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Themes of the pearl
How the character of kino is shown in the book of the pearl
Theme of poverty in the pearl
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Kino is the main character of The Pearl by John Steinbeck.
Kino often “hears” songs that represent his situation. For example if he is in danger he may hear the Song of Evil or the Song of the Enemy. The songs in this book set the theme for what has happened, what will happen, and what is happening. In The Pearl Kino hears the Song of Family, the Song of Evil, and the Song of the Pearl.
The Song of Family symbolizes the balance of Kino’s life and how content he is. It is most prevalent in The Pearl near the beginning and the end of the book. In the beginning, Kino hears it when he first wakes up and later when he is determined to get the doctor.
In Kino’s head there was a song now, clear and soft, and if he had been able to speak of it, he would have called it the Song of the Family…Juana sang softly an ancient song that had only three notes and yet endless variety of interval. And this was part of the family song too. It was all part. Sometimes it rose to an aching chord that caught the throat, saying this is safety, this is warmth, this is the Whole. Across the brush fence were other brush houses, and the smoke came from them too, and the sound of breakfast, but those were other songs, their pigs were other pigs, their wives were not Juana. (Steinbeck 2-3)
The song shows that Kino is extremely satisfied and happy with his life and family life even though it is almost the exact same as any other family who lives near them. At the end he once again hears the Song of Family when he finally relinquishes the pearl after Coyotito’s death and throws it to the sea. “In Kino’s ears the Song of the Family was as fierce as a cry. He was immune and terrible, and his song had become a battle cry…And Kino heard the music of the pearl, disto...
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...m the medicine. And Kino thrust the pearl back into his clothing, and the music of the pearl had become sinister in his ears, and it was interwoven with the music of evil. (Steinbeck 71)
This shows how Kino finally views the pearl as a source of danger and evil. He now sees the Song of the Pearl to be joined to the Song of Evil. The Song of the Pearl represents greed and how it can corrupt a person.
The Song of Family, the Song of Evil, and the Song of the Pearl all represent how Kino is feeling and the current motif of the book. The Song of Family represented balance and content, the Song of Evil represented unbalance and danger, and the Song of the Pearl represented greed and what it can do to you. The songs of The Pearl are extremely important in understanding the book.
Works Cited
Steinbeck, John Ernst, Jr. The Pearl. 1992 ed. New York: Penguin, 1945. Print.
In the novel by John Steinbeck, Kino finds “The Pearl of the World”, but it soon causes him to worry and fear that everyone is out to get him. For example, one situation that illustrates this was when, “Juana, sitting by the firehole,
He is driven by greed, so much so that he could even see dreams form in the pearl. Kino is the head of a modest household and until he finds the pearl he lives a satisfied life with all he needs for his family to be happy. As soon as Kino finds the pearl he starts to want possessions he never wanted before. He dreams of education for Coyotito, marrying Juana in a Catholic church, purchasing new clothing for his family, and getting a harpoon and a rifle for himself. “It was the rifle that broke down the barriers . . . for it is said that humans are never satisfied, that you give them one thing and they want something more” (Steinbeck 32). Located within a small poverty-stricken community, a pearl diver named Kino finds “the Pearl of the World” and becomes suddenly rich, he begins to want items that he thought were impossible before. As Kino thinks more and more of what the pearl can do for him, he starts to think that it will raise his social status as well. This is only the beginning of Kino’s greediness, for the more he gets, the more he will want, and this begins to dehumanize him. Kino focuses on the wealth of the pearl and causes him to change his values about life. In the beginning, Kino is only focused on his family, once Kino finds the pearl he becomes more focused on the pearl, rather than his family. Kino cares a lot more about losing the pearl rather than something bad happening to his loved
One of the most common and prominent themes of The Pearl is greed. One of the first examples of this is when Kino went to the doctor to beg for treatment, but the doctor responded, "‘Has he any money?’ the doctor demanded. ‘No, they never have money. I, I alone in the world am supposed to work for nothing- and I am tired of it. See if he has any money!’” (Steinbeck 11). Many would consider it unethical to refuse treatment to someone simply because of their poverty. The doctor refusing to cure the ill child shows how greed has corrupted him to the point of having an innocent baby die rather than offering up his services for free. Another early instance of greed was when the news of the pearl “came to the priest walking in his garden, and it put a thoughtful look in his eyes and a memory of certain repairs necessary to the church. He wondered what the pearl would be worth” (Steinbeck 21). Even the people of God, those believed to have the highest morals, became materialistic. He who is supposed to be satisfied with just the love of the lord suddenly hungered for more. This greed eventually came to Kino when Juana suggested throwing away the pearl, but Kino replied, “‘No,’ he said. ‘I will fight this thing. I will win over it. We
For example, when Juana argues with Kino about the pearl, she tells Kino, “The pearl is like a sin” (38). The pearl is compared to a sin using a simile and reveals how Juana truly feels about the pearl as it connotes evil, envy, and greed. This supports the fact that the pearl converts Kino and that it isn’t benevolent. In addition, when Juan Tomas tells Kino to leave the pearl, Kino tells Juan, “The pearl has become my soul” (67). Kino is shown to have an obsession with the pearl and that it controls him. His commitment to the pearl connotes obsession, delusion, and compulsion. The pearl and it’s hold on Kino is why he is dehumanized as the book progresses
He should have known that the pearl was bad news and to have thrown it back in the ocean. When everything was good in Kino’s life he only heard good songs which made sense and he knew that the good songs were going to bring good things to him and his family. The song he heard when he got the pearl were evil so he should have listened to Juana and thrown the pearl back in the ocean.
