In his article, “The Nightmare of the West Memphis Three”, Rich explores how the people of Memphis drew horrific conclusions about people based on the lifestyle they chose to practice. The article highlights the trials and tribulations faced by the accused three young teenagers. Rich does this by citing the popular documentary series “Paradise Lost” which is an in depth analysis into the lives of the accused, the victims’ families and members of the community. This paper outlines how the belief system of that time superseded the inconclusive evidence, which ultimately led to an unfair trial. By “othering” and “marginalizing” those three teens, the society and police created a scenario that aligned with their belief system at the time. Lastly, this paper highlights the influence of the media and celebrity in changing the course for these boys. The satanic cult panic in part contributed to the conviction of Misskelley, Echols and Baldwin. Baldwin himself describes this assumption; “I can see where they might think I was in a cult,” he said, in that 1993 interview, “because I wear Metallica T-shirts.” (Rich, 2013). The article goes on to explain that the crime happened at the end of the five-year satanic panic period that had plagued American popular culture. These boys did not dress like other teens; they did not listen to the same music. Metal music especially music from bands like Metallica were frowned upon because of their expletive lyrics. When the public established that the boys were different from them, they developed stories that would align with their beliefs. The article establishes that after several weeks of investigation and no clear leads, “rumors of satanic involvement assumed greater urgency” (Rich, 2013) By doi... ... middle of paper ... ...propelled the case further. Rich talks about how Peter Jackson, a famous director money was used in the DNA test that secured evidence that the Memphis Three were not involved in the murders of the little boys. Rich also highlights the name-dropping used by one of the victims in his book. The book itself was another form of gaining publicity. By writing the memoir, Echols was profiting from his understandable horrific experience. This speaks to the commodification and commercialization of experience exemplified in society today through Internet celebrities and reality television shows. In conclusion, the Memphis Three incident highlights just how far people would go because of their beliefs. It speaks to the harassment of already marginalized groups and the documentaries show just how driven North America is by commodification and driven by celebrity influence.
In the article titled ”Man Denied Parole in a Flagstaff Hotel” the article follows the case of then teenager Jacob Wideman murdering his bunkmate Eric Kane while he slept in his bed at a summer camp hotel in Flagstaff, Arizona in 1986. Jacob was convicted of murder and sentenced to life in prison with no chance of parole for 25 years, the article was written in 2011the year of his first parole hearing. The issue for the readers to decipher in the article is if they believe Jacob who has served the past 25 years in prison should be granted parole and be released from prison. The article gives up to date insight from the parents of both of boys, Jacob who committed the murder, and Eric the victim all leading up to Jacob’s parole hearing. In this paper I will highlight key points from the article while answering key questions to give a better understanding of the trial for myself and for the readers.
In his book, Blood Done Sign My Name, the author Timothy Tyson tells the story of the highly combustible racial atmosphere in the American South before, during, and after the Jim Crow era. Unlike Margaret Mitchell’s account of the glory and grandeur of the Antebellum South, Tyson exposes the reader to the horrific and brutal reality that the black race experienced on a daily basis. Tyson highlights the double standard that existed during this period in history, arguing that the hypocrisy of the “white” southern judicial system allowed the murder of a young black African-American male at the hands of white racists to go unpunished (Tyson 2004, 244). The hypocrisy and double standard that allowed whites to bring harm to blacks without fear of any repercussions had existed for years before the murder Tyson wrote about occurred in May of 1970 (Tyson 2004, 1).
On August 28, 1955, fourteen year old Emmett Till was beaten, tortured and shot. Then with barbed wire wrapped around his neck and tied to a large fan, his body was discarded into the Tallahatchi River. What was young Emmett’s offense that brought on this heinous reaction of two grown white men? When he went into a store to buy some bubblegum he allegedly whistled at a white female store clerk, who happened to be the store owner’s wife. That is the story of the end of Emmett Till’s life. Lynchings, beatings and cross-burning had been happening in the United States for years. But it was not until this young boy suffered an appalling murder in Mississippi that the eyes of a nation were irrevocably opened to the ongoing horrors of racism in the South. It sparked the beginning of a flourish of both national and international media coverage of the Civil Rights violations in America.
Victor, Jeffrey S. Satanic Panic: The Creation of a Contemporary Legend. Chicago: Open Court, 1993.
Billy Joel once sang, “Only the good die young”. In life, it is true, the young and innocent seem to touch more lives around us than anyone else. In the Casey Anthony trial, Anthony was a suspect in the murder of her daughter Caylee. Caylee’s life shouldn’t be counted in years, it should be counted by how many lives she affected, the love she has gained, and the support the country has given her to find out what really happened. In the play, Twelve Angry Men, a boy killed his father; however, both cases were challenged by the obvious and the abstruse evidence. Large cities towards the east coast, in 1982, Twelve Angry Men, and 2008, Casey Anthony Trial, affiliated with two major trials able to modify the lives of the living and the dead. For that reason, during the Casey Anthony case, jurors were conflicted throughout the trial.
Paradise Lost is the first of three documentaries chronicling the story of the West Memphis Three (Jason Baldwin, Damien Echols and Jessie Misskelly) and the allegations made against them regarding the mutilations and murders of Christopher Byers, Michael Moore and Steven Branch. The film gives an insight into the investigation of the case with a great deal of detail using crime scene footage, court hearings and interviews.
