Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The olmec civilization essay
The olmec civilization essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The olmec civilization essay
The Olmecs were farmers, traders, artists… innovators. The Olmec culture first emerged in the Isthmus region of Tehuantepec. The site of San Lorenzo, which sits on the Coatzacoalcos River, sheds the most light on this mysterious culture. During this time period, The Initail Formative, food surplus sparked an increase in population and career specialization. With the increase of specialization and sedentism came the environment for complex culture.
The Olmec people were farmers, “using ground-stone tools to clear the rainforest along the rivers by using a slash-and-burn farming technique” (Evans 2004:135). Amongst the crops raised were maize and manioc. Using the above mentioned farming methods, the Olmec people were able to create a food surplus that allowed artisanship and trade.
Many items from neighboring regions were traded by the Olmec. Jade, an extremely sought after stone, “whose blue green color may have been associated with lifeforce” (Evans 2004:131). Obsidian from Otumba, Guadalupe Victoria, and El Chayal were also traded to the Olmec people. Obsidian was used to make knives, pottery and even a “grating device used to process manioc” (Evans 2004:135). Raw materials like basalt and rubber were also traded in the region.
The Olmec artist was a skilled member of society. Amongst the Olmec art forms, sculpture was very important. The Basalt that was imported into San Lorenzo was...
The Kunz Axe is a votive axe that is associated with the Olmec culture. It was found in the hills of Oaxaca, Mexico by George Kunz in 1890. The axe appears to be dating around 800-500 BC, which is part of the Middle Formative period. Although this artifact is considered an axe, it does not mean that this was its function. The votive axe appears more of a sculpture and it is “more likely that it was used in ritual settings” (Milner Library, n.d.). The material that was used to made this artifact is jade. Because the artifact was made out of jade, it is believed that it was “reserved for the adornment of gods and royalty” (The Met, n.d.). The Kunz Axe has a blue green color and it is about eleven inches high. It appears to depict a human with
Maria Martinez?s pottery remains of major collecting interest in the art world due to its supreme sophistication. It dispels the myth that primitive people were incapable of sophistication which may stand the test of time, glow with a maturity and fluidity of design, and reflects the earth philosophy which paraphrases that we as humans are also basically clay vessels capable of great beauty (West).
Inga Clendinnen's Aztecs:An Interpretation is an outstanding book dealing with investigations into how the Mexica peoples may have veiwed the world in which they lived. From the daily life of a commoner to the explosively, awe inspiring lives of the priests and warriors. Clendinnen has used thoughtful insights and a fresh perspective that will have general readers and specialist readers alike engaged in a powerful and elegantly written interpretation that is hard to put down without reflection upon this lost culture.
The exhibition of recent stoneware vessels by Peter Voulkos at Frank Lloyd Gallery featured the sort of work on which the artist established reputation in the 1950s. The work was greeted with stunned amazement. However now it is too, but it's amazement of a different order -- the kind that comes from being in the presence of effortless artistic mastery. These astonishing vessels are truly amaising. Every ceramic artist knows that what goes into a kiln looks very different from what comes out, and although what comes out can be controlled to varying degrees, it's never certain. Uncertainty feels actively courted in Voulkos' vessels, and this embrace of chance gives them a surprisingly contradictory sense of ease. Critical to the emergence of a significant art scene in Los Angeles in the second half of the 1950s, the 75-year-old artist has lived in Northern California since 1959 and this was his only second solo show in an L.A gallery in 30 years.”These days, L.A. is recognized as a center for the production of contemporary art. But in the 1950s, the scene was slim -- few galleries and fewer museums. Despite the obscurity, a handful of solitary and determined artists broke ground here, stretching the inflexible definitions of what constitutes painting, sculpture and other media. Among these avant-gardists was Peter Voulkos.” In 1954, Voulkos was hired as chairman of the fledgling ceramics department at the L.A. County Art Institute, now Otis College of Art and Design, and during the five years that followed, he led what came to be known as the "Clay Revolution." Students like John Mason, Paul Soldner, Ken Price and Billy Al Bengston, all of whom went on to become respected artists, were among his foot soldiers in the battle to free clay from its handicraft associations.
The Aztec Calendar stone has become one Mexico’s national symbols. After decades of Latin American Art being degraded, underappreciated, forgotten, and abused, it has become one of Mexico’s most national treasures. After years of research from the Codex Mendoza, the Calendar, and documents by the Spanish conquistadors, it has gradually become clear as to how the Aztecs truly lived and how art played such a huge role in their society. It has not only given researchers insight to the Aztec culture and religion and has also given influence to modern and the mainstream media today such as fashion and graphic design.
The Olmecs who resided along the Gulf of Mexico about 4000years ago were the earliest group of people to become advanced. They were termed the “mother culture of Mesoamerica.” Their advancements included them being artists, carving large head statues of Basin, engineers, graphic writing and trade. They were the first known major American Indian societies in Mesoamerica.
The Olmec had various jobs and roles. Some of the simplest but most important jobs for the Olmec were farming, raising animals, and fishing. This was how the Olmec got the food for their community. You can see these jobs along the river, on the farm, and at the animal farm. Some of the other jobs for the Olmec were making pottery, making religious sculptures, and other various items. These jobs helped the other parts of the community focus on the jobs they needed to do. You can see these jobs in the sculpting area on the corner of the town. The hardest job for the Olmec was the religious and government leader. They were in charge of religious ceremonies, and making decisions for the community. This person can be seen on the top of the temple
... several major epicenters of trade and culture. They were set on course to become a fully actualized civilization and a center of Mesoamerican culture.
The greatness of the society may never be fully comprehended due to a lack of historical evidence, but the small amount of historical documents that remain paint an impressive picture of the Toltecs. Their use of beautiful architecture, great artwork, and the unique configuration of their city leaves many wishing that more was known about the culture of the ancient civilization. Perhaps the Toltec legacy can be found in how highly both the Mayan and Aztec civilizations praised them. Their influence can be found in the grandeur of both the Mayan and the Aztecan societies as both have attributed the advancement of their religion, art, writing, medicine, and metallurgy to the obscure Toltecan civilization. Only time will tell if more will be discovered about the mysterious civilization that is the
ways of technology to survive in there environment. They used many different farming tools in
South University Online. (2013). HUM 1002: History of Art from the Middle Ages to Modern Times: Week 4: Art of the Americas: 14th Century to the Present. Retrieved from myeclassonline.com
Architecture, like many things, can also be made for the use of or inspired by the symbols people believe in. Therefore, art and architecture in Ancient Mesoamerica can be stated to be made for the use of religious symbols. Making architecture and art forms takes effort, dedication, and patience. Architecture can take years to make, as was s...
Conlin, Diane Atnally. The artists of the Ara Pacis: the process of Hellenization in Roman relief sculpture. Chapel Hill: University of North Carolina Press, 1997. (P. 4)
Around 1200 B. C. The Olmecs originated as a primitive people living and farming on the shores of Mexico (Stanton 91). Soon, however, they began to build cities such as San Lorenzo, La Venta, and Monte Alban. These “cities” were religious centers where people gathered to worship, and were not populated (Stanton 91). The first of these centers, San Lorenzo, was built c. 1150 B.C., on a flat topped, man-made mountain. It was mysteriously abandoned 200 years later (Stanton 92-93).
important to understand that "not all the gifts referred to elsewhere are specified in this