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Significant architectural features of the roman pantheon
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Pantheon is located in the Italian capital Rome, the northern circular plaza, it is one of the oldest buildings in Rome, is also a representation of ancient Roman architecture. The original history of the Pantheon dates back to the 27th year of the Roman Republic, which was built by Octavian 's deputy, Agri Barba, to commemorate Octavius ' defeat of Anthony and Anlapatra. But the original temple was burned in the fire in AD 80. It was not rebuilt until 125 AD by Emperor Hadrian, who inscribed "M.AGRIPPA.L.F.COS.TERTIUM.FECIT" in the rebuilt portico of the Pantheon. It means "the son of Lucius, the three-time Archon of the construction of the temple of Marcos America." This passage had led to the misconception that the colonnade was left over …show more content…
Pantheon plane-round, dome diameter of 43.3 meters, the top height, is 43.3 meters. The central dome opened a diameter of 8.9 meters round hole, indicating that the world of God and the human world together. Projected from the round hole in the soft light, illuminating the Pantheon 's interior, it is full of sacred feeling. Dome materials are concrete, brick, concrete pumice for aggregate. To reduce the weight of the dome, the more, the more thin, the lower 5.9 meters thick, the upper 1.5 meters. And in the dome inside to do five deep concave grid, each circle 28. The wall thickness is 6.2 meters and is also made of concrete. Each pouring about 1 m, to build a layer of large brick. Wall along the circular hair eight coupons, of which 7 are niches, one is the door. Niches and gates also ease the burden of the foundation. The foundation is 4.5 meters deep, and the bottom is 7.3 meters thick. The foundation and the walls of the concrete are made of tuff and gray stone for aggregates. Stigma and pillars are white marble. The flowers and the eaves of the statue, door fan, tile, porch ceiling beam and board, are made of copper, was wrapped in gold foil. The …show more content…
Pantheon porch pillar tall and majestic, but also gorgeous floating Yan, column height of 14.1 meters, the bottom diameter of 1.43 meters, with a piece of Egyptian gray granite processing. Stigma and pillars are white marble. The figurines of the mountain flowers and the eaves, the gates, the tiles, the ceiling beams and the boards in the porch, are made of copper and wrapped in gold. The hall is surrounded by shrines and enshrines the Catholic saints. On the left and right walls, there are Jesus Christmas and the "three kings" to the murals and St Joseph 's sleepwalking and fled to Egypt 's relief. Hagia Sophia all the columns are the color, different patterns of marble processing. Its walls are covered with marble slabs and vaulted mosaics for a minimalist design. Archangel Gabriel and Michael 's mosaic are also found on the archway. The arched shoulder of the building is decorated with cutting practices, with black marble as the end, on which embedded precious white marble slices, flowers and birds display patterns. At the same time, the top of the church dome and the surrounding walls are also covered with colorful mosaics and a large number of exquisite murals and sculptures. In addition, the decoration of the cathedral, in addition to a variety of exquisite carvings exquisite, but also includes the use of colored marble mosaic puzzles inlaid, the mosaic depicting the Virgin Mary, Jesus, saints, emperors, and queens, there is
One of the most defining features of both the Pantheon and Jesse Hall is the larges domes that sit atop their structures. When the Pantheon was created, there was no dome ever created to the scale or size of the one that tops the building to this day. The dome itself sits on a drum like structure that supports the structure. The top is not completely curved like many other domes today. A stepped dome is used near the bottom and begins to curve more towards the top where the oculus sits. This oculus allows any sort of element into the building including sunlight, rain, and snow. The Pantheon, being a space of religious worship when originally created used the dome for many different purposes. In Understanding Architecture, extra contributor David Wat...
Although Cordoba’s Mezquita and Rome’s Pantheon share similar architectural qualities, each of these buildings has their own unique characteristics. Cordoba’s Mezquita is an Islamic religious architecture where the community comes together for their daily prayers. Rome’s Pantheon is a temple used as place to display all the gods. A unique feature of the mosque is that some of the arches are horseshoe-shaped, a quality possibly originated from earlier Mesopotamian
The interior of the Pantheon is an open circular floor plan and, was painted blue and gold to resemble the vault of heaven (The Humanistic Tradition). The interior of the Pantheon was purposely meant to outshine the exterior. Unlike the Pantheons more interior design the Cathedral has a more exterior design. The interior of the Cathedral of Chartres has a network of open and closed spaces. The exterior of the Cathedral is lined with sculptures that are linked to the Old and New Testaments. Along with t...
Thousands of years ago, Greek and Roman architects created rectangular-shaped buildings supported by huge, marble columns. For example, the Parthenon has forty six outer columns and twenty three inner columns. All of these columns come at a price. There is less space in the building and the views through the building are obstructed by the columns. It was not until about 100 A.D that that the Romans did a little experiment with a new concept, arches. These Roman scientists discovered that when you put them together, they form a circular dome. This concept caught on quickly as many ancient architects began to build “domes”. They found that making a dome created more space because there were no columns involved. Without the columns, the arches provided unobstructed space that is more appealing to those u...