Now that the reader has a specific image in their head, the simile becomes more clear. Next, imagery is an important and widely used technique throughout the book. One example of that is the quotation “The poison sacs of the town began to manufacture venom, and the town swelled and puffed with the pressure of it” (23) This selection paints a very precise picture in the reader’s mind: one of a scorpion prepared to strike. The author compares the town to the scorpion, thus showing that the town is associated with negative qualities, because scorpions are very dangerous and Kino himself was affected by one in earlier chapters. The author uses this to show, not tell Kino’s fear of what his former friends will do. Furthermore, one can associate the events of this passage with the topic of appearance vs reality that Kino has experienced previously. In this passage, the author explains that Kino is truly alone ever since he found the pearl, allotting to the topic, because finding a valuable pearl might at first seem like great fortune, but can have unexpected consequences. Kino’s community used to be the people he trusted, but now that he has the pearl he has to be wary of
At first, the pearl symbolized aa amazing providence. With the discovery of the great pearl, Kino began to have hope for Coyotito’s future and thought of the different possibilities that lead before him. However, as the town found out about ‘“the Pearl of the World”’(Steinbeck, 1947, p. 23), it began to have an injurious effect into Kino’s simplistic life (SparkNotes Editors, 2002). Juana and Kino’s brother began to seek the pearl as a threat rather than a blessing as the pearl began to symbolize and associate more materialistic desires. With Kino’s desire to acquire wealth from the pearl, he altered from a happy and content father into a savage criminal. By Kino’s demonstration of the destruction of innocence from greed and desire, the pearl soon became a symbol of human destruction. Kino’s gluttony shortly leads him to violently mistreat his wife and also to the death of his only son, Coyotito (SparkNotes Editors, 2002). SparkNotes Editors (2002) believed that his greed ultimately isolated Kino from his cultural customs and society. Overall, according to Wheeler (2008), the parable’s moral lesson was that “money cannot buy
Kino found one of the most valuable and precious pearls in the world and being convinced of its worth was not going to be cheated by only minimally upgrading his condition of life. Instead he wanted to break the fixed life and role that he and his family had and always would live. Kino refuses the maximum offer of fifteen hundred pesos that would easily ease his and his family’s pain and suffering for the coming months. Kino is then determined to trek to the capital to find a fair and just offer. Kino continues determined through the mountains after an attempt at the pearl, his canoe destroyed and his hut set a blaze. Continuing to put his family’s life on the line. It eventually takes the death of his beloved son Coyotito to make him realize he needs to stop being so greedy, no matter how hard he tries and to shut his mouth and know his role.
Readers can tell from the statement that many of the people Kino encounters after finding the pearl become bitter “friends”. At this point, Kino and Juana begin to realize that the pearl is bringing bad luck upon them. They are taken advantage of by the doctor and he decides to visit them after knowing they have the pearl. “This pearl is like a sin”(56). Juana begins to realize the pearl is bringing them bad luck, but Kino still trusts that it’s a gift. Readers can also assume that people are trying to take the pearl when Kino is suddenly attacked during the night. “Blood oozed down from his scalp and there was a long…”(56). Readers can now confirm that the pearl has changed and now represents evil. The pearl also begins to destroy Kino and Juana’s relationship as they have different opinions on what to do with the pearl. After Kino wakes up and follows Juana when she wakes up and walks out, readers know he has started to lose full trust in her. “He rolled up to his feet and followed her silently as she had gone” (58). Through the symbolism of the pearl and what it brings upon Kino and Juana, the author emphasizes how the pearl is not what it first appears to be, which was
One example of this universal theme of humanity’s struggle with violence that occurred in this novel happened when Kino violently attacked his wife to keep her from throwing his “precious” pearl into the sea. “ . . . he leaped at her and caught her arm and wrenched the pearl from her. He struck her in the face with ...
