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Existentialism in albert camus the outsider
Existentialism in albert camus the outsider
Critical analysis of the myth of sisyphus
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The Myth Of Sisyphus
The myth of Sisyphus was a paper written by Albert Camus to show that life has no ultimate meaning. This goals of men and woman are false and in the end humans really accomplish nothing. Camus represented his idea of existentialism through the use of Sisyphus. This allows us to see a comparison of a mythical tale and the real world.
Albert Camus feeling towards existence was that humans were not supposed to be living in the world. Camus believed that there was a sense of absurdity for human existence. Human beings cannot feel at home in a world where chaos, death, and suffering are present. A world designed for humans would have meaning, life, and order. The world that humans presently lived in was not the real home that they should be in. The world was indifferent to the problems facing humans, thereby making humans living unwanted inside of their own universe. Camus uses Sisyphus as an example of how he believes life on earth is really taking place. Sisyphus is forced to roll the heavy rock up the mountain only to find that it rolls all the way back down and making all his work for nothing. Camus believed that this was similar to human life, through all the activities and events throughout our lives we merely accomplish nothing in the end. We work hard and try to achieve goals, but these goals are meaningless in the whole time that makes up our life.
Camus believes that Sisyphus is an "absurd hero" because he believes that he c...
Gilgamesh and Odysseus are similar not only in their physical appearances but also in the way the two of them deal with life's dilemmas. Although Gilgamesh and Odysseus possess great strength and sharp minds, their own flaws blind them similarly, which does not aid in their quest for what they desire. As part of their heroic character, the gods must guide them in order to reach their goals. In every epic from antiquity, the greatest challenge a hero must overcome is not a monster or an evil tyrant but themselves. They wish to have glory, honor, and a place in history forever. Doing something that no one else could ever do again is what a hero desires to do. From Gilgamesh to The Odyssey, epic heroes constantly have to reinvent themselves to overcome their own weaknesses and shortcomings. Each has to learn from their previous mistakes, using the gods? help, so they can fulfill their dreams. In doing this, Odysseus and Gilgamesh will reach their goals.
Often through great literature, there is an epic hero. In the Odyssey, Homer tells the story of one man’s journey home from the Trojan War. The protagonist of the epic poem Odysseus is often regarded as a great hero. However, Odysseus is not quite the glorious soldier that people often see him as. Odysseus shows that he is an antihero through his pride, disloyalty, and bloodthirstiness.
...s of The Myth of Sisyphus in The Outsider, and particularly to the discussion of the search for truth. In the Myth Camus goes through an inventory of accepted sources for truth and finds them all lacking: first he tries religion, but surprisingly it is too relative, for which god is god; second he tries science, but finds that it offers not precision but metaphor (the world is like...); third he tries logic, but finds that paradoxically it leads to contradiction (for if "all statements are true" is true then "no statements are true" must be one of the true statements). He is left with the "I" - not the Cartesian "I" - but the Humean "I" (a bundle of perceptions) as the foundation for a meaning system.
Taylor is careful to identify exactly which features of Sisyphus predicament account for the lack of meaning. He argues that the facts that Sisyphus task is both difficult and endless are irrelevant to its meaninglessness. What explains the meaninglessness of Sisyphus’s life is that all of his work amounts to nothing. One way that Sisyphus’s life could have meaning, Taylor proposes, is if something was produced of his struggles. For example, if the stone that he rolls were used to create something that would last forever then Sisyphus would have a meaningful life. Another separate way in which meaning might be made present is if Sisyphus had a strong compulsion for rolling the stone up the hill. Taylor points out, though, that even given this last option, Sisyphus’s life has not acquired an objectives meaning of life; there is still nothing gained besides the fact he just ...
Several philosophers have made differing viewpoints regarding the outlook of life. Richard Taylor and Albert Camus are notably known for presenting their thoughts on whether life is meaningless or not through the use of the Greek myth of Sisyphus. The two philosopher’s underlying statement on the meaning of life is understood through the myth. The myth discusses the eternal punishment of Sisyphus who was condemned by the Gods to take a large boulder up a hill, only to have it roll back down, forcing him to repeat this task endlessly. Each conceive the myth in their own way and ultimately end with a conclusion that differs from each other. Taylor’s ideals and his take on the meaning of life contrast with what Camus presents in his argument. While Taylor suggests that there is a subjective meaning to life, Camus states that life is ultimately meaningless.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
The theme that the lives of humans are controlled by the gods, in Oedipus, show that everything humans do are futile and result in no gain but only loss. This theme is mainly shown by the character Oedipus, king of Thebes. In the beginning of his life, Laius the king planned to kill his son by leaving him on Mount Cithaeron to die. "...at the moment I was your savior."
