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Gothic fiction essay
Gothic fiction essay
An analytical note on gothic fiction
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The Phantom of the Opera is a gothic fiction book. The book is written by Diane Namm, retold from the Gaston Leroux original. The book was published in 2008 by Sterling Publishing. The book has 147 pages. The book starts off with a strange “ghost” that keeps writing letters to the opera house’s managers. One of the main characters, Raoul, and a singer, Christine meet after years. Raoul had once saved Christine’s life, so they team up to find out if the “Phantom of the Opera” is actually a ghost and see if Christine's “Angel of Music” is actually real. One of the main characters in the book is Raoul Chagney. He can remember things from when he was young and he is very skeptical. He can be stubborn and he doesn’t listen to other people. He …show more content…
She believes in an “Angel of Music.” She later on realizes that the Angel is the Phantom of the Opera. The Phantom of the Opera is a man named Eric who acts as an angel and a phantom. He sings to Christine every day, acting as an Angel of Music. He can fool anyone with his soothing voice. He tries to keep his profile low, so he wears a mask. The “Foreign Stranger” is a mysterious man that no one knows the name of. If something goes wrong, the managers would come to him for help. He helped Raoul save Christine. In the beginning of The Phantom of the Opera, Christine Daae was singing on the stage. All the dancers were in the dressing room then. Suddenly, the youngest dancer came in and yelled, “It’s the ghost! I’ve seen him!” Everyone was trying to describe the ghost to the people that never heard of him. Soon, the chief, Joseph Buquet, came in and claimed he had seen him too. He described him to the dancers and they all grew quiet. He said that he is thin, that his eyes are like two black holes in his skull, His skin is a disgusting yellow color and there is a space where his nose should be. A few minutes later, they all heard a noise in the hall. It was a man screaming. Back at the stage, everybody was clapping for Christine, who …show more content…
Raoul admitted his true feelings for her. Christine didn’t say anything. Raoul was hurt. He answered for her. He said that she has feelings for someone else, the person that was in her room. Christine was in complete shock. She immediately said, “I thought I was the only one that can hear the voice.” She started crying. Raoul was concerned, so he asked what was wrong. She told Raoul a secret. She said that her father used to tell her the Angel of Music will visit her and sing with his heavenly voice. After the conversation was over, she locked herself in the room. A little before after midnight, Christine slipped out of her room. She was in her white form, and she seemed to be in a trance. Raoul was following her through the churchyard. At the stroke of twelve, Raoul heard a rich and sweet voice, but he saw no one but Christine. Raoul waited for the singer to appear. When the singing stopped, Christine returned to her inn, as if in a daze. He saw a shadow glide through the wall. He ran up to it and pulled the cloak off his head. The last thing he remembered seeing was a snarling face and a pair of scorching eyes. Back at the opera house, Mr. Moncharmin and Mr. Richard were searching Box Five. They agreed to sit at Box Five this night. Mr. Moncharmin found another letter. He opened it and read it. It said to give the ghost Box Five, make Christine Daae perform, hire Mrs. Giry again and give her the letter accepting his demands. At the
Throughout the novel the characters are put in these situations which force them to obtain information about the people they thought they knew. The center of finding out who everyone is was brought into play through the death of Marie. The story is told by David, only twelve years old, who sees his family an community in a different light for who they truly are under there cover. By doing his own little investigations, often times eavesdropping, David saw through the lies, secures and betrayals to find the truth.
Robert, who is an esteemed mathematician is the father to Catherine, who is only 25 years old. Hal is the romantic antagonist, more like a nerd, sometimes charming. He is most uncertain about Catherine’s scholastic abilities. Hal discovers a pad in a drawer with profound calculations. He falsely assumes the work is Roberts. In reality, Catherine had written the mathematic proof. But no one would believe her. She now fights to provide proof that the proof was written by her.
In restless sleep and longing for contact with those outside of Bly-- particularly her employer-- the governess placed hope in chance meetings of random individuals. In her walk in the yard, the governess began to wish for the sight of her employer who she was still madly in love with. The governess's desire to see him and receive his reassuring approval conceived the ghost of what was later revealed to be Peter Quint she believed she had seen. Later in her climax of interaction with her ghosts, the governess is afraid that the master will come home, for she is fearful of what he will think of her.
...; in the scene in the schoolroom Miss Jessel talks to herself as much as to the Governess. They have one resource, however, which was denied the novelist. Britten's music suggests a troubled brooding world, a Bly which is inhabited by ghosts even before one steps onto that crenellated tower. James was familiar with the work of the Society for Psychical Research: both his father and brother were members. Britten had his own agenda: he knew what the story meant for him and presented his view with the extraordinary means at his disposal. He said that a chamber opera was best adapted for the expression of intimate feelings. The strength of the musical presentation of those feelings, the evocation of mounting tension as the horrible story unfolds, compensate for the loss of James's astonishing ability to seem to be saying one thing one moment and denying it the next.
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
was a naive child at the beginning of the novel, but by the end the
Desdemona is one of the protagonists of the play contributes to the play and also fleshes out certain aspects of characterisation mainly where Othello and Iago are concerned. Thus her relevance is highlighted consistently throughout Othello, since without her ppresence, Iago would not have succeeded in manipulating Othello, and Othello's drastic transformation would not have been made evident.
