The Oppression of Miranda in The Tempest
Miranda's schooling in The Tempest shows the audience the conflicting arrangement white women in the Shakespearean drama as well as Shakespearean times are forced to act within. Paul Brown points out that "the discourse of sexuality…offers the crucial nexus for the various domains of colonialist discourse" (208) and the conduct in Prospero manipulates his followers' sexuality is the mainstay of his power. The Miranda-Prospero relationship servers to represent a sort of patriarchy, which is unarguably the system many Renaissance women and women of Shakespeare's time found themselves in. It is thus unsurprising that Prospero controls Miranda and her sexuality as well. The system of patriarchy is demonstratd again and again throughout the play. For example, we see that Prospero's wisdom, magic, and education of Miranda, as well as his civilizing of Caliban demonstrates a system of authoritative love. There is no question that Prospero loves and wishes to protect his daughter; for example, Prospero continuously reiterates how much he cares for Miranda. However, at the same time, he exhibits enough power over her to be considered a patriarch. Prospero's authority over Miranda is so great that she cannot do anything but follow her father's wishes; it almost appears as if she has no choice in the matter for she, like Ariel and Caliban, can also be subject to Prospero's magical control. However, it appears that upon a closer study of this, we see that, patriarchalism makes specific, and often apparently contradictory demands of its "own" women, which can often cause confusion and problems for the woman involved.
Miranda, as a character in Renaissanc...
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... Prospero: Twelve year since, Miranda, twelve year since,
Thy father was Duke of Milan and
A prince of power.
Miranda: Sir, are not you my father?
Prospero: Thy mother was a piece of virtue, and
She said thou wast my daughter; and thy father
Was Duke of Milan, and his only heir
And princess no worse issued.
Works Cited
Brown, Paul. This thing of darkness I acknowledge mine: The Tempest and the discourse of colonialism." New York: Dollimore and Sinfield, 1985.
Kermode, Jack. Political Shakespeaere: New Essays in Cultural Materialism. Boston: Manchester University Press, 1985.
Lamming, George. The Pleasures of Exile. London: Allison and Busby, 1984.
Mies, Maria. Patriarchy and Accumulation on a World Scale. London: Zed Books, 1986.
There are many ways in which both Wes’s have taken steps down the right and wrong paths. They may have lived and grown up in the same cities, but they had different support systems and different events that made their destinies contrast. Perhaps if the Other Wes had a better support system, he could have gone down a much different path. From the very beginning, neither Wes had a father figure. Author Wes’s father dying from acute epiglottitis (which Wes witnessed) , and the Other Wes’s father leaving the picture. There is an occurrence where the Other Wes does come across his father, and neither of them know who each other are.”The strong smell of whiskey wafted from his clothes and pores. Wes and the man returned each other’s quizzical looks.”(25)
In “The Tempest”, “Translations” and “Things Fall Apart”, the theme of patriarchy is evident in various aspects. For instance, there is patriarchy present when Prospero controls and dominates Caliban and Miranda in “The Tempest”. Likewise, in “Translations”, the theme of patriarchy is also present with Hugh’s dominance over Manus and Manus’s dominance of Sarah. In “Things Fall Apart”, patriarchy is also apparent, primarily seen with Okonkwo controlling his wives and children. Writers bring out the theme of patriarchy in different settings, due to colonisation, such as the colonisation of the Irish and Igbo tribe. This influences the success and failure of patriarchy as the characters will have to act in accordance to their environment and the conditions in which colonisation takes place. Prospero and Okonkwo represent the patriarchal period of the time, whereas Hugh represents old traditions.
The first difference between the play and the movie “The Tempest” is; the protagonist Prospero, the Duke of Milan, is played by a female character named Prospera in the movie filmed in 2010, directed by Julie Taymor. He is a complex character in the play however the personality that Shakespeare created was slightly changed in the movie. The key point of this gender difference is to highlight the role of women’s empowerment over the last two hundred years. Taymor’s movie is making a statement on how Prospera’s power is limited for the island, she is still able to empower throughout the text sexually,...
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The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
kindness and innocence portray heart" (line 8/9) and this contrasts. to her father who is not as concerned as she is "Tell your piteous heart there's no harm done" (line 14). Prospero's power and control over Miranda is something that really stands out, "obey and be attentive" (line 38) and it is clear that she. respects him, "my dearest father" (line 1.) At first one may presume that Prospero is an evil man for causing the tempest, but I feel that He loves Miranda very much and would do anything to protect her.
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...Governors is also the chairman of the FOMC. Its principal duty as described under law is the supervision of open market operations that principal method of federal monetary policy (Federal Reserve System 8th ed. pp. 12).
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Secondly, Miranda also serves as the ultimate fantasy for any male who (like Ferdinand) is a bachelor. She is extremely beautiful, she is intelligent, and she has never been touched (or even seen) by another male. Shakespeare makes Miranda even more desirable by including the fact that she has never seen or even talked to another man (with the obvoius exception of Prospero). Miranda personifies the ultimate source of good in the play, and provides the ultimate foil for the evil character of Caliban. When Ferdinand is forced to chop wood by Prospero, Miranda offers to do it for him. Finding a woman this humble in the world of Shakespeare is almost impossible. One does not have to look farther than her last line in the play to realize her purpose in the plot. Miranda states "O wonder! / How many goodly creatures there are here! / How beauteous mankind is! O brave new world / That has such people in't" (Tempest,5.1,185-7) Through this passage and many of her others Miranda shows a positive attitude which is almost uncanny when compared to the other characters.
Shakespeare’s play, The Tempest is set on a mysterious island surrounded by the ocean. Here the magician Prospero is ruler of the isle with his two servants Caliban and Ariel. Caliban is the abrasive, foul-mouthed son of the evil witch Sycorax. When Prospero was shipwrecked on the island Prospero treated him kindly but their relationship changed when Caliban tried to rape Prospero's daughter, Miranda. Caliban then became Prospero's unwilling servant. Caliban serves his master out of fear Prospero's wrath. Prospero's other servant Ariel is a graceful spirit who has courtesy and charm. Ariel has put her services at Prospero's disposal out of gratitude for his kind actions towards her. Prospero saved Ariel from the confinement of Sycorax who held her prisoner.
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Scene two of the play in “A Tempest (Une Tempete)” by the author Aime Cesaire, has the same characters as The Tempest in Shakespeare's play. It starts by telling us about the questions which Miranda asked her father because the ship was sinking, she believed that the person behind this is her father who is Prospero because he has the power to cause anything because of the magic which he has. Prospero admitted that he caused that but no one in the ship is in danger, he did that in purpose because he wanted to show her the power which her family own. As he stated, “I cannot leave you in ignorance any longer”, he did not want her to be blind from the truth anymore.
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