Ghosts; figures that haunt and torment the living due to unfinished business. They have long been a part of society, and have frequently appeared in literature throughout the ages. In “The New Boyfriend”, written by Kelly Link, ghost appear once again. The protagonist, Immy Imogen falls in love with a ghost that inhabits her friend, Ainslie’s, fake boyfriend, Mint. She has a large shock when she finds that it is two ghosts inside of Mint. However, the true ghost haunting Immy is not Mint, but rather her split nature. Immy is haunted by the duality of her nature, because she is both the best friend as well as the best enemy of Ainslie. Immy’s dual nature is born from her mixed feelings towards Ainslie. Immy is very envious of Ainslie and yet she still calls herself Ainslie’s best friend. This is because Immy and Ainslie’s friendship is fake. Immy acts like Ainslie’s friend to her face but acts like her enemy behind her back due to her enormous envy. Immy remarks in the very beginning how envious she is of Ainslie, asking, “Why does Ainslie always get what Immy wants?” (217). In Immy’s eyes, anything she cannot have is obtained by Ainslie who already has everything. Despite this resentment, Immy still pretends to be Ainslie’s friend because she cannot seem to cut this friendship off. She struggles with these feelings constantly and there are moments where this manifests in her actions. When Immy breaks into Ainslie’s house to see Mint secretly, she …show more content…
She has caged herself in a fake friendship because of her want for affection which she yearns for. However, she does not truly feel any affection for Ainslie, nor does Mint truly love her. Immy’s actions are as synthetic as the preprogrammed actions of the fake Boyfriends. She is haunted by her duality. In the end of the story, Immy conquers her dual nature and proves that no ghost will haunt her
When she enters London, she changes into her own person who makes her own decisions. Alyss says, “Yes, it was a solution: Give up her so-called ridiculous, fantastical delusions and enter wholeheartedly into the world around her. Become just like everyone else.” (Beddor 89) Alyss was first being thought of as a crazy person with a story that no one believed. Then, she finally gave in to the people around her and agrees with them. She thinks that being like “everyone else” is the solution to her problem. When Alyss sees Dodge for the first time in 13 years, she thinks, “It couldn’t have been him. The man with the scars. It couldn’t have. He didn’t exist.” (Beddor 116) Since Alyss had become free from her fantasy world, she was overwhelmed when she first saw Dodge. Even though she had forgotten her past life, the memory of Dodge was still there. Her mixed emotions and memories of Dodge caused internal conflict within Alyss: “And as she torpedoed up toward the surface, having worked impossibly hard to convince herself that the place about to be seen by her disbelieving eyes didn’t exist, she said the man’s name- Dodge Anders- and water filled her lungs.” (Beddor 120) Alyss tried convincing herself Wonderland did not exist, as she went through the Pool of Tears, but she knew it was real. The only reason she let go of Wonderland is because she wanted to fit in with her other world.
To prove that she is loyal to White imagination here is a quote from the book. “But she had caught it; the crystal cube was safe.” This quote represents Alyss saving the looking glass maze cube from hitting the ground and cracking. If it cracked it would be broken forever, never allowing the queens that come after Alyss to go through the maze. Another example of Alyss’ loyalty would be when she went into the maze to become the warrior queen that she had to become to save the queendom. “Do i kill or...but what’s to be done with her if I don’t? She’ll pose a threat as long as she lives.” In this quote Alyss struggles with how to handle her aunt. She shows loyalty to the queendom by thinking about getting rid of her aunt for the better of the land. She said that she would pose a threat as long as she lives. What that means is that it would be threatening the queendom if she does not kill her. This shows she is pretty loyal to white imagination/queendom.
During his journey to the burial site of his wife, he always was worrying about his well being before the family’s well being. The only reason that he decided to carry out Addie’s wish was that he wanted to improve his image by getting false teeth. He did care for his wife, but this caring was overshadowed by his love to improve himself.
Minny is an African American maid in Jackson, Mississippi, who is sassy and doesn't take a lot of attitude from Miss Hilly or other white women. Different than the rest of the people, white or black in The Help, Minny doesn’t think about consequences if someone messes with her. She struggles with her life from time to time, but Aibileen is always there to help her. Minny shows she has a kind heart too, by making a sacrifice to help her friends and family.
