In the recently released film Thor (2011), Anthony Hopkins impersonated the King of Asgard with a golden eye patch on his right eye. Despite the optical restriction that prevents the character from having three-dimensional vision, the King of Asgard was portrayed as a man of wise, who wields both physical and intellectual power with determination and prudence. A one eyed-man as the King of Asgard is a familiar image to the public. From celebrities such as David Bowie, John Ford, and James Joyce to fictional characters like Snake Pissken in Escape from New York (1981), Xander Harris in Buffy the Vampire Slayer (1997-2003), and Dilios in 300 (2006), the image of one-eyed man has been circulated for the last several decades in the mass media.
Although one-eyed men in popular culture are warriors or soldiers who lost their eyes during battles but still remain as great as before, this fictional setting is contradictory to the reality. After shooting Thor, Anthony Hopkins admitted that he had to rely on others as he moved around the film set, and had “moments of anxiety” over the fact that he could not see properly with the eye patch (Aceshowbiz, 2008). With only one eye open, the male characters in cultural representations were not supposed to defeat the enemy and perform masculinity. In the Military Medical Standards for Enlistment and Commission, there is a long list of cases that disqualify candidates with defective or corrected vision. However, optical disabilities of one-eyed men in popular culture are not marked, overshadowed by their normal or sometimes even extraordinary bodily functions. Not only is one-eyed man king in the country of the blind, but also he is king in the land of the sighted. This paper examines these one-ey...
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...those with one eye lost. Compared to films that show people with disabilities as helpless and dependent, one-eyed man films place people with disabilities in a position that is superior to non-disabled people. In particular, these films see one-eyed men as people with wisdom, who embody greatness and have the vision of humanist future. Moreover, these films contradicts the typical representations of men with disabilities as effeminized by showing male characters with masculine qualities However, as demonstrated in the film The Anniversary, these representations are obviously gendered. Once the same condition is applied to a woman, the wisdom turns into vice that causes dysfunctions of normal maleness. In one-eyed men films, the association of sight and masculinity reproduces the idea that vision as the most accurate sense perceiving the reality is a male quality.
The author Edward Bloor utilizes blindness to symbolize how Paul may be visually impaired but can see social injustice, while Erik and his parents’ can see but are blind to the emotional harm they inflict on Paul and others, and the townspeople are blind to their environment and social prejudice. He has been bullied most of his life for being visually impaired. Paul is used to being judged by others. The injury to his eyes supposedly occurred while looking at a solar eclipse, but there is more to this story.
Uncle Jim, and Erik Weihenmayer both are not born blind, but are both able to overcome their blindness to live life to the fullest extent. Both protagonists in the story share similar qualities, and traits to one, and another like being resilient, perseverance, determination, and a little bit of stubbornness to keep going, and never allow their blindness to dictate how they are able to live, but instead they are the ones who dictate how they want to live. Both stories showcase brilliant characters that were able to overcome their shortcomings which led to the betterment of their prospective
Within Oliver Sacks, “To See and Not See”, the reader is introduced to Virgil, a blind man who gains the ability to see, but then decides to go back to being blind. Within this story Sacks considers Virgil fortunate due to him being able to go back to the life he once lived. This is contrasted by Dr. P, in “The Man Who Mistook His Wife for A Hat”, Sacks states that his condition is “tragic” (Sacks, “The Man Who Mistook His Wife for A Hat (13) due to the fact that his life will be forever altered by his condition. This thought process can be contributed to the ideas that: it is difficult to link physical objects and conceptualized meanings without prior experience, the cultures surrounding both individuals are different, and how they will carry on with their lives.
In the story "Cathedral" by Raymond Carver, the main character, goes through a major personal transformation. At the beginning of the story, his opinions of others are filled with stereotypes, discrimination and prejudice. Through interaction with his wife's blind friend Robert, his attitude and outlook on life changes. Although at first he seemed afraid to associate with a blind man, Robert's outgoing personality left him with virtually no choice. During Robert's visit, he proved to be a normal man, and showed the speaker that by closing his eyes, he could open his mind.
The narrator is quite obviously the character that Carver wants us to see as figuratively "blind." There is a stark contrast in the blind man and the husband from the beginning. The story starts out as the young husband anticipates the arrival of his wife's friend. The reader can sense his disgust and unwillingness to understand what it is like to be blind. He worries only for himself and how uncomfortable he will be in the situation. Mental emphasis is placed on the physical aspects of things and how the narrator cannot understand how the blind man could have a wife and never see her. "She could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks and purple shoes, no matter" (214).