The Column of Antoninus Pius was a Roman triumphal column dedicated to honor the Roman emperor Antoninus Pius and his wife Faustina the Elder by his successors, co-emperors Marcus Aurelius and Lucius Verus, in 161 A.D. The column alone was 14.75 meters high and 1.90 meters in diameter, which was composed, of red granite, with no reliefs on the column like other triumphal columns such as those of Trajan and Marcus Aurelius. The column itself has been lost to history, however the base expresses iconography that art historians are still studying and interpreting today. The main components of the base of the column contain two funerary decursio sides, and the depiction of the apotheosis of Antoninus Pius and Faustina the Elder, the decursio and apotheosis depict two separate but equally important styles and motifs.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
In Rome the buildings were constructed under Roman Empire. The Roman Colosseum was constructed between 69 to 79 CE by the Vespasian emperor, The Circus Maximum was built in the 2nd century B.C by the high emperor, in 31 B.C the fire destroyed it that led Emperor Augustus to rebuild the Circus in 82 AD, Ludus Magnus was a gladiatorial training school in Rome and it was originally built between 81-96AD by Emperor Domitian. The emperor’s theme was large public stone buildings that would bring the people of Rome together and also the emperor was rich and they had manpower. The emperors also patron towards the workers and also to prove that they are the great leaders. The emperors had money, a lot of workers to build the buildings to the Emperor’s satisfaction. The buildings were used by the public as entertainment where they would go and watch all sorts of races & fights.
Stone, marble and brick were used to repeat the geometrical forms and patterns to give the proportion in the spaces. The Medici Chapel uses the patterns on the floor to create a system of proportion that connects to the space. The plastered stucco walls are articulated by pilasters and trim of grey sandstone. The pilasters are wider and stronger. They press in the marble panels designed for the funerary monuments. From the exterior of the building, one could see that the chapel is a mass of masonry. It is called the “New Sacristy” but it had never functioned as a sacristy because, it was a funeral chapel for the Medici
Flying buttresses do not have direct contact with the walls, rather they incorporate arches leading away from the building. This made it possible for the walls to be constructed much thinner and lighter, since they no longer bore the responsibility of supporting the roof of the structure. Additionally, the walls could contain massive openings where windows could be inserted, flooding the building with immaculate light. In Gothic Cathedrals, stained glass was used expansively to welcome and celebrate this new architectural achievement. The immense amount of light that enters these spaces was a new development that truly brought places of prayer together in an exciting new way.
The Façade, designed by the architect Carlo Maderno, “Is 114.69 metres wide and 48 metres high, and has an order of Corinthian columns and pilasters, over which lies an imposing cornice with a central tympanum, crowned by a balustrade with thirteen statues (nearly 6 metres high).” There can be found an inscription on the entablature stating that the Façade was built under Pope Paul V Borghese. In the lower order there are five entrances to the atrium, over which are nine windows, three of which possessing a balcony. The main window, the “Benediction Loggia”, where the Pope gives his blessing upon his election, and at Christmas and Easter. When Maderno added the nave, which is the main body of the church,
The San Vitale is primarily built of brick with a marble and mosaic interior. The ground plan consists of a octagonal organization with a central dome supported by a tall cylindrical drum. Separated by clerestory windows, is a dome in a concentric form of clay tubed rings and seven curved exedras connected to vaulted semi domes. At the main entrance of this chapel is a narthax making it off access from the adjustment apsidal chapels. On either side of the narthax is two projecting towers, one being a spiral stair tower and the other a bell tower. Connecting the central dome area and the ambulatory is 8 strong masonry pillars. The outer prism incorporates two levels of galleries with eccentric mosaics from floor to ceiling. Whether marble or mosaic stone, the monument fills t...
The Colosseum is one of the most well-known structures in Rome, Italy. The Colosseum was built almost two thousand years ago to host games for gladiators. The Colosseum provided for entertainment for the Romans, a form of punishment for those who did not obey the laws, and a place of great architectural beauty.
It was built on the same site as the two before it, the first commissioned by Marcus Agrippa, and the second by Domitian. The first was destroyed by fire in 80 CE and the second burned down after being struck by lightning in 110 CE. The Pantheon standing today was started by Trajan in 114 CE and completed by Hadrian in 125 CE. The text of the original inscription was added to the new façade. The inscription reads “M·AGRIPPA·L·F·COS·TERTIVM·FECIT”, meaning "Marcus Agrippa, son of Lucius, made [this building] when consul for the third time.” In 609 CE the Byzantine Emperor Phocas gave the building to Pope Boniface IV. It was then consecrated as a Christian church called Santa Maria ad Martyres, which has been in constant use ever since. Dedicated to every god, it is one of the best preserved Roman temples. The Pantheon has also served as a tomb since the Renaissance. Among those buried are the architect Baldassare Peruzzi, the painters Raphael and Annibale Caracci, and two kings of Italy: Vittorio Emanuele II and Umberto I, as well as Vittorio Emanuele's Queen, Margherita. The building stands on a base, originally extended a further twenty-two feet in front of the colonnade. “The front of the temple is a deep portico with eight unfluted Corinthian columns across the front and four interior columns, thus dividing the porch into a barrel-vaulted nave, which leads
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
The Roman Colosseum, also known as the Flavian Amphitheatre, is perhaps the most famous ancient landmark in the world. The Colosseum was the host to thousands of gladiatorial shows, mock naval battles, executions, and animal hunts. Today, the Colosseum still stands in the center of Rome, Italy, however, not quite as it used to be. Still, today, the Roman Colosseum is a large tourist attraction, thousands of tourists from all over the world still come to view this marveled arena. The Roman Colosseum has a rich history, and remains a prized possession of the Roman citizens.