Holden’s love life distinctly reflects that of Salinger’s, as he strays from the orthodox motivations of society and hopelessly seeks a steadfast relationship. After physically fighting with Stradlater over his impulsive actions toward Jane, Holden ponders the sincerity of his intentions in having intercourse with her. He disapproves of Stradlater’s careless motives and discovers his personal desire for a long-lasting romantic bond as he states, “I just kept laying there on Ely's bed, thinking about Jane and all. It just drove me stark staring mad when I thought about her and Stradlater parked somewhere in that fat-assed Ed Banky's car. Every time I thought about it, I felt like jumping out the window” (Salinger 26-27). Using a reflective tone, Holden recognizes his desire for a sincere relationship through his shock and
Esther is cared for by two other woman, inferring she is a person of goodwill and people care for her. Ahsauerus is viewed as a man who is wrong, and immoral based on his clothing, posture, and facial expression. The relationship between the two leaves the viewer sympathizing for Esther as she is seen in a fragile state. Gentileschi is able to capture the agony of Esther by using different techniques and elements of art and constructs a painting that shows a
Presented with many obstacles and complications to overcome, we know that Hermia is the protagonist in the play. She has relations with almost all the characters in the play. The first and most important relationship is her love, Lysander. From the very beginning we see that Hermia loves Lysander with all her heart and soul and he loved her the same. The only tragic flaw in their relationship was when Puck put the magic juice in Lysander's eyes and he fell in love with Helena. Hermia felt sad and rejected when that happened. But when Puck finally realized that he had made a mistake and corrected it, Hermia and Lysander were in their heavenly bliss of love once again.
Aibileen is housekeeper who works for an elite white family with a toddler daughter named Mae who is neglected by her mother, Elizabeth. Aibileen warns Minny, who takes care of Miss Walters, Hilly’s mother, that rumors have it that Minny is a thief. When Miss Walters is sent to a nursing home, Minny has a hard time locating new work due to this rumor. Milly informs Aibileen she did the unthinkable with one of her pies, without going into details. Minny is hired by Celia Rae. Celia is shunned by the high-society ladies (Taylor, 2011).
However, Esther begins to think negatively of Buddy when she finds out that he has slept with another woman and is no longer a virgin. Esther claims that “he had been pretending… to be so innocent,” and that Buddy’s illness was “a punishment for living… [a] double life.” Esther is understandable angry because she as a female is expected to be pure and innocent whereas men can sleep with many other women without consequences. According to Kirsty Grocott of The Telegraph, Plath creates a double standard between men and women “by littering the book with brutal, ignorant or ineffectual males, men that enjoy freedoms that women can only dream of.”# Plath may have included this to demonstrate how damaging this double standard can have on young women.
However, the nature of this love is different in each story. In “Araby”, it is an innocent, pure, platonic feeling that completely changes the life of the character exerting an enormous influence on his psychological state. The boy has lost interest in everyday life. He cannot concentrate on his studying; he does not play with his friends; he can think about nothing else except for his beloved. For him, the lady is like a symbol of blissful happiness, a goddess; his love to her is sacred: “Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand” (108).It explains the strong feeling of the boy for the girl. With Eveline, the situation is different. It is difficult to say for sure whether she indeed loves Frank or not. She thinks about him only as about a person who will help her to achieve her aim. She does not feel any tenderness, any passion to him –any of those feelings that are associated with real love. For her, the young man is a means, although she does not consciously treat him like that. She praises his virtues seeing that Frank is “kind, manly, open-hearted” (3), that he is interesting as a personality; she is proud to be his beloved. Still, it seems that Eveline is not in love with him. She admits that “it had been an excitement for her to have a fellow and then she had begun to like him” (3). She is simply pleased to have a
Esther experiences an immense amount of pressure and confusion about where to focus her life’s purpose and how to be successful in multiple fields and aspects of her life. Her confusion is confessed symbolically through the fig-tree metaphor “I saw myself sitting in the crotch of this fig tree, starving to death because I couldn’t make up my mind which of the figs I would choose” (Plath 77). Esther is torn between choosing a direction in life she wants for herself and what society and the people closest to her are pressuring her to pursue. Much like Holden, Esther cannot tolerate the exceeding expectations she feels society is placing on her. By chapter 10, Esther is void of caring for her own aesthetics, as she had maintained early in the novel. The immense pressure leads to Esther’s mental and physical exhaustion, beginning of her lack of self care which is where the rapid decline of her mental health begins. This pivotal moment is signified when she admits that she had not felt like washing the lines of dried blood that marks her cheeks (Plath
Although Aibileen is aware that what the whites are doing to her and other African-Americans is wrong, she feels that she cannot do anything about it. This feeling of being trapped cannot be overcome because of the fear she has of what the whites could do to her if she ran away. This fear she possesses is from her experience of her son being killed by the white supremacy and the racist culture she is living in.
...ities. Love is a long hard road and cannot be reached by taking a straight, clear-cut path. Even though throughout the scene Hermia and Lysander are in constant conflict, a resolution is eventually reached. Hermia and Lysander remain in love, proving that true love can prevail.
Aibileen was the first maid to come forward to tell her story about what it's like to live in a small town of Mississippi down South. See in her mind she hates those white women because her son got taken away from her, and in her place she blames all white men and women. But toward the end skeeter put her own perspective in there she said she wanted to write what is was like for her growing up having an African American raise her for her to get fired for getting old.
New Boy is a short film that envelops the viewer into a third person character and leads viewers to experience how it feels to be an outsider “The New Boy”, the audience experiences this feeling through the Protagonist 's mind in this case “Joseph.” This short film not only focuses on the idea of bullying but also the idea of being an outsider.The positioning of the title “New Boy” on the left-hand side of the frame indicates that the new boy will be powerless.