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The nutcracker ballet essay report
Paper on the musical nutcracker
Nutcracker ballet analysis
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The Nutcracker is a two-act ballet featuring original composition by Peter Llyick Tchaikovsky. This show originally premiered, on a double-bill with Tchaikovsky's opera Iolanta, at the Mariinsky Theatre in Saint Petersburg on Sunday, December 18, 1892. The show has had hundreds of different renditions since then. The ballet’s featured choreography tells a tale consisting of a long dream story within its main plot. During the opening scene, The Party Scene, a large group of men and women, girls and boys, all celebrate the holiday around the Christmas tree marching and dancing beautifully as Christmas surprises begin to occur. During The Party Scene, it is Christmas Eve at the Stahlbaum house. The stage was consumed by large presents and an enormous decorated tree. Within the first few minutes, guests arrive to the Christmas Eve party. And then, Clara’s Uncle Drosselmeyer arrives and the party really …show more content…
The choreography, direction and scenario were all completed by David Nixon. As the ballet opens, there is a vision of holiday magic and holiday commotion. Though my family never dances like this during the holiday season, this is an all-too-familiar scene to my eyes, because it is this same chaos and excitement that consumes homes during the holiday season, every year. At points, it was light and happy, when guests were arriving and they'd take each other hand by hand and float light around stage as the kept with their partners. To me this symbolizes the beauty and comfort in catching up with those who return home for the holidays. It was almost as if one could assume disaster was going to strike amidst this happiness though. Then it did, seemingly immediately after Clara gets her new loved Nutcracker. Toys break, family is chaotic but everything calms down eventually, just like Clara at the end of the evening as she slept sweetly next to her fixed Christmas
“Petrichor” was choreographed by Kylene Stephens and set on five dancers. Each dancer in the piece had a
The story opens with the haunting anthem of “This is Halloween” as Halloween Town serenades an opening procession led by no other than Jack Skellington, the leader of Halloween Town. After the celebration is done, we see Jack wandering woefully by himself and reveals that he has grown weary of the holiday, he yearns for something new and exciting. He finds this when he accidentally stumbles into the world of Christmas. I believe this struggle of growing tired of things and yearning for something new is a feeling we all experience and helps us relate to Jack. The love story between Sally and Jack in the film gives reinvigorating and playful twist on the theme of ‘forbidden love’.
Scrooge approached the door, but didn't have a speck of knowledge of what's going to happen next. When Scrooge is about to open the door, his old friend, Marley, and worker appeared on the door knocker in surprise. Scrooge walked in his dark house with a little fear, still think it is just, humbug. His mind resolute to playing tricks, he thought. Christmas eve, A night to fear, yet to thank. Life can change in a matter of minutes. In the story, “A Christmas Carol: Scrooge and Marley. Scrooge faces a series of turning points that altered his life forever. In this Exploratory essay, Three turning point will be talked about. Each one with a different ghost, Past, Present, and future. Each with a different lesson Scrooge has to face.
The element that stood out the most to me was how effectively the music and the footwork corresponded. The best examples of this are seen through the dancers solos. Especially Albrecht's solo, his feet glide on the stage at the same tempo as the music. Similarly, Giselle's graceful footwork is truly amazing. I really like the similarities between the choreographed footwork and the music, it makes Giselle seem much more elegant and beautiful. This also seems to make the work look more put together and in sync because the dancers are dancing in harmony with the orchestra. The choreography by itself is amazing. The footwork is rapid and intricate, however, at the same time it is delicate and graceful. The ballerina (Giselle) made it look very easy to do the choreography, when it rea...
Li’s passion for ballet shows on and off stage through his arabesques, flexibility, fouettés, grande jeté and pirouettes that were nothing less than perfection. I understood that becoming a dancer requires commitment, passion and having a great memory as there’s many moves, routines and ballet terms that you need to learn. When I was performing on stage, I felt free and that I could own the stage as it felt like it was my second home. I also felt complete within myself just as Li felt. To perform on stage, you need to be light and graceful along with connecting to the music using precise steps, poses and formal gestures. The film used dance, music, scenery, and costumes to portray a story characterised by Li’s dance. Classical ballet dancers require the utmost grace and I’ve found that you also need a tremendous level of concentration and memory. This portrays when his choreographer Ben Stevenson asked Li Cunxin to replace the main male role due to an injury on the day of the performance to memorise new dances and perform them in front of an enormous crowd. Many of my performances have been in a group where we all need to be in sync and work together. This film highlighted that in order to become a professional ballet dancer, you have to prepare to work extremely hard no matter how gruelling the schedule is in order to
Most people know the story of Santa. While there are many different versions, the gist of it is the night before Christmas, while children are sleeping, a fat man slips down the chimney to distribute gifts to boys and girls that have been good all year. The story was meant to bring hope and joy to children. It was a tale of giving and of love. However, as time goes on characters change, sometimes for better, and sometimes they take a turn for the worst.
