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The role of nature in poetry
Literary devices used in stopping by woods on a snowy evening
Personification in robert frost poems
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Recommended: The role of nature in poetry
Whether he wrote about woods, milkweed, apple-picking, fire and ice, or rolling hills Robert Frost stands out among poets with his descriptive use of nature with its beauty and splendor. These images hold in a reader's mind and are hard to forget. In many of the works of Robert Frost, you can see the use of nature to convey emotions and thoughts. Not only does Frost use nature to convey images and emotions, but he allows for nature to take its place in the human world around him. Frost's nature poetry is closely related to his pastorlism (Lynen), but unlike most pastoralists, Frost includes nature.
Robert Frost saw nature as an alien force capable of destroying man, but he also saw man's struggle with nature as a heroic battle. The grasp that Frost had on the understanding of nature is written clearly within his poems. The rural scenes and landscapes, the farmers, and the natural world are only used to illustrate a struggle. It was a struggle with an everyday psychological experience that was met with courage, will, and purpose. (http://www. frostfriends.org/tutorial-4.html).
Frost uses nature as his scene, natural processes and features, such as the snow in Frost's work "Stopping by Woods on a Snowy Evening" are used to signify events in human lives and draw conclusions about human nature.(http://www. litertureclassics.com/authors/Frost/). In this poem the rider is returning home one late evening, but is tempted by the beauty of the snow filled woods, perhaps evil lurks behind the branches. The mystery continues with the contrast between the light of the village and the darkness of the woods. This mystery is an allure to humans, as we try to conquer nature, but it still has the power to drag us behind its change...
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...plain the continuance of life.
Bibliography
Frost and Nature. March 2, 2003 <http://www.frostfriends.org/tutorial-4.html>
Liebman, Sheldon W. "Robert Frost, Romantic." Twentieth Century Literature. Vol.42 Issue 4
Literature Classics- Robert Frost. <http://www.literatureclassics.com/authors/frost>
Lynen, John F. "The Pastoral Art of Robert Frost." (March 2, 2003) <http://www.frostfriends.org/FFL/Nature%20and%20Pastoralism%20-%20Lynen/lynenessay1.html>
Pasero, Jeanne. "A Tribute to Robert Frost." October 9, 2002. March 3, 2003.
<http://www.jeannepasero.com/frost.html>
Robert Frost's Use of Personification. March 3, 2003. <http://members.truepath.com/onegirlarmy/frost.html>
Selection of Robert Frost Poems. March 4, 2003. <http://ssl.pronet.co.uk/home/catalyst/rf/poem2.html>
In Robert Frost's poem, "Once By The Pacific," he uses nature as his character. He uses the sea, the beach, skies, the cliffs, and the continent and then gives them human characteristics. I feel that he uses these items because the story he is trying to tell is bigger than life, bigger than what could be described with any mere human or animal. By using the seas, the skies, the shore, the cliffs, and the continent as his characters, Robert Frost gives us an image of God's last words having immense power to control the largest forces in the world. He also gives me the image of the clouds being the angry face of God with the two lines, "The clouds were low and hairy in the skies, / Like locks blown forward in the gleam of eyes" (Frost 903 lines 5-6). Along with his choice and use of characters, Robert Frost also uses rhyme and rhythm to add to the intensity of his poem.
Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. (Su, Y)
Frost is far more than the simple agrarian writer some claim him to be. He is deceptively simple at first glance, writing poetry that is easy to understand on an immediate, superficial level. Closer examination of his texts, however, reveal his thoughts on deeply troubling psychological states of living in a modern world. As bombs exploded and bodies piled up in the World Wars, people were forced to consider not only death, but the aspects of human nature that could allow such atrocities to occur. By using natural themes and images to present modernist concerns, Frost creates poetry that both soothes his readers and asks them to consider the true nature of the world and themselves.
Frost uses a religious allusion to further enforce the objective of the poem. Whether Frost's argument is proven in a religious or scientific forum, it is nonetheless true. In directly citing these natural occurrences from inanimate, organic things such as plants, he also indirectly addresses the phenomena of aging in humans, in both physical and spiritual respects. Literally, this is a poem describing the seasons. Frosts interpretation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer.
“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. His poems are not what they seem to be at first glance. These deeper layers of complexity can be clearly seen in his poems “The Road Not Taken”, “Fire and Ice”, and “Birches”.
Emily Dickinson and Robert Frost both talk about the power of nature in their poetry. Dickinson uses this theme in her poem " `Nature' is what we see -." The power of nature is strongly portrayed in this poem by Dickinson's articulation of what the speaker see's in nature. " `Nature' is what we see -... / Nature is what we hear -... / Nature is what we know -" (277 lines 1,5,9). Nature is everything to a person, it appeals to all senses. Dickinson also says in this poem, "So impotent Our Wisdom is / To her Simplicity" (277). The speaker is saying that nature has such great power that one can't even comprehend her simplest ways.
