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Rap history
The influence of American history on Hip Hop
Emergence of hip hop
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The tardy twentieth century decade often simply referred to as ‘the nineties’ marked extensive gregarious transmutations in American history and gregarious culture. One example of influential incipient trends that took place in the nineties centers on the evolution of Hip Hop culture. The history of Hip Hop stems from ebony community consciousness within the Coalesced States. Supplementally, Hip Hop culture can be viewed as a direct replication to the socio-economic issues that spawned from that history. The ebony community, as well as other traditionally marginalized groups, turned discontent from iniquities into productive protest through the restructuring of gregarious postures and opportunities by designates of musical expression. The
Watkins, S. Craig. 2005. Hip hop matters: politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press.
The Hip-Hop Generation is a book written by the famous Bakari Kitwana in his mission to evaluate the shift that is evident between the current and past generations. He reveals several social and political aspects that have affected the black people in America. It is evident that this book has been praised by many who feel that Kitwana was successful in highlighting the major problems that black Americans face in their daily lives. Through this book, any reader will admit that the journey has been long for the blacks in their mission to find their place in the society. Racism is the main theme in this book where the author recalls the need of a supportive plan in eradicating its roots all over the globe. He defines the black Americans born between 1965 and 1984 as the ‘hip hop generationers’. This essay paper explores the major points revealed in his book. It analyses the whole book and summaries it in
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Inside the album jacket, Serch sums up hip-hop in ‘89: “There was a time when nothing was more important than the New York Rap Scene.” It’s dilluted, but not divided.” To hip-hop afficionados, Serch’s quote sounds like the equivalent to a Vietnam soldier’s letter home. Obviously, the group saw the possibility of the hip-hop culture being tainted.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
Music is one of the most powerful and influential language which to many people in
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
When you hear the expression "Hip-Hop ", music, moving, rapping frequently ring a bell. All things considered, it's the greater part of that and more...Hip-Hop is a culture. As per Webster's word reference, culture is characterized as "the ideas, propensities, aptitudes, expressions, instruments, organizations, and so forth of a given people in a given period; development." One craftsman characterized Hip-Hop as "an arrangement of articulations in vocalization, instrumentation, moving and the visual expressions." All the more particularly, hip jump is a mix of graffiti, break dancing, djing and mcing (otherwise called rapping), that makes a way of life with its own particular dialect, style of dress, music and outlook that is consistently advancing.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries, and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and content. It will also identify the history of hip hop and its transition into popular music. In particular, this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them.
This essay is entitled “Hip Hop’s Diasporic Landscapes of Blackness”, written by Marc D. Perry. In this essay, Marc Perry examines several different aspects of hip hop. In the introduction, Perry briefly discusses the beginning of hip hop. He is able to offer personal perspective from childhood because growing up he was able to witness the evolution of hip hop first hand. Another point in particular that Perry focuses on is how hip hop has grown from an underground form of music to a international phenomenon. He also examines hip hop movements in various countries and discusses how they relate and contribute to the African Diaspora.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.