For the dancer, music and choreography are paramount. The music guides the dancer, and the moves express the music. However, the dance has to start from somewhere.
During the performance, the principle of spacing was demonstrated when the dancers scattered themselves across the stage and used excellent spacing. As each scene approached, they respectfully stationed themselves in their allotted positions. Never was the stage oddly spaced or bare. Also, the core principle of dance was demonstrated by using rhythm/time. This referred to the speed of moment of the dancers. Throughout the play, the time of the dancers fluctuated. There were times of excitement when the dancers expressed feelings of joy and therefore they had a fast speed but there are other times when the dancers were confused and uncertain and as a result, their speed were much slower and calmer.
Vaslov Nijinsky was the choreographer for this ballet. He was considered the greatest male dancer of the 20th century and his works were known for their controversy. In this ballet Nijinsky’s choreography far exceeded the limits of traditional ballet. And for the first time the audience was experiencing th...
'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." - Tchaikovsky, to Nadia von Meck.
Tchaikovsky is one of the most popular of all composers. The reasons are several and understandable. His music is extremely tuneful, opulently and colourfully scored, and filled with emotional passion. Undoubtedly the emotional temperature of the music reflected the composer's nature. He was afflicted by both repressed homosexuality and by the tendency to extreme fluctuations between ecstasy and depression. Tchaikovsky was neurotic and deeply sensitive, and his life was often painful, but through the agony shone a genius that created some of the most beautiful of all romantic melodies. With his rich gifts for melody and special flair for writing memorable dance tunes, with his ready response to the atmosphere of a theatrical situation and his masterly orchestration, Tchaikovsky was ideally equipped as a ballet composer. His delightful fairy-tale ballets, Swan Lake, The Sleeping Beauty and The Nutcracker are performed more than any other ballets. Swan Lake, Tchaikovsky's first ballet, was commissioned by the Imperial Theatres in Moscow in 1875. He used some music from a little domestic ballet of the same title, composed for his sister Alexandra's children in 1871.
The play opens up with the Christmas tree being symbolic. The tree symbolizes Nora’s position in the Helmer household. The tree can also symbolize Nora’s personality. In the play the Christmas tree is a materialistic object used only for
However, in this ballet concert, the choreographer had designed the scenes to be more like a comedy. The movement of the sisters are more amusing than cruel. For example, when they pulled each other for being eager to dance with the prince, or when they tried to hurt and bully the Cinderella, these movements are not that cruel but amusing. Even the stepmother was drunk and danced comically in the prom scene. Moreover, the movements of all the girls who wanted their feet to fit in to the ballet shoe which Cinderella had dropped in the prom are also very funny. These kinds of design successfully made the audience laugh out loud and without hurting the hearts of the little girls who went to see the performance with their
The Christmas tree, a festive object meant to serve a decorative purpose, symbolizes Nora’s position in her household as a plaything that is pleasing to look at. Ibsen’s use of the Christmas tree is portrayed throughout the play. The Christmas tree symbolized Nora’s feelings. In the first act there is a festive tree with “pretty red flowers” and Nora comes into the house carelessly. Nora’s mood is festive and the tree gives a merry glow to the reader.
The dance performance that I chose to attend was Alice In Wonderland, which was performed at the Lincoln Center in Fort Collins, Colorado by an outside presenter called the Canyon Concert Ballet. As noted in the companies name, the style of dance was contemporary ballet and after I did some research on the company’s website I could not find the choreographer of this play, but the list of the dancers is on their website at: http://ccballet.org/company/dancers/. The particular show that I saw was narrated from the perspective of Alice’s older sister by Jessica V. Freestone, who is the Former Artistic Director of Canyon Concert Ballet, and daughter of the Open Stage founders. This presentation of Alice In Wonderland took place on April 22nd, and