Racial barriers are often used as a means to manipulate a member of a minority group. in The tragedy, Othello, was written by William Shakespeare(1564-1616) an English poet and playwright, who is often contemplated as the greatest writer in the English Language. The story begins with Othello, a black general in the Venetian army who secretly marries Desdemona, a white woman. Early on, Othello promotes Michael Cassio as his lieutenant over Iago, fostering mass jealousy. Desperate to get even with Othello, Iago creates elaborate plans to ruin his marriage with Desdemona. Iago’s effective manipulation skills lead Othello to take his wife's life and then his own. Iago is successfully able to deceive Othello because of their many differences, mainly racial, and Iago's understanding of how manipulation works.
The play, Othello was written by William Shakespeare in the later years of his career. Giraldi Cinthios, Tale of a Moor, based Othello on a story that was a mellow Drama, about a moor and his doubts about his wife’s fidelity. In Shakespeare’s play the Moor (Othello) convinced by his jealous aid (Iago) that his wife (Desdemona) is not Being faithful. Iago’s jealousy is motivated by his anger when he learns that Cassio of Florentine has been appointed Governor of Cyprus. He felt that he deserved this promotion and vowed to seek revenge against Othello.
...hat she is an ideal woman. Similar to Christine, Raoul fits the gender norms, as he is powerful and jealous. The audience is told that Raoul is an exemplary man because even with his forceful personality, Christine still chooses him. The Phantom, on the other hand, is depicted as queer with characteristics of a gender normative man, but the way he is treated still conforms to the norm because he is isolated and feared as a result of his differences. The Phantom of the Opera, overall, helps to support gender normative traits and suppress unconventional character traits.
Different from other types of films, the music in Phantom of the Opera was used by all the characters, as a way to tell their part of the story. The music created a convincing surrounding for the film, guided the audiences. The music was constantly a signifier of emotion, as the characters expressed their feelings through the songs. The music score was an emotional and scary score that tied into their diegetic/non-diegetic singing, giving the main characters an identity, specifying situations and places to help connect certain points. When we hear the dark music play throughout the movie, it plays a certain theme, that theme gives the viewers a clear hint of who or what the music is talking about. Another example of signifier of emotion was in The Devil Wears Prada, where the film used either fast upbeat songs for when Andy walks all around the city, running errands for Miranda, or romantic alternative music when Andy is with her boyfriend and true friends (The Phantom of the Opera/The Devil Wears
There are many characters in the book, but main character in the book is Hercule Poirot. Hercule is a famous Belgian inspector known for his efficient, unorthodox methods
The Phantom of the Opera at the Royal Hall-25 Anniversary Celebration was filmed for the 25th anniversary for Andrew Lloyd Webber’s critically acclaimed Phantom of the Opera. The script was written by Andrew Lloyd Webber and Richard Stilgoe, with music by Andrew Lloyd Webber. The show is based off of the book Le Fantôme de l'Opéra by Gaston Leroux. The show opens in Paris 1905 at an auction of old theater props from L’Opera Populaire. As they are auctioning off old props of the theater they come up to an old music box with a monkey on top of it. An elderly man buys it and the auctioneer soon moves on to what he calls “ chandelier in pieces” and coincides with the mysterious Phantom of the Opera. The cloth over the chandelier comes off and the it comes to life with light and we are transported back to 1881. The show follows Christine, a young vocalist with great beauty, and an Opera House Phantom who yearns to be closer and love her. The Phantom, who has a deformed face hides it from the world behind his mask try to lure Christine to his heart by teaching her the ways of music and vocals only for her to fall in love with her childhood friend Raoul. The Phantom, who has been alone for all this time, does
The Phantom of the Opera centers on the Paris Opera House which has over time become the Phantom’s domain. Upon the news that the opera house has been bought and is under new ownership, the Phantom demands that the new owners honor the “agreement” he has established with the previous owners and that the fifth opera box is kept empty for his use and that his salary of 20,000 francs per month is honored. The Phantom also demands that Christine, whom he has secretly been giving singing lessons to, replace Carlotta Giudicelli, the opera company’s prima donna. He also warns that if his demands are not met, that the opera house and the opera company will need to pay the consequences. Though the origins of the Phantom are unknown to the general population of the opera house, Madame Giry knows more about the Phantom than she lets on. It is later discovered that Madame Giry helped the Phantom escape a life of abuse from a freak show and that she hid him at the opera house where she was studying ballet. It was during Christine’s and the Phantom’s singing lessons that he began to fall in love with her and came to be obsessed and protective of her. The return of Christine’s first love, Raoul, threatens to tear Christine an...
Two weeks after her father’s funeral, our protagonist Annie sees his ghost in her bathroom. Knowing he is dead, they small talk about her boyfriend, their farm, their deceased family etc. until he suddenly vanishes. Her father makes occasional appearances after that. They keep talking about everyday life until one night at the Opera House, where she not only sees her father, but her brother and mother as well. Knowing where to find them, she takes her goodbye with her dead family.