Nancy Mairs, born in 1943, described herself as a radical feminist, pacifist, and cripple. She is crippled because she has multiple sclerosis (MS), which is a chronic disease involving damage to the nerve cells and spinal cord. In her essay Disability, Mairs’ focus is on how disabled people are portrayed, or rather un-portrayed in the media. There is more than one audience that Mairs could have been trying to reach out to with this piece. The less-obvious audience would be disabled people who can connect to her writing because they can relate to it. The more obvious audience would be physically-able people who have yet to notice the lack of disabled people being portrayed by the media. Her purpose is to persuade the audience that disabled people should be shown in the media more often, to help society better cope with and realize the presence of handicapped people. Mairs starts off by saying “For months now I’ve been consciously searching for representation of myself in the media, especially television. I know I’d recognize this self becaus...
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
One of the major motifs in Invisible Man is blindness. The first time we’re shown blindness in the novel is at the battle royal. The blindfolds that all of the contestants wear symbolize how the black society is blind to the way white society is still belittling them, despite the abolishment of slavery. When he arrives at the battle, the narrator says “I was told that since I was to be there anyway I might as well take part in the battle royal to be fought by some of my schoolmates as part of the entertainment” (Ellison 17). Although, the white men asked him to come to the battle royal in order to deliver his graduation speech, they force him to participate in the battle royal, where the white men make young black men fight each other as a form of entertainment for them. When the black men put their blindfolds on to fight in this battle, they are blind, both figuratively and literally. They can't see the people they are fighting against, just as they can't see how the white men are exploiting them for their own pleasure. Shelly Jarenski claims “the Battle Royal establishes the relationship between white power, male power, and (hetero)sexual power, the “self-grounding presumptions” of dominant subjectivity” ...
The story of “Eyeth” directly fits the theme of the Deaf turning the tables. This story consists of a world were everyone is Deaf and there are few hearing people. The Deaf are the majority “normal” hearing are the minority “disabled.” In this world TV’s do not need captions and all TVs and movies are in sign language. The Hearing need interpreters, and the Deaf get all the good, high paying jobs which require proficiency in ASL. In this story the roles are reversed and hearing people with limited signing skills will have a hard time finding a good job (Wanis, 2016).
At the beginning, the narrator was reluctant to allow the blind man to come to his house. The narrator’s perception about the blind man comes from the movie he saw, and this preconception influences the narrator’s consent of the blind man in his house. For instance, through Carver’s story, the narrator said, “I was not enthusiastic about his visit. And his being blind bothered me.” The narrator also reported to the readers that “A blind man in my house was not something I was looking forward to” (78). Those words show that the narrator was not excited about the blind man stopping over. In addition to his unwieldy attitude, he said,
The male gaze is a concept that refers to how visual culture is designed to please a male viewer by sexually objectifying women. It was first coined by Laura Mulvey, a British feminist film critic, in her essay “Visual Pleasure and Narrative Cinema” (1975). She argues that Hollywood films use women as “erotic objects” [1] in order to provide pleasurable experience for heterosexual male audiences.
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
My search began with personal interest about a man by the name of Howard Coffin. I knew him as the founder of Pirates of the Spanish Main, a local organization that he established in 1931. His purpose in founding the club was to welcome dignitaries, promote the Golden Isles, and aid the community. As a member of the club today, I thought it might be interesting to trace the roots back to the founder. Little did I know, Mr. Coffin was much more than just the founder of a club. He was also a man with a vision, who made huge strides in developing much of the Golden Isles.
Throughout Toni Morrison’s controversial debut The Bluest Eye, several characters are entangled with the extremes of human cruelty and desire. A once innocent Pecola arguably receives the most appalling treatment, as not only is she exposed to unrelenting racism and severe domestic abuse, she is also raped and impregnated by her own father, Cholly. By all accounts, Cholly should be detestable and unworthy of any kind of sympathy. However, over the course of the novel, as Cholly’s character and life are slowly brought into the light and out of the self-hatred veil, the reader comes to partially understand why Cholly did what he did and what really drives him. By painting this severely flawed yet completely human picture of Cholly, Morrison draws comparison with how Pecola was treated by both of her undesirable parents. According to literary educator Allen Alexander, even though Cholly was cripplingly flawed and often despicable, he was a more “genuine” person to Pecola than Pauline was (301). Alexander went on to claim that while Cholly raped Pecola physically, Pauline and Soaphead Church both raped her mental wellbeing (301). Alexander is saying that the awful way Pecola was treated in a routine matter had an effect just as great if not greater than Cholly’s terrible assault. The abuse that Pecola lived through was the trigger that shattered her mind. In The Bluest Eye, Toni Morrison uses the characters of Cholly Breedlove and Frieda McTeer to juxtapose sexual violence and mental maltreatment in order to highlight the terrible effects of mental abuse.