Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender Issues In Literature
Gender Issues In Literature
English 101 essay 2 Masculinity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gender Issues In Literature
The words honor and power in romance languages such as Spanish and French are el honor y el poder and le honneur et le pouvoir, respectively. Both Spanish and French categorize honor and power with masculine articles, which in many ways limits these qualities to only manlihood. Though English, a Germanic language, does not genderize nouns, many English speakers still associate honor and power with very masculine qualities. This is proven by the fact that American society often describes men as honorable and powerful—only until the recent decades did women, such as Oprah and Hilary Clinton, received such recognition. Unlike its English counterpart, German language classifies both honor and power with feminine articles, die ehre und die kaft. This begs the question why the German language places feminine articles on honor and power when others associate these words with masculinity. Perhaps the cliché phrase “behind every great man is a powerful woman” can shed light on why Germans consider honor and power feminine. Many people often idealize men with power and women with gentleness. However, the Germanic tales, The Nibelungenlied and Njal’s Saga, both demonstrate a very different reality. The heroes of both tales, Siegfried and Gunnar, are very well respected and powerful men who only married women they viewed of considerable prestige and status. Yet, Siegfried’s and Gunnar’s wives, Kriemhild and Hallgerd, usurps power from their husbands through manipulation, which ironically results in their husbands’ deaths. Arm with their manipulative power, both Kriemhild and Hallgerd are arguably much more powerful than their heroic husbands; yet, they differ in the way they reveal this power leading Kriemhild’s successful revenge and Hall... ... middle of paper ... ...ion of their society. As a society, we might be quick to relate the words power and honor but we often overlook the real power that woman possess. Since women are unsuitable in most societies to hold a sword and fight physically, they learned other necessary skills—the power to manipulate—to thrive in such societies. In both Germanic tales, Kriemhild and Hallgerd exemplified the use of manipulation to acquire honor and prestige. However, Kriemhild successfully masked her manipulative power and thus became even more successful than Hallgerd. This shows that the power to deceive and hide your manipulation so that others are not aware of your capabilities is arguably much more influential than just possessing that ability alone. Conceivably, we should correct the phrase “behind every great man is a powerful woman” to “behind every great man is a manipulative woman”.
Drawn from her surviving love letters and court records, The Burgermeister's Daughter is an engaging examination of the politics of sexuality, gender and family in the 16th century, and a supreme testament to the grit and perseverance of a woman who challenged the inequalities of this distant age. The story, in Steven Ozment's meticulous and experienced hands, goes well beyond the litigious Anna to encompass much else about the 16th century, including the nature of sexual morality, the social individuality of men and women, the jockeying for power between the upwardly striving bourgeoisie and the downward sliding nobility, and the aftereffect of the reformation on private life. Steven Ozment's understanding of the Medieval German society and its effects on its citizens is amazing. Steven Ozment brings a medieval drama to life in this extensively researched and absorbing account of the 30-year lawsuit between Anna Buschler and her family. Anna's father was the Burgermeister (mayor) of the German town of Schwabisch Hall. He banished his daughter from the family home in 1525 after he read letters that proved her sexual connection with two men. Anna responded by suing her father. Anna Buschler looked predestined to a comfortable and serene life, not one of constant personal and legal conflict. Born into an eminent and respectable family, self-confident and high-spirited in her youth, and a woman of acknowledged beauty, she had a standing as the beauty of her hometown, and as something of a free soul. In an era when women were presumed to be disciplined and loyal, Anna proved to be neither. Defying 16th-century social mores, she was the constant subject of defamation because of her indecent dress and flirtatious behavior. When her we...
What was the predominant image of women and women’s place in medieval society? Actual historical events, such as the scandal and subsequent litigation revolving around Anna Buschler which Steven Ozment detail’s in the Burgermeisters Daughter, suggests something off a compromise between these two literary extremes. It is easy to say that life in the sixteenth century was surely no utopia for women but at least they had some rights.
In order to discuss the decline in masculinity (or manhood) and moral values, synonym of religious values in both books, it becomes necessary to define what Late-Victorian society considered them to be. In Dracula, masculinity is defined almost exclusively by contrasting it with femininity. The men in the book are praised when they show the opposite qualities that women are described as possessing. While women are shown as obedient and complacent, men are stern and in command of themselves and situations. Men are expected to protect women while women expect and cherish the protection of men. While men are expected to face the unpleasant facts of life, the darkness and the evil, with integrity and courage, women are to be sheltered from danger to avoid the breakdown of their fragile characters. When the group headed by Van Helsing starts their mission of vanishing the Count and all the dangers he brings for England, the men unanimously decide to hide all the unpleasant facts f...