John Steinbeck's The Pearl tells the story of a pearl diver named Kino. Kino lives a simple life, and adores his family. At the beginning of the story Steinbeck shows how content Kino’s family is. Everything seems to be going perfect for Kino and his family that is until the discovery of the most wonderful pearl in the world changes his life forever. As the story advances Kino’s newborn, Coyotito gets bitten by a scorpion. Kino’s wife, Juana insists that they take Coyotito to the town’s doctor. Inevitably the doctor refuses to help Coyotito because Kino is unable to make a payment.
The pearl symbolizes many different things. To Kino, at first it symbolized happiness and hope. On page 39 in chapter 3, it has stated, "So lovely it was, so soft, and its own music came from it- its music of promise and delight, its guarantee of the future, of comfort and security. Its warm lucence promised a poultice against illness and a wall against insult. It closed a door on hunger." Kino sought happiness and riches, and as he was desperate he was blind to the greed that was enveloping him. All he saw was impossible hopes and dreams in the pearl. In other words, to him, the pearl guaranteed money and the comfort of a tranquil life.
One form of symbolism is when the pearl changed colors from the beginning to the end of the book. In the beginning, the pearl was described as “perfect as the moon. It captured the light and refined it and gave it back in silver incandescence.” (Steinbeck, 20) However, at near the end of the book, the pearl was described as “ugly; it was gray, like a malignant growth.” (Steinbeck, 86) This means that the pearl’s evil grew out of control and invaded Kino’s body like a disease. The author is telling the reader that at the end of the novel, the pearl has drained out all of it’s evil. Another form of symbolism is the songs Kino hears in his head. There were songs, such as the song of the family or the song of evil, that would show the reader what the character was thinking about and feeling dread or delight. Before the first evil that the pearl brought into Kino and Juana’s lives, he began to hear the songs again. In the book, it read, “darkness spread over the page, and with darkness came the music of evil again.” (Steinbeck, 36) From that point on, Kino would always hear that song when the pearl brought them
This leads to change and, eventually, downfall. Before he finds the pearl, Kino “was a well-liked man” (43), and adored by all of his neighbors. Everyone looked up to his kindness and sympathy, but when he finds the Pearl, he changes. The pearl takes control over him, and he becomes too obsessed with getting his money. He loses his many things over it: “now it is my misfortune and my life and I will keep it” (66). The neighbors even suspect, “‘what a pity it would be if the pearl should destroy them all.’” (43) For example, KIno loses his family when he tries to protect the pearl and defies the pearl buying system, and when he mishandles Juana. Loisng his canoe symbolizes thi sloss of his family. He also loses his sanity. he beats Juana and kills four men. He “‘killed a man’” (61) and joins in many fights. For greed, he turns down the salesman`s offer for the pearl and ends with nothing left. Kino has the chance to take the money offered to him and be done, but he is greedy and he wants more. Then, at the end of the book, Kino throws the pearl into the sea, and with it, all the money he could possibly gain. He also lets the doctor treat Coyotito, even with his doubts, and now can not pay him because the pearl is his payment method, which is now gone. He thinks his money is secure, and in his mind, he is a rich man. This is not necessarily true, as readers learn, and because he was so secure, he must now pay for unnecessary
Most of the evil in The Pearl shows up after Kino gets the pearl. Kino goes from being a righteous man to being a murderer and the assaulter of his wife, Juana. She even goes so far as to say, “Kino, this pearl is evil. Let us destroy it before it destroys us. Let us crush it between two stones. Let us- let us throw it back to the sea where it belongs. Kino, it is evil, it is evil,” (Steinbeck 56). Kino and his tribe, more particularly Juana, have this misconception that the pearl itself is evil, but an object cannot be evil. No, an object does not possess the power of good and evil morals. It is not the object that it is evil it is the people. It just so happens that the object brought out the true nature of evil that has always existed within man. “Therefore, just as sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned,” (Romans 5:12 NIV) Kino saw it as wealth and as his one chance to be more than what the people of the town has said he is. It was the love of money that brought out the evil in Kino. “For the love of money is a root of all kinds of evil. Some people, eager for money, have wandered from the faith and pierced themselves with many griefs,” (1 Timothy 6:10 NIV). Unfortunately, it is the love of money that brings out the evil in Kino, because Kino is a good person with a good