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Essays on British and American writers using nature
The role of fate
Why is it important to talk about nature in literature
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1. In all three of our readings, the Western landscape has been described as a dangerous obstacle to overcome: in Bret Harte’s “The Outcasts of Poker Flat” and Hamlin Garland’s “Under the Lion’s Paw,” the land threatens the character’s lives, while in Zane Grey’s “The Ranger,” Vaughn must seriously consider the terrain and his horse’s abilities as he first tries to catch up to Quinela’s people and later works to escape them. Clearly, nature was a hostile force for Western people. This constant hostility would contribute to the determination, independence, and strength associated with the Western character.
2. The Haskins from “Under the Lion’s Paw” have the most clear motivation to travel to the West when they’re previous farm was destroyed
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by grasshoppers. For the Haskins, the West is their second chance, the opportunity to succeed economically for their future of their children. Unfortunately, they also reflect the cliche of being stuck in the West once traveling there, not because they’ve changed, but because they are trapped by the corrupted Western society and economy. 3. The “Code of the West” is the unique chivalric culture formed in the Old West. Though this culture reflects the characteristics associated with the reality of the West, it also reflects the mythic West formed through literature and film. The code helps to shape the Western identity, but it’s so idealized that it does not correspond with a rapidly evolving society, often compromised by the pressure of competition and survival in the flourishing Western territory. 4.
The West’s influence on morality is highly varied throughout our texts. For some, the West has inspired virtue; for others, the West has inspired corruption. As for religion, the faith we see in these texts seem to often be connected to luck and morals. In “The Outcasts of Poker Flat,” the outcasts (besides Uncle Billy) are clearly virtuous figures—Mother Shipton standing out for her selflessness in her sacrifice of her own food. Though we don’t know much of Mother Shipton before they are kicked out, it’s possible that her circumstances as an outcast spurred on that selflessness; outside of the confines of society and stuck in the danger of the western land, she has nothing left to lose. Meanwhile, the citizens of Poker Flat are turned toward corruption disguised as virtue as Harte describes, “It was experiencing a spasm of virtuous reaction, quite as lawless and ungovernable as any of the acts that had provoked it” (34). Here, the frontier justice of the West becomes an excuse to punish everyone that does not fit into ideal society.
In “The Ranger,” Vaughn is clearly positioned as a figure of bravery, intelligence, and virtue, partially due to his job as a ranger. Unlike Mother Shipton, his standing in society contributes to his virtue. He is also one of the characters that describes luck as his religion as Grey explains, “his luck had begun to take over. He divined it, trusted it with mounting hope” (167). The luck he believes in seems to strengthen his belief in good vs. evil: he has luck on his side because he is in the “right,” encouraging him to act
morally. In “Under the Lion’s Paw,” Butler repeatedly acts immorally and it seems in large part because of the immense opportunities of the West. As he learns of his ability to take advantage of the struggling Western newcomers, he quickly loses virtue. On the other hand, Steve Council is spurred on by the struggle and code of the West to act virtuously, illustrated when he asserts, “when I see a man down, an' things all on top of 'm, I jest like t' kick 'em off an' help 'm up. That's the kind of religion I got” (9). Unlike other characters, Council has turned the code of the West into his religion, inspiring him to continually go out of his way to be kind. 5. The American West is unique in its ability to bring out the true morality of an individual. As we’ve seen, the West can inspire virtue or immorality, and it all depends on whether an individual uses the codes to better themselves or harm the people around them.
John Oakhurst is the main character in “The Outcasts of Poker Flat”. John is an outstanding person and has some phenomenal traits. Such as that he is unusually calm, courageous, and modest.
From the prologue through chapter one in “Wilderness and the American Mind”, the author emphasizes the affect wilderness had on the Europeans during the colonization of America. In today’s society, we are familiar with the concept of wilderness but few of us have experienced the feeling of being encapsulated in the unfamiliar territory. Today we long for wilderness, crave it even. We use it as an outlet to escape the pace of life. However, we have a sense of safety that the Europeans did not. We are not isolated in the unfamiliar, help is usually a phone call away. Though we now view the wilderness as an oasis because we enter at our own terms, in the early colonial and national periods, the wilderness was an unknown environment that was viewed as evil and dangerous.
The Frontier Thesis has been very influential in people’s understanding of American values, government and culture until fairly recently. Frederick Jackson Turner outlines the frontier thesis in his essay “The Significance of the Frontier in American History”. He argues that expansion of society at the frontier is what explains America’s individuality and ruggedness. Furthermore, he argues that the communitarian values experienced on the frontier carry over to America’s unique perspective on democracy. This idea has been pervasive in studies of American History until fairly recently when it has come under scrutiny for numerous reasons. In his essay “The Trouble with Wilderness; or, Getting Back to the Wrong Nature”, William Cronon argues that many scholars, Turner included, fall victim to the false notion that a pristine, untouched wilderness existed before European intervention. Turner’s argument does indeed rely on the idea of pristine wilderness, especially because he fails to notice the serious impact that Native Americans had on the landscape of the Americas before Europeans set foot in America.