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
... context that shaped Heinrich Böll, it becomes apparent to the reader that these conditions have greatly shaped the themes and ideas discussed in Böll’s, The Lost Honour of Katharina Blum. Main issues such as the corruption and collusion of powerful institutions in society, especially the police, press and industrialists have come through, with emphasis being placed on the misogynistic and patriarchal society and the effects this has on the treatment of woman, shown by Katharina. Böll brings his awareness of they way in which power and status are connected to wealth into the text and greatly condemns the abuse of power by the dominant groups in society, “Böll had little faith in any moral renewal coming from political or ecclesiastical hierarchies.” . Böll believed that “the function of literature is to challenge the arrogant claims to totality made by all ideological systems” . By incorporating his own context into his work, The Lost Honour of Katharina Blum, Böll leads the reader to a greater understanding of this time period in West Germany, at the same time undermining the dominant systems and causing the reader to question and carefully examine power structures in society.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
In classic works being a strong woman seems to run hand in hand with being manipulative. Medea lied and cheated friends to try to acquire time in order to get what she wants. In this case what she wants is revenge agents her ex-husband. She tricks a friend to give her asylum in Athens after she has committed her insane task. Medea even goes so far as to be able to con Kreon, the king himself into giving her an extra day. This unwittingly gives her exactly what she needs. Antigone tries her hand at manipulation but is not as successful as Medea. Antigone tries, with no avail, to persuade her sister, Ismene, to help her give their brother Polyneices a proper burial. In this way they are more like foxes, cunning but not always getting it right. Their deceitful nature is their strength.
While neither Machiavelli’s The Prince nor Shakespeare’s Henry V focus explicitly on gender roles, they both make assumptions and implications sufficient to illustrate their opinions about the nature and place of women in relation to men. In Machiavelli’s The Prince, men and women are depicted in traditional gender roles with women as tricky and unreliable, but ultimately yielding to men who are portrayed as tough and immovable. Shakespeare’s Henry V acknowledges these ideas, but also portrays women as able to influence events within the small domain they are given.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
Since women technically had no power without the help of a man, she had to be sly and crafty to get what she wanted. The perfect example of this is the teller of all these stories. Shahrazad the Vizier’s eldest daughter, willingly chooses to become the King’s next bride to be. “‘Give me in marriage to this King: either I shall die and be a ransom for the daughters of Moslems, or live and be the cause of their deliverance.’”. (pg19) Shahrazad tricked the King into keeping her alive by telling him stories and stopping in the middle of it to survive another night. Her plan works and not only is she spared but thanks to her, the king realizes that women are eloquent, and that they can be trusted. She also saved the lives of other girls since the king no longer needs a new woman every night. In The Tale of Al- Haddar, the barber’s second brother is tricked into shaving his beard and dye his eyebrows by a beautiful woman. This demonstrates that one should not to conclusions, even if it is a pretty
In conclusion, the development of the folktales leads to the obtaining of ideas about gender. In many ways our society supports the idea that women seem underestimated as well as physically and mentally weak in comparison with the men who is portrayed as intelligent and superior. This can be shown in many ways in the different versions of this folktale through the concepts of symbolic characters, plot and narrative perspective.
When a person becomes trapped in a situation that stems from an individual with greater authority, being manipulative can be a very promising method to escape. The Thousand and One Nights does a very good job of being a good example of someone in this situation that uses stories within a story to capture encapsulate the attention of the reader. Despite the many little stories that go into the text, the main story behind it all is about a king named King Shahrayar and how he goes insane after catching his wife having sexual relations with a slave. After he sees this happen, he realizes that he can never trust any woman again and none of them are trustworthy. By expressing his views on women, he decides to marry a different woman every night, then the next morning have them killed by beheading. This is an ongoing event that brings death to most of the women in the village. Soon after, the king’s Vizier’s daughter, Shahrazad, came up with a brilliant idea that will end up saving her fellow countrywomen and hopefully keep the king from murdering so many innocent people. Her method behind all this is by telling the kind a different story every night that leaves him on a cliffhanger, making him curious enough to keep her alive for another day to continue her story. Shahrazad keeps herself spared from the king because of her cunning, and compassionate personality.
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
As the male wolf submits to the clever role of a powerful and threatening being, he underscores the authors message that society in this time period thought males to be the more powerful gender. Males were thought of as the smarter ge...