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The conflict of good and evil in tolkiens work
The conflict of good and evil in tolkiens work
The conflict of good and evil in tolkiens work
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The nature of evil lies in its ability to enchant the beholder by veiling its true intentions, and using mankind’s greeds, desires and passions to corrupt the most pure of heart. Tolkien uses contrasts of light and dark, and good and evil to show the nature of evil in Middle-Earth. Before Gollum finds the ring we can see how easily the ring was able to corrupt him, because he stops looking to the light/good, and instead his gaze focuses on looking downward into the dark as he becomes more corruptible (51-52). There is a connection in Fangorn Forest as the trees in the day time are dulled by the light, but at night when there is no light they are more aware, and prone to do evil deeds (118). There is a correlation between evil and the fading …show more content…
When Déagol finds the ring on Sméagol’s birthday, the ring uses its influence to corrupt him into murdering Déagol (52). When Gandalf tells Bilbo to let go of the ring, the influence the ring has is shown as Bilbo calls the ring his precious, and he puts his hand on the hilt of his sword in defiance of Gandalf (33-34). The ring has the power to dominate the will of all that are around it, and is itself its own character. Frodo arrives at the Prancing Pony, and he feels the desire to put on the ring and vanish, but when he chooses not to put on the ring it uses its power to try and reveal itself by slipping on Frodo’s finger making him disappear (154-157). Even when a ring bearer is free from the ring it still influences its former possessor. When Bilbo sees Frodo in Rivendale he asks to see the ring, and as he does this Bilbo’s face changes into a shadowed version of what Gollum looked like (225-226). The nature of evil lies with its ability to corrupt the weakest and even the most pure of heart at the same …show more content…
There is a connection Frodo shares with the Ringwraiths as he is able to sense them from afar (74). It shows how Frodo is slowly being drawn to their world of darkness, and the connection they possess with one another from their desire of the ring. When Frodo puts on the ring at Wheathertop, he enters their plane of existence, and sees that once they were noble men who were corrupted by the gifts of Sauron (191). After Frodo has been stabbed by the blade of the Ringwraith he begins to welcome the darkness of the night as the light becomes too burdensome for his mind (207). The world of light begins to dim for Frodo as he begins to pass from the world of the living into the realm of the Ringwraiths (197). If we give in or forfeit our will then evil takes control, and we lose any sense of self and goodness we possessed
Instead of thinking about himself, Frodo thinks of the people around him in the Shire. Like Luke where he leaves despite his fears, Frodo leaves and not only faces his fears of the unknown but goes in order for the people of the Shire to stay safe despite the fact that he may die showing his selflessness. While on the Death Star, Luke shows his selflessness when goes to save Leia when hearing of her presence on the Death Star. He insists when he talks to Han in the control room that “The droid belongs to her. She's the one in the message.. We've got to help her” (Lucas New 56). Risking his life to save someone he barely knows, Luke shows his selflessness as he wants to save Leia. Both J.R.R. Tolkien and George Lucas have their heroes commit these acts in order to show that they are selfless because through this it is shown that they care about others. Frodo and Luke demonstrate selflessness when Frodo takes up the ring at Rivendell and when Luke joins the Rebel Alliance. When taking up the responsibility to take up the ring at Rivendell at the Council of Elrond, Frodo shows his selflessness as he is cognizant that no one else is willing to take the ring and speaks up as“No one
In “The Lord of the Rings: The Fellowship of the Ring,” we see countless examples of how Frodo fights against the mystical force of the One Ring. A case in point is how the One Ring bestows a great amount of power to whomever is wearing in the moment. On the other hand at the same time, the One Ring restores an immeasurable amount of pressure on it wearer. Thus, corrupting him of her. It acts as a force that is uncontrollable when worn. In spite of the wearer’s initial purposes, whether it be good or evil, the One Ring’s supernatural control overturns the wearer to
Good vs. Evil is portrayed in The Hobbit through many different events and characters throughout the novel. Showing us that what we may think, may not always be want it really is. Bilbo had no doubt in his mind they would fail on their mission. Yet with all odds against them they won, good defeated evil, just like in the Bible God watches out for his children and protects them from evil, but they have to make the right choices, and work for his respect and honor.