Although this poem also is connected with nature, the theme is more universal in that it could be related to Armageddon, or the end of the world. Even though this theme may seem simple, it is really complex because we do not know how Frost could possibly relate to the events leading to the end of the world. It is an "uncertain" and sometimes controversial topic, and even if everyone was certain it was coming, we do not know exactly how it will occur and when. Therefore, how did Frost envision this event? Is he portraying it in a religious context, a naturalistic one, or both? The last line (14) speaks of God putting out the light, which brings out a religious reference, but the bulk of the poem deals with nature entirely. Physical images of water, clouds, continents, and cliffs present a much more complex setting than the simple setting in "Stopping by Woods on a Snowy Evening" or the yellow wood in "The Road Not Taken."
...ed by many scholars as his best work. It is through his awareness of the merit, the definitive disconnectedness, of nature and man that is most viewable in this poem. Throughout this essay, Frosts messages of innocence, evil, and design by deific intrusion reverberate true to his own personal standpoint of man and nature. It is in this, that Frost expresses the ideology of a benign deity.
Frost focuses on the negative effects that occur when man disturbs nature and attempts to control it for his own gain. His poem speaks of the winter, and of an apple-picker, with his ladder sticking through a tree. The narrator faces the consequences of his actions, and realizes the severity of his mistake. I cannot rub the strangeness from my sight I got from looking through a pane of glass I skimmed from the drinking trough. Frost demonstrates how quickly and harshly the cold seems to come on after the apples are stripped away.
Robert Frost wrote poetry about nature and it is that nature that he used as symbols for life lessons. Many critics have been fascinated by the way that Frost could get so many meanings of life out of nature itself. Frost‘s poetry appeals to almost everyone because of his uncanny ability to tie in with many things that one is too familiar with and for many, that is life in itself. “Perhaps that is what keeps Robert Frost so alive today, even people who have never set foot in Vermont, in writing about New England, Frost is writing about everywhere” (294).
Nature is an important theme in every frost poem. Nature usually symbolizes age or other things throughout Frost’s poems. In lines 5-10 it says, “Often you must have seen them loaded with ice a sunny winter morning after a rain. They click upon themselves as the breeze rises, and turn many-colored as the stir cracks and crazes their enamel. Soon the sun’s warmth makes them shed crystal shells.” This demonstrates how nature can sometimes symbolize something. Also in lines 29-33 it says, “ By riding them down over and over again until he took the stiffness out of them, and not one but hung limp, not one was left for him to conquer. He learned all there was to learn about not launching too soon.” In lines 44-48 it says, And life is too much like a pathless wood where your face burns and tickles with the cobwebs broken across it, and one eye is weeping from a twig’s having lashed across it open. I’d like to get away from earth for a while.”
Robert Frost is known for his poems about nature, he writes about trees, flowers, and animals. This is a common misconception, Robert Frost is more than someone who writes a happy poem about nature. The elements of nature he uses are symbolic of something more, something darker, and something that needs close attention to be discovered. Flowers might not always represent beauty in Robert Frost’s poetry. Symbolism is present in every line of the nature’s poet’s poems.
Frost’s nature poetry interconnects the world of the natural and the world of human beings – Both key elements of his motivation in writing poetry. The harsh reality of nature and the thoughtless expectations in the minds of man scarcely cohere to one another. Frost usually starts with an observation in nature, contemplates it and then connects it to some psychological concern (quoted in Thompson). According to Thompson, “His poetic impulse starts with some psychological concern and finds its way to a material embodiment which usually includes a natural scene” (quoted in Thompson).
Robert Frost is an amazing poet that many admire today. He is an inspiration to many poets today. His themes and ideas are wonderful and are valued by many. His themes are plentiful however a main one used is the theme of nature. Frost uses nature to express his views as well as to make his poetry interesting and easy to imagine in your mind through the detail he supplies.
...ert Frost 's poems, I now see his poems in a different perspective. I once thought as many do, that Frost 's poems where about nature but now I know that Frost 's true intention was of “taking life by the throat” (Frost Interview). While others consider him as a nature poet, Frost doesn’t believe himself as one and we can see his perspective in his poems but especially in “Mowing,” “After Apple-Picking,” and “The Road Not Taken.” Frost actually uses nature as an analogy to human life experiences or the troubles that people go through. He reflects these poems back to his personal life and the struggles he has been through also. After researching and reading about Robert Frost I have became very fond his work and enjoy looking deeper into his work trying to picture what he truly meant. While Frost uses a simple idea like nature, he relates it back to human nature.