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Archetypal theory in literature
Essays on archetype in literature
Archetype Literary Criticism
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In attempts to retrieve a deceased tapster, the protagonist of The Palm-Wine Drinkard, sets out on an archetypal quest. From the age of 10, the palm-wine drinkard is accustomed to consuming 250 gallons of palm-wine daily given to him by his trusted tapster. One day his tapster, while at work, faced a tragic death. Unable to find a replacement tapster able to produce enough palm wine to satisfy him, the palm wine drinkard sets out on a quest to retrieve his deceased tapster from the Land of the Dead. This quest, supernatural in nature, encompasses three defining stages for the protagonist; his departure, initiation, and return. Throughout the quest the protagonist faces challenges; success in these tests are imperative in proving himself extraordinary. The …show more content…
He enters the house of the god claiming to be “the father of all gods who could do everything in this world” (PAGE 194). The god whom owns the house becomes the first task master. The task he is sent on is to prove himself as a fellow god, therefore the task must be supernatural in nature as well. He is sent to the god’s native blacksmith from an unknown place to retrieve an item that is unknown to him. Cleverly thinking, the PWD uses one of his juju to transform into a bird. Then, he goes to the roof of the god to listen in on a conversation between the old man and his wife. He overhears the old man tell his wife that that the unknown item is a bell. Therefore, the PWD flies to the blacksmith and retrieves the bell so that the old man is shocked and believes that he indeed is the father of all gods who could do everything in this world. Along the continuation of the journey, the palm-wine drinkard encounters additional task-masters. In each encounter, he proves himself clever and intuitive, always able to figure out how to complete the task at
In Alistair McLeod’s collection of short stories the Lost Salt Gift of Blood; death seems to be a constant companion. Death is important and perhaps even symbolic in this collection of short stories. It is important because it has the power to affect people and relationships, invokes freedom and even predetermines ones future, through the death of animal’s people and the impending death of others.
Although it may be true that Chris McCandles was stubborn, people should consider that he had family problems, he loved nature and he also had an adventurous spirit. I believe that the motives that led him to the wild were family problems and emotional damage as well as his love of nature and his adventurous spirit. In Chris’s journal it seemed like he had lived for 113 days in that “magic bus” but in his last days he had written that “death looms” and that he was “too weak to walk out”. There are many evidence that connect with family problems as well as his adventurous spirit. As I go on with this essay I will state my theory on why Chris was led into the wild as well as evidence that support my claim.
Gabriel García Márquez, 1982 Nobel Laureate, is well known for using el realismo magical, magical realism, in his novels and short stories. In García Márquez’s cuento “Un Señor Muy Viejo con Alas Enormes,” García Márquez tactfully conflates fairytale and folklore with el realismo magical. García Márquez couples his mastery of magical realism with satire to construct a comprehensive narrative that unites the supernatural with the mundane. García Márquez’s not only criticizes the Catholic Church and the fickleness of human nature, but he also subliminally relates his themes—suffering is impartial, religion is faulty by practice, and filial piety—through the third-person omniscient narration of “Un Señor Muy Viejo con Alas Enormes.” In addition to García Márquez’s narrative style, the author employs the use of literary devices such as irony, anthropomorphism, and a melancholic tone to condense his narrative into a common plane. García Márquez’s narrative style and techniques combine to create a linear plot that connects holy with homely.
Firstly, the retracing is the convoluted path of McCandless to pursue his faith in the Alaskan taiga. The writer uses documentary style and story dispelling to depict the boy’s hitchhike and risks in Alaska, and tries to remain emotionally detached from personal convictions. The second, the wilderness, a...
The knowledge and universal understanding derivative from a journey can leave the traveller positively enlightened. In Coelho’s story, Santiago is faced with recurring dreams which lead him to ‘’traverse the unknown’’ in search of a treasure buried in Egypt, the metaphor for universal connection, and in doing so, comes to the unrelenting realisation of spiritual transcendence. After arriving at the assumed geographical location of the treasure ‘’several figures approached him’’. They demand the boy keep searching for this treasure as they are poor refugees and in need of money, but as Santiago does, he finds nothing. Then, after relentless digging through the night ‘’as the sun rose, the men began to beat the boy’’ , finally relenting with the truth, Santiago reveals his dreams to the travellers. In doing so, Santiago finds out that these men had also been faced with recurring dreams measured around the place where the boy had undergone his own, both relative to hidden treasure. However the leader was ‘’not so stupid as to cross an entire desert just because of a recurrent dream’’. It is with this fact, tha...