From the beginning of creation to the fictitious lands created by J. R. R. Tolkien himself, the distinctions between good and evil rise from the shadows and into the light. Specifically, in the Confessions of St. Augustine all things created through the light of God are seen as wholly good, while the absence of such light and goodness is considered evil. Tolkien’s novel elaborates on the work of Augustine and establishes the differences between forces of good and evil in the land of Middle Earth. Augustine and Tolkien in their works Saint. Augustine Confessions and The Fellowship of the Ring address the issues that arise from an individual 's struggle to escape the temptations of evil and succumbing to their lust for power rather than asserting
Through his burden of carrying the ring, Frodo is subject to many new perspectives that make him realize the importance of the group. Without the help of the others, especially Sam, Frodo would have not been able to accomplish the great task he was given. At first Frodo does not want Sam to come along as he feels it’s too dangerous to subject his friend to. This illustrates his perspective in the beginning of the story of being selfish and thinking that his journey can be taken alone, “It would be the death of you to come with me, Sam," said Frodo, "and I could not have borne that.""Not as certain as being left behind," said Sam."But I am going to Mordor.""I know that well enough, Mr. Frodo. Of course you are. And I'm coming with you.” He later learns through new perspectives that without the help of Sam he would not have gotten far in his journey. Frodo is foreign to the harsh reality he is thrust into. Not only is he away from home, he is also burdened with the task of keeping the ring safe. This burden becomes quite a strain on Frodo, “There is no real going back. Though I may come to the Shire, it will not seem the same; for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?” J.R.R Tolkien The Lord of the Rings. With the help of Sam and the realization that he is doing this for more than himself,
“Yes, sooner or later—later, if he is strong or well-meaning to begin with but neither strength nor good purpose will last—sooner or later the dark power will devour him” (141). This quote from Gandalf shows him warning Frodo about the power of the Ring in The Fellowship of the Ring: Book One. This quote displays J.R.R. Tolkien’s mistrust of unlimited power, which he expresses in each of his books. He served in World War I where he saw the effects of tyrannical leaders with unlimited power firsthand. Tolkien believed that with great power comes corruption. So, no one person can be trusted to wield so much power. He demonstrates this in each character that has a role of leadership of the different groups of Middle-earth. Galadriel, Boromir, and Saruman, all hold positions of power or influence within their various groups. Yet none of them could be trusted to possess the dark power of the Ring, while the simple hobbit named Frodo seems to be able to carry on the
“One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them,” (55). The One Ring controls Gollum, Bilbo, Boromir, and Frodo in attempts to return to Sauron, Its Creator, the Lord of the Rings, and the utmost evil present in J.R.R. Tolkien’s novels. But the Ring never achieves Its goal because each character possesses a unique set of skills which resist the evil temptations of the Ring. Gollum is the first victim of the Ring, with no knowledge of Its powers or guidance away from Its control. Bilbo is the second ring bearer, with an almost complete knowledge of the Ring’s power still has difficulty resisting the Ring’s temptation. Gandalf guides Bilbo to constantly resist the evil of the Ring. Boromir never gets his hands on the Ring but craves Its power thinking he can use it for good, ignoring the guidance offered to him at the Council of Elrond. Frodo has the most knowledge and guidance of all the characters but also seems to have the strongest temptations. J.R.R. Tolkien uses characterization in the Fellowship of the Ring to prove that people without a longing for power resist temptation through knowledge, good habits, and guidance.
Dictionary.com defines evil as “the wicked or immoral part of someone or something.” Within the novel, Grendel by John Gardner evil is inescapable as this topic is discussed throughout the novel. Though the story holds a resemblance to its inspiration of the epic Beowulf in its portrayal of Grendel, it fails to highlight the underlying evil within the Anglo-Saxon’s and their values. Gardner’s novel reveals that evil is everywhere as it is seen in not only Grendel's but also in human lives and is presented in a more complex way than the epic as both have their own dark sides.
Good and evil operate and work in different environments. In the book Beowulf, light and darkness are the environments used by good and evil. Although the author shows the power of darkness, he also exhibits light’s eventual victory in Beowulf’s battle with Grendel, in Beowulf’s first skirmish with Grendel’s mom, and with the imagery created at the beginning and end of each
Evil is defined in multiple meanings. In J.R.R Tolkien’s works he describes evil in a variety of different ways. Like in the award winning book The Hobbit, evil is a big factor for the entire journey for the dwarves, Bilbo, and Gandalf, and without the evil in The Hobbit the quest wouldn’t have been necessary. So the question is what is evil? The definition for evil is profoundly immoral and malevolent. Tolkien portrays evil in The Hobbit by using trolls, goblins, fire breathing dragons, and other mythical creatures.
In Tolkien world, evil is the antithesis of creativity, and is dependent on destruction and ruin for its basis. Conversely, goodness is associated with the beauty of creation as well as the preservation of anything that is created. The symbolic nature of these two ideologies is represented in the Elven Rings, which symbolize goodness, and the One Ring, which is wholly evil. A main theme of "The Hobbit", then, is the struggle within our own free will between good will and evil. "Early in the (Lord of the Rings) narrative, Frodo recalls that his uncle Bilbo, especially during his later years, was fond of declaring that… there was only one Road; that it was lik...
Good and evil in Tolkien's work are, to put it simply, that which is natural and that which is unnatural, respectively. That is, what is left alone to follow the cycles of nature is good. Any time that the cycles of nature are disrupted (such as the felling of a forest or the enslavement of a free people), there is evil. There are constant references to this in Tolkien's stories, as when Bilbo Baggins' neighbors remark on his mysterious vigor and extreme old age, "It isn't natural, and trouble will come of it" (21). Or when Sam Gamgee says of the Gandalf the wizard, "Don't let him turn me into anything unnat...
One day the old wizard Gandalf comes to the Shire, and he tells Frodo of an evil named Sauron who wants to capture the Ring for himself. In ages long past Sauron stole the Ring from the Elves, to protect him from the Powers of Good; but the Ring was stolen from him by a creature named Gollum, and then stolen from Gollum by Bilbo, who finally gives it freely to Frodo. "Sauron has been searching for the Ring for years," Gandalf tells Frodo, "and now he has sent his nine Black Riders, to the Shire to look for it." Frodo and Sam consult with their loyal friends Merry and Pippin, and when the Black Riders appear, the hobbits trick them into going into a mushroom-patch, disorienting the Black Riders just long enough to escape the Shire.
The following analysis deals with the nature and source of evil and whether, given our innate motives and moral obligation, we willingly choose to succumb to our desires or are slaves of our passion. From this argument, I intend to show that our human nature requires that we play into our desires in order to affirm our free will. This is not to say that our desires are necessarily evil, but quite the opposite. In some sense, whatever people actually want has some relative value to them, and that all wanted things contain some good. But given that there are so many such goods and a whole spectrum of varying arrangements among them, that there is no way we can conceive anything as embodying an overall good just because it is to some degree wanted by one or a group of persons. In this light, there arises conflict which can only be resolved by a priority system defined by a code, maybe of moral foundations, which allows us to analyze the complexities of human motivation. I do not intend to set down the boundaries of such a notion, nor do I want to answer whether it benefits one to lead a morally good life, but rather want to find out how the constructs of good and evil affect our freedom to choose.
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.