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
There are many ways in which we can view the history of the American West. One view is the popular story of Cowboys and Indians. It is a grand story filled with adventure, excitement and gold. Another perspective is one of the Native Plains Indians and the rich histories that spanned thousands of years before white discovery and settlement. Elliot West’s book, Contested Plains: Indians, Goldseekers and the Rush to Colorado, offers a view into both of these worlds. West shows how the histories of both nations intertwine, relate and clash all while dealing with complex geological and environmental challenges. West argues that an understanding of the settling of the Great Plains must come from a deeper understanding, a more thorough knowledge of what came before the white settlers; “I came to believe that the dramatic, amusing, appalling, wondrous, despicable and heroic years of the mid-nineteenth century have to be seen to some degree in the context of the 120 centuries before them” .
The public when the women first came out writing stories they had no clue what to think about their writings. It wasn’t like the traditional men writing where it kept the reader on the edge of their seats and being entertained. The women wrote more of a darker kind of story to where some people would call it a horror story, it was the first time that women had a voice. Women often talked about one thing and it was freedom, they always feel like they have been trapped. Also men wanted to inform and they had a lot of humor in their stories, where the women did not. Female authors had a much darker, melancholy storyline to their writing, while male authors wrote primarily to entertain their readers.
The setting of the essay is Los Angeles in the 1800’s during the Wild West era, and the protagonist of the story is the brave Don Antonio. One example of LA’s Wild West portrayal is that LA has “soft, rolling, treeless hills and valleys, between which the Los Angeles River now takes its shilly-shallying course seaward, were forest slopes and meadows, with lakes great and small. This abundance of trees, with shining waters playing among them, added to the limitless bloom of the plains and the splendor of the snow-topped mountains, must have made the whole region indeed a paradise” (Jackson 2). In the 1800’s, LA is not the same developed city as today. LA is an undeveloped land with impressive scenery that provides Wild West imagery. One characteristic of the Wild West is the sheer commotion and imagery of this is provided on “the first breaking out of hostilities between California and the United States, Don Antonio took command of a company of Los Angeles volunteers to repel the intruders” (15). This sheer commotion is one of methods of Wild West imagery Jackson
Born in Home, Pennsylvania in 1927, Abbey worked as a forest ranger and fire look-out for the National Forest Service after graduating from the University of New Mexico. An author of numerous essays and novels, he died in 1989 leaving behind a legacy of popular environmental literature. His credibility as a forest ranger, fire look- out, and graduate of the University of New Mexico lend credibility to his knowledge of America’s wilderness and deserts. Readers develop the sense that Abbey has invested both time and emotion in the vast deserts of America.
In the introduction, Hämäläinen introduces how Plains Indians horse culture is so often romanticized in the image of the “mounted warrior,” and how this romanticized image is frequently juxtaposed with the hardships of disease, death, and destruction brought on by the Europeans. It is also mentioned that many historians depict Plains Indians equestrianism as a typical success story, usually because such a depiction is an appealing story to use in textbooks. However, Plains Indians equestrianism is far from a basic story of success. Plains equestrianism was a double-edged sword: it both helped tribes complete their quotidian tasks more efficiently, but also gave rise to social issues, weakened the customary political system, created problems between other tribes, and was detrimental to the environment.
...to Americans: if their prospects in the East were poor, then they could perhaps start over in the West as a farmer, rancher, or even miner. The frontier was also romanticized not only for its various opportunities but also for its greatly diverse landscape, seen in the work of different art schools, like the “Rocky Mountain School” and Hudson River School, and the literature of the Transcendentalists or those celebrating the cowboy. However, for all of this economic possibility and artistic growth, there was political turmoil that arose with the question of slavery in the West as seen with the Compromise of 1850 and Kansas-Nebraska Act. As Frederick Jackson Turner wrote in his paper “The Significance of the Frontier in American History” to the American Historical Association, “the frontier has gone, and with its going has closed the first period of American history.”
Cormac McCarthy was wise in choosing the Southwest as the setting for a novel of unprecedented bloodshed. No other land would have done McCarthy’s ideas justice, given that only the Southwest harbored such wanton violence. A ...
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
... middle of paper ... ... This conflict conveys the confrontation of wild American nature with the new-coming European civilization, people like the young hunter?had no qualms about doing harm to nature by thrusting civilization upon it? P. Miller, p. 207.
All in all, the treatment of the American Indian during the expansion westward was cruel and harsh. Thus, A Century of Dishonor conveys the truth about the frontier more so than the frontier thesis. Additionally, the common beliefs about the old west are founded in lies and deception. The despair that comes with knowing that people will continue to believe in these false ideas is epitomized by Terrell’s statement, “Perhaps nothing will ever penetrate the haze of puerile romance with which writers unfaithful to their profession and to themselves have surrounded the westerner who made a living in the saddle” (Terrell 182).
It is impossible to conceive of an arbiter to judge such a class of morality. Even though the example is strongly suggestive, that’s not the same as proving with certainty that there are sufficient grounds to say that it should be okay to consider any custom of another culture as inferior.