In his 1984 novel Jitterbug Perfume, Tom Robbins presents a narrative that rivals the often fantastical tales told in myth. Using classical mythology as a foundation, and, in particular, providing a loose adaptation of The Odyssey by Homer, Robbins updates and modifies characters and concepts in an effort to reinforce the importance of the journey of life and the discovery of self. Like the ancient myth-makers, Robbins commands the reader’s attention with outrageous situations and events while at the same time providing characters that the reader can relate to and learn from.
For centuries, authors have been writing stories about man's journey of self-discovery. Spanning almost three-thousand years, the Epic of Gilgamesh, Homer's Odyssey, and Dante's Inferno are three stories where a journey of self-discovery is central to the plot. The main characters, Gilgamesh, Telemachus, and Dante, respectively, find themselves making a journey that ultimately changes them for the better. The journeys may not be exactly the same, but they do share a common chain of events. Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. As their journeys progress, each man is forced to overcome certain obstacles and hardships. At the end of the journey, each man has been changed, both mentally and spiritually. These timeless tales relate a message that readers throughout the ages can understand and relate to.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Within Winter in the Blood, Welch’s unnamed narrator continuously struggles for self-knowledge, but is thwarted by a highly disconnected past, present and future. In his many destabilizing events, the narrator is unable to connect himself to a cultural or spiritual center, which inevitably denies him of a coherent identity. Throughout the novel he is denied the explanation of his true grandfather, why “First Raise stayed away so much,” and other recollections within his own mind because “memory fails” him (Winter 21, 19). However, the one event the narrator manages to recall is of “when the old lady had related this story, many years ago, her eyes were not flat and filmy; they were black like a spider’s belly and the small black hands drew triumphant pictures in the air” (Winter 36). His remembrance is based upon the premise of storytelling, which takes on the traditional aspect of Native American culture. Whi...
Style: The typical Magical- Realistic story of García Márquez placed in a familiar environment where supernatural things take place as if they were everyday occurrences. Main use of long and simple sentences with quite a lot of detail. "There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had" (589).
Detachment from reality is what the main characters in both Tim O’Brien’s “The Things They Carried” and Edgar Allen Poe’s “The Masque of the Red Death” express. “The Things They Carried” is the collection of interrelated short stories of Lieutenant Cross and his experiences throughout the Vietnam War. “The Masque of the Red Death” is the story of a prince who fears the “Red Death” who hides himself, along with some townspeople, to escape from the terrible disease. Each character, despite having two very different roles in their lives, have to face reality. In order to fully understand the relationship between these two works, each of these factors in turn.
Once Phil is endowed with life, during the first days of his existence, he ambles into the forests near Ingolstadt. Though not to the same degree as man, here he feels pain, hunger, and the sensations of temperatur...
Poe’s frightening stories acts as helpful inspiration for entertainment in the present, and for many years to come. The timeless relevance of his work, and its merciless scrutiny of the human condition, solidifies its place in history and its position of high admiration. In conclusion, the extraordinary-fleeting-tragic life of Edgar Allan Poe will forever remain on record as the tale of an orphan, a gentleman, a soldier, and one of the most prominent literary figures in American history.
Poe, Edgar Allan. “The Cask of Amontillado.” The Norton Anthology: American Literature. Ed. Wayne Franklin, Philip F. Gurpa, Arnold Krupat. New York: Norton, 2007. 1612-1613, 1616. Print.
Breath, Eyes, Memory by Edwidge Danticat highlights the various differences in Haitian culture from the American culture we grow up with by showing us various Haitian parables. The use of these Haitian parables not only gives a look into the values of another culture, but their usage explains earthly and unearthly things with an underlying meaning or a moral. By utilizing the parables and their interpretations, Danticat foreshadows a character’s death and reveals the metaphors for a deeper pain in life.