Gilman hints that the narrator’s logic is flawed and separate from her pragmatic husband rationale. Then, the narrator begins to see women trapped behind the wallpaper and is determined to free them. She creeps along the edges of room like the women she sees in the wallpaper waiting for the opportunity to free them. The climax of the story begins when the narrator is able to lock herself in the room to tear down the wallpaper in the absence of John. She starts tearing apart the wallpaper freeing all the women and believing she too has been freed she is pleased with her new ability to freely creep around the great room (308). Just as this takes place John opens the door and faints while the narrator “kept on creeping just the same” (308). This sequence of events, told from the narrator’s point of view, allows readers to infer that the narrator is an unreliable source of information. The reader is lead to disregard the narrator’s conception of reality, as her behavior is so shocking that it causes her husband to lose consciousness. Therefore, Gilman effectively utilized an unreliable narrator to accentuate her narrator’s mental
... he starts to think more of how he may die. When he is finally pushed over the edge of the pit, which could be considered being pushed over the edge of insanity, everything comes rushing back to reality when he is grabbed by a General.
The accused in "The Pit and the Pendulum" is obviously being persecuted. For what religion or practice we do not know. For what crime it is not said. The prisoner does not even question his guilt or innocence. The accused in this story, to whom Poe does not give a name, is subjected to three life threatening situations.
...rld. Throughout the story, the wallpaper becomes an outlet for the narrator to exercise her literary imagination. She soon comes to find that the wallpaper holds a feminine figure, or so she thinks. By using her initial feeling of being watched, the narrator decodes the chaotic pattern and locates the figure of a woman. A woman struggling to break free from the bars in the pattern. As her insanity increases, the narrator completely relates with this woman. She then begins to believe that she, too, is trapped within the wallpaper. When she tears down the wallpaper, she believes that she has finally broken out of the wallpaper. The wallpaper that she believes John has imprisoned her. By tearing it down, the narrator asserts her own identity, which unfortunately by now is confused. As she crawls around the room, she is initiating the first stage of a feminist uprising.
What is fear? Is it being in a prison so dark a person can not see in front of them? In this complete darkness the narrator finds himself eating and drinking, then passing out on a cold floor. When he wakes he is somewhere else in the dark cell. Or is it a cell? Could it be a tomb? Just when he thinks the cell is so big he finds himself almost falling into a pit. He eats and sleeps again. Where or how will he wake? Does he wake from his drugged food? In this story “The Pit and the Pendulum,” by Edgar Allan Poe, he tells the terrifying struggle of a man dealing with fear, torture, and confinement.
He asks himself if it better be suffering the pains of life or rather just to be asleep forever. He goes over the idea that when we are dreaming what if you have such a bad dream and you cannot do anything to help you get out of it. It is almost as if you are trapped and there is no exit. His dear father, the king, had been murdered by none other than his dear uncle.
He begins to think how he had just killed a man and how him and his friends had tried to attempt rapping a girl. As he is walking in the lake he touches a dead body and gets freaked out even more and began to yell. Then the girl hears him and scream there they are and began to throw rocks into the lake trying to hit the narrator. He then hears the voice of Bobby who bought him relief and sorrow at the same time. He felt relief because he discovers that the Bobby is not dead and sorrow because the Bobby was alive and wanted to kill him and his friends.
He is determined to complete this challenge and prove to Utnapishtim and himself that he deserves immortality, however "sleep breathes over him like a fog," and he is unable to stay awake ("The Epic"). Eventually, he is awoken and thinks he has only been asleep for a few minutes. He is still full of despair, confident that death is fast approaching. His journey ends in failure, but also leads to an important epiphany. Even if death itself invokes fear.
The time period this work takes place in is a very gloomy and frightening time. He wakes up in a dark place by himself and in fear, which makes things worse. A common theme we can relate this dark place to is when we fall off of the path of God. Since God represents all things good, the dark is the exact opposite. Since everything is not so clear in the wood he his describing, the path back to God is even more difficult to attain.
realizes that his entire existence has been controlled by others and he is now on a journey to