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Essay on the picture of dorian gray
Visual imagery with deeper meaning in the picture of dorian gray
Visual imagery with deeper meaning in the picture of dorian gray
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Humanity’s Greatest Kept Secret In his novel The Picture of Dorian Gray, Oscar Wilde utilizes syntax to convey to readers the relationship between body and soul. Wilde utilizes interrogative sentences to show the body’s tendency to mask the nature of the soul. When Dorian questions the nature of changes made to his portrait, he wonders whether the painting is altered by the aftermath of his actions, or “was it indifferent to results? Did it merely take cognizance of what passed within the soul?” (Wilde 101). The repeated use of questions here reflects Dorian’s uncertainty. In showing Dorian’s stream of consciousness, and showing him asking himself whether the portrait could reflect what passes deep in the soul, Wilde emphasizes the mystery shrouding the topic of what does …show more content…
By utilizing an interrogative sentence structure in his writing, and underscoring the uncertainty of what does pass within the soul, Wilde furthers his point that the spirit is more hidden in relation to the body. Additionally, Wilde makes use of exclamatory sentences to depict the association between the body and soul. As Dorian reflects upon Lord Henry’s advice about how one can comfort their soul, he repeats, “To cure the soul by means of the senses, and the senses by means of the soul!’ How the words rang in his ears! His soul, certainly, was sick to death” (Wilde 176). Dorian’s intent to turn to opium as a physical means to repair his rotting soul is depicted by Wilde as eager and almost desperate, with the usage of repeated exclamatory sentence structure. Urgency is further represented as Wilde points out that “the words rang in his ears!”-the combination of an exclamatory sentence and the implication of repetition paints the image in the reader’s head of a desperate hope being held onto. The desperation hinted at by this syntax reflects the state of disrepair Dorian’s soul is in-his spirit is so far gone that he will turn to anything, including physical
After many years of seeing the picture that was once perfect decay and become hideous, he is eventually driven mad. Just before murdering him, Dorian expresses to Basil, “I was wrong. It has destroyed me.” (Wilde, Pg. 204). By the end of the book The Picture of Dorian Gray Oscar Wilde’s writing gives Dorian a certain conviction that is commonly known as a “come to Jesus” moment. However, this conviction ultimately drives Dorian to destroy the picture which ends in his own death.
Oscar Wilde, author of The Picture of Dorian Gray, makes Basil's life change drastically by having him paint a portrait of Dorian Gray and express too much of himself in it, which, in Wilde's mind, is a troublesome obstacle to circumvent. “Wilde believes that the artist should not portray any of himself in his work, so when Basil does this, it is he who creates his own downfall, not Dorian” (Shewan 36).
The soul is thought to be an immaterial entity coexisting with our bodies which is credited with the faculties of thought, action, and emotion. It is the part of our body which is believed to live on after the body dies. In Oscar Wilde's, The Picture of Dorian Gray, the main character, Dorian Gray, destroys the innocence of his soul and becomes corrupt. He becomes corrupt by failing to live a life of virtue. The main reason for his transformation can be attributed to a portrait painted of him that captured the true essence of his innocence. This portrait is the personification of his soul.
can be excused because people live for the sake of living. A conscience becomes a separate set of rules determined by each individual to please them. The murderer thinks murder is okay and the normal person doesn’t. Living with a conscience relative to personal desires and not living without a conscience (when it is defined as a set of predefined and commonly accepted values) is the same thing.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
One novel that stands out as literary masterpiece is The Picture of Dorian Gray by Oscar Wilde. Wilde wrote a dark tale of a man, Dorian Gray, who destroys his life by exchanging his soul for eternal youth and beauty. The character of Dorian Gray, in many aspects, mirrors the self-destruction of the author's own life. Therefore, Oscar Wilde portrays his own life through Dorian Gray, the main character of the novel.
A Rewrite of the Ending (Chapter XX) of Oscar Wilde’s The Picture of Dorian Gray
In The Picture of Dorian Gray, the author, Oscar Wilde, uses the major theme of appearance to analyze the relationship between the outer and inner beauty of Dorian Gray, himself. The novel presents itself with a painting of the very handsome man, Dorian Gray, who is one of the most beautiful people to ever be seen in the world, but throughout the novel, it is revealed that Gray may be beautiful on the outside, but on the inside, he is repulsing. The dichotomy of Grays’ inner and outer beauty paints almost as beautiful of a painting as the one painted for him in the novel.
Monstrosity is not just defined by disfigurement, but also by the actions and obsessions of man. Most, if not all, tales of monsters often came about as exaggerations of sins and immoral actions. Others see men who become too obsessed with the idea of overstepping their own humanity and playing God as monsters in society. Frankenstein and The Picture of Dorian Gray reflect this idea. While the painting and the creation mirror the monstrous nature and the sin Gray and Frankenstein enact throughout the course of each novel, both Dorian Gray and Victor Frankenstein are the true monsters.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
In a society where we must constantly uphold an appearance, eternal youth seems to be something everyone longs for. Some things however, are too good to be true. Explored within The Picture of Dorian Gray by Oscar Wilde are the consequences of this idea. Consumed with evil, the title character seizes to age. Halting him from displaying a single imperfection, leading to his ultimate destruction. The man who holds responsibility in the main character's downfall comes into question. While Lord Henry, the main antagonist, is partially to blame, he merely serves as a beginning to Dorians twisted road of wickedness. Given a multitude of chances to change, the man refuses, constantly denying his moral failings and knowingly ruining lives. Therefore
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
Certainly you have heard the expression, “Sticks and stones can break my bones, but words will never hurt me.” In Oscar Wilde’s novel, The Picture of Dorian Gray, Wilde discredits this proverb and shows that words can indeed take over one’s life and damage it forever. In this novel, the reader witnesses Dorian Gray’s fatal bargain, his temptation to explore lust, and his futile attempt to escape his narcissistic behavior. We see this corruption in Dorian as he encounters life’s struggles, particularly from constantly being under the influence of Lord Henry’s influential words.