The beating of Rodney King from the Los Angeles Police Department on March 3, 1991 and the Los Angeles riots resulting from the verdict of the police officers on April 29 through May 5, 1992 are events that will never be forgotten. They both evolve around one incident, but there are two sides of ethical deviance: the LAPD and the citizens involved in the L.A. riots. The incident on March 3, 1991 is an event, which the public across the nation has never witnessed. If it weren’t for the random videotaping of the beating that night, society would never know what truly happened to Rodney King. What was even more disturbing is the mentality the LAPD displayed to the public and the details of how this mentality of policing led up to this particular incident. This type of ethical deviance is something the public has not seen since the civil rights era. Little did Chief Gates, the Chief of the Los Angeles Police Department, and the LAPD know what the consequences of their actions would lead to. Moving forward in time to the verdict of those police officers being acquitted of the charges, the public sentiment spiraled into an outrage. The disbelief and shock of the citizens of Los Angeles sparked a mammoth rioting that lasted for six days. The riots led to 53 deaths and the destruction of many building. This is a true but disturbing story uncovering the ethical deviance from the LAPD and the L.A. riots. The two perspectives are from the Rodney King incident are the LAPD and the L.A. riots.
"Emmett Till." American Decades. Ed. Judith S. Baughman, et al. Vol. 6: 1950-1959. Detroit: Gale, 2001. Gale Biography In Context. Web. 23 Feb. 2014.
Throughout the entire film, viewers can witness how Steven Avery is being poorly treated because of his socioeconomic status, and the fact that he is different from everyone in the Manitowoc County. Steven was lied on, picked on, and accused of committing a crime he did not commit, all because he was looked down upon and viewed as being less of a person than everyone else in the community. Watching this episode invokes an emotion that is prevalent today with our justice system. Many minorities are falsely accused and falsely imprisoned due to personal vendettas from private citizens or members of the law enforcement. Others are disfranchised due to their socioeconomic status. Ultimately, there are numerous innocent men and women serving life sentences and are on death row for crimes they did not commit. As an illustration, in the year of 2007, Davontae Sanford, who was just 14 years old at the time, was wrongfully convicted of murdering four people and sentenced 90 years in prison. Sandford was an individual a part of the lower social class, coming from a rough part of Detroit, he was a victim of poverty. He stated how he was such a naïve kid and was coerced by detectives and his defense attorney to confess and plead guilty to murders he did not commit. Sanford told how his attorney commented, “you’re a black kid from the ghetto; these white people from the suburbs are gonna come in here and they’re gonna find you guilty.” He was exonerated June of 2016 after the real offender came forward and denied Sanford’s involvement in the murder. What is exposed as this bigger picture is how the criminal justice system is corrupted, being prejudice and stereotyping individuals based on their socioeconomic status is how the system seems to incarcerate people and sad to say,
On April 19th, 1989, Trisha Meili was the victim of violent assault, rape, and sodomy. The vicious attack left her in a coma for 12 days and The New York Times described it as “one of the most widely publicized crimes of the 1980’s.” The documentary, The Central Park Five, reveals the truth about what happened the night of April 19th, and how the subordinate group of young black boys were wrongly convicted. Analyzing the conflict theory of crime in association to the case of the central park five, understanding the way they were treated based on setting, why it was so easy for the law enforcement to pin the crime on the young black boys, and how wrongly convicting someone has great consequences along with relating it
Throughout, the documentary one can come to the conclusion that most of these African- Americans who live in this area are being judged as violent and bad people. However this is not the case, many of them are just normal people who are try...
Throughout the article Nielson and Kubrin remain objective and not formally leaning in favor of Mr. Skinner or the courts decisions. This goes to show that the authors were maintaining a professional standpoint which boosted their credibility in this text. The authors use ethos throughout the article in order to make his statement clear that ethically one should not consider rap lyrics as evidence. They give examples such as “Nobody believes that Johnny Cash shot a man in Reno or that Bret Easton Ellis carried out the gory murders described in “American Psycho”; neither artist claimed that he was writing autobiographically,” the same applied to Mr.Skinner. Nielson and Kubrin also addressed the manner in which providing the jury with the rap lyrics is not ethically right because it allows there to be a bias against the
From the summer of 1979 to the summer of 1981, at least twenty-eight people were abducted and killed during a murder spree in Atlanta, Georgia; these killings would come to be known as the Atlanta Child Murders. While the victims of the killings were people of all races and genders, most of the victims of the Atlanta Child Murders were young African-American males. These murders created great racial tension in the city of Atlanta, with its black population believing the murders to be the work of a white supremacist group. (Bardsley & Bell, n.d., p. l) However, when police finally apprehended a suspect in the case, they found it was neither a white supremacy group, nor a white person at all; it was a 23 year-old African-American man named Wayne Williams. (“What are”, n.d.)
In the early twentieth century, the United States was undergoing a dramatic social change. Slavery had been abolished decades before, but the southern states were still attempting to restrict social interaction among people of different races. In particular, blacks were subject to special Jim Crow laws which restricted their rights and attempted to keep the race inferior to whites. Even beyond these laws, however, blacks were feeling the pressure of prejudice. In the legal system, blacks were not judged by a group of their peers; rather, they were judged by a group of twelve white men. In serious court cases involving capital offenses, the outcome always proved to be a guilty verdict. In Harper Lee’s novel, To Kill a Mockingbird, the plot revolves around a Depression-era court case of a black man accused of raping a white woman. The defendant Tom Robinson is presumed guilty because of one thing alone: the color of his skin.
Starting from the discovery of the bodies in the opening credits to the final verdicts of the possibly guilty or innocent teens. Directors Berlinger and Sinofsky go through hell along with the families as they thoroughly film about three hundred days’ worth of crime scenes, trials, family coping and developments. Giving us as the viewer an illustration of how easily justice can flip flop and be molded to fit anyone’s game. It is impossible to answer the question of the defendants' guilt or innocence, however it is evident that from Paradise Lost that the teens, Jessie Misskelly, Damien Echols, and Jason Baldwin did not receive a fair, honest trials up to America justice