Over thousands of years, the ancient Egyptian civilization been closely associated with religion, mythologists have considered itself one of the most important fundamentals of the Egyptian civilization, more than five thousand years, and the pillars of the establishment of the Egyptian state and standardization. However, I was always fascinated about the myths in the middle east, not because I was born in Iraq and grew up in an Assyrian family, it’s because the ancient Egyptians have contributed in adding many civilizational achievements to the world through the knowledge of their agriculture, stability, creating the first major central country in the region, and may be accompanied by the presence of major achievements in various fields in
The idea of a true hero is varied from person to person, because each viewpoint has a different idea of the personality that makes one a hero. There have been many fiction and non-fiction heroes that show different character traits, which influence people’s definitions of a hero. However, each person’s unique thought about a hero still focuses about one central idea: a hero must prove himself in order to earn his heroic status. This is the cornerstone of all the opinions about heroes because heroes have to show their heroism in order to become who they are in the end. At the beginning they are inexperienced, ordinary people who go on their adventures, and face their fears and weaknesses, but they develop greatly throughout these journeys. After comprehending what true heroism is and following it only then will they become heroes even though each of them has different traits. In the epic poem The Odyssey, by Homer, Odysseus gains the title of hero during his journey back to Ithaka, from Troy, by proving to be one. It is through his characteristics and experiences that he becomes the well developed man at the end of the book. In truth, because of his confidence, loyalty, and difficult struggles, Odysseus becomes a genuine hero to the people he defended.
Albert Camus was an existentialist. He was also not a religious person and even though he was born and raised a Catholic; he soon quit his religious faith and turned into an atheist, believing that religion was “philosophical suicide”. He described his attitude toward religion in the lines “I would rather live my life as if there is a God and die to find out there isn't, than live my life as if there isn't and die to find out there is.” Yet, it is seen that even though he denied being an existentialist, he is seen to have ‘brooded over such questions as the meaning of life in the face of death.’ “Men are convinced of your arguments, your sincerity, and the seriousness of your efforts only by your death.” This quote shows that Camus believed death was what created people in society and brought their life into the spotlight.
The Stranger, by Albert Camus, depicts a man who is going through life with an existential viewpoint on things that he does. The protagonist, Meursault, insists on going through life as if nothing in his life matters at all, and the point of his existence continues to escape him on many different levels. Through the death of his mother; the relationship with Maria, and the killing of an Arab; Meursault still finds that the meaning of his life escapes him. While many people believe that Camus uses symbolism with the weather and various other devices, I believe he uses a different approach. In The Stranger, Camus shows through symbolism that the true meaning of life is found when facing one’s own death.
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
Therefore, this reality must be random. I believe that Camus wants us to see this and begin questioning our existence. So he wants us to see the Absurdity and to cope with the Absurdity. If there is no point to living, why do we continue to live? If this reality is absurd, why don’t we recognize that and commit suicide?
Sound like something made up that has no value in our lives, but according to May this is incorrect. Myths are the stories that unify society “they are essential to the process of keeping our souls alive and bringing us new meaning in a difficult and often meaningless world” (May, 1991, p. 20). He believes that human beings often communicate with each other on two levels. First level being rationalistic language and second level through myths. Rationalistic language is used when people want to communicate the truth and myth is used when total human experience is much more important empirical evidence. For example, Feist uses the example of the Oedipus story that is buried knee deep in myth. What is so alive with the Oedipus story is that reader feel connected with it while reading. Also, the story relates examples of activities that occur throughout the story such as the life of Oedipus, his suppression of guilt, birth, exile, separation, identity, incest, meditation, and death that we as human beings are able to visualize and expand on which causes us to grow internally, expand our awareness, and increase our ability to be conscious (Feist, 2013, p.334). Additionally, it is a way for people to search for an identity which can have positive results on their abilities as a person. When we think of existentialism we might think of the famous philosophers Friedreich Nietzsche or Martin Heidegger and other twentieth century philosophers, artists and psychiatrists, but it is Rollo May who made a considerable impact in interpreting its meaning and application. To understand existentialism, we need to know that the bottom line that is common among all the thinkers regarding its definition is that existence takes precedence over essence. Meaning, it means to emerge or to become which suggests process and growth. Whereas, essence refers to a product meaning something that is considered stagnation and inaction. Furthermore, there are two basic concepts of