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On the waterfront summary and analysis
On the waterfront summary and analysis
Film analysis topics
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The movie On the Waterfront begins with a long shot and the surroundings on the edge of a waterfront. There is a dark lighting like sunset is about to hit, and we are able to see a giant cruise liner in the harbor. The giant boat stands out in the light, and the much of the water is dark. There are many horizontal lines that define the giant boat, and a few vertical lines are able to get distinguished by the small boat with the mast on it as well as the shed on the side. The music has rapidity and suspense that leads you to think that something bad is about to happen. The camera has a long shot that moves to medium. The long shot is balancing with the rapid music because since there is a long short is not as suspense with the hurried music and you feel more comfortable. The Men come out of the small shed by the dock. They walk in a linear form, one behind the other, wearing long dark coats with a mysterious look on their faces. Most of them are wearing the long coats that fall to their knees, and one of them is wearing a square pattern shirt with his right hand in his jacket , his and expressions unhappy.
Generally what happened in the first five minutes is that Terry was tricked into convincing Joey to get out onto the roof of the building kill Joey by throwing him of the building and making seem that joey fell by accident off the building. The ambulance arrived at the scene as soon as the incident happened and Joey’s sister Edie, arrives as well desperately claiming what had happened and who would want to kill Joey?.
Throughout the first five minutes the shot changes from long to medium within this time frame when the men get out of the shed and walk to the car were there is a elegant looking man waiting for them. The worke...
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...l Joey and throw him into the shore. The camera movements would be between Joey and Terry when they are talking about a plan to convince everyone he really is dead. They will have a short shot and in between a long short length shot to a far boat where someone is watching everything that is happening. The music would continue to be suspense and loud playing instruments. The long shot will balance the loud music with the extreme distance close ups.
I am not a big fan of black and white movies. They don’t interest me, especially because they are mysterious and dark most of the time. At the beginning I did not take much interest in it because I was confused of what was happening and why it was happening. After reviewing it with the class the beginning made sense, so the second time I was more focused on the movie than the first time where I was just in blank about it.
...en in the form of black and white. The movie was able to hold on to my gaze through all the suspense. I enjoyed the score composed by Bernard Herrmann in the film because it would hint at something that might happen and I felt myself tense up whenever the music came on. The characters were relatable and incidences that occurred in the film were realistic, which made the movie more comprehendible. I would warn people about how mind-boggling the film gets after the shower scene because everything afterwards becomes very fast paced. I feel the viewer would need time to think about the film and pausing is a must in order to fully understand what is going on. I would recommend this film to suspense lovers especially because Psycho is one of Hitchcock’s greatest works of art. I am glad I chose this movie to watch because the movie was well sorted out and very engaging.
When Terry Malloy was first introduced, he did not make any indications that he would strive for the respect that he gained throughout the story. His tough-guy behavior and compassionate attitude has made him what he is: a hero. He never revealed what he was truly made of or what he was capable of. He always had low self-esteem about himself—repeatedly calling himself a “bum.” Despite his stubbornness to change and his ignorance to others, Malloy proves himself by doing what he knows is right to be a true hero.
On the Waterfront directed by Elia Kazan about a man that once felt he owed something to the mob and now he wants to control his life. This film is a classic mobster movie that is well known for the filming techniques used whilst shooting. The method acting, the lighting, and the camera angles establish the plot.
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
In my opinion, this movie is boring and confusing for the first time but, from the second time, this movie starts reveal the fascination. At the first time, I do not like this movie so much but after I watched second time, I became to like this movie. If I asked
use of the camera the sound and the mise en scene. I will analyze the
The book and the movie were both very good. The book took time to explain things like setting, people’s emotions, people’s traits, and important background information. There was no time for these explanations the movie. The book, however, had parts in the beginning where some readers could become flustered.
Many of the readings we had this semester has given me a better outlook on the society I know today. Mainly, the most obvious characteristics of people, race. Race: The power of an Illusion, allowed me to understand the construction of a complex distinction of people. These distinctions and classifications created a divide in humanity, and re-enforced a system that not only favored the white race, but embedded a virus of hatred for colored people to succumb for future generations. The man made term and meaning of race is a important tool that the white elite used to oppress non-whites. It 's in this film, which provides us with there ridiculous claims of black bodies inferiority and theorized inevitability of extinction. False scientific theories
Moreover, it is a palatable film. It offers a few solid laughs and will provoke some smiles; it’s a fairly typical, unremarkable comedy. While the original film had the breaking of racial stereotypes in mind, this updated version has it more in mind to have fun with them for the sake of the comedy. It is a romantic comedy that touches upon race relations following a fairly well established story-line. I would say that the one redeeming value of the film is the message of "seeing people, not color."
Hitchcock captures the moments where the audience is able to see the visceral experiences with Madeline and Scottie through the use of camera movements. In the first scene of the film, the viewers see a chase in which a man is literally hanging from a rooftop, grasping tightly to not fall into his death. Hitchcock uses the zooming effect to enhance the fear of heights of Scottie Ferguson, as well as provide the point of view of the detective’s vertigo to appeal to the audience of Scottie’s emotive state of being. This traumatic experience of witnessing the policeman fall to his death represents that every experience will end tragically. The chase between the detec...
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
Martin Scorsese truly captures the film with his evocative directing where he often use slow-mo camera shots and dark, eye-wielding camera angles to capture the decay of New York City. Scorsese is in top form with his directing where he makes the camera use as a viewpoint of Bickle¡¯s character or as a third party watching Bickle¡¯s descent into paranoia and madness. Even with the film¡¯s final act whe...
Then the question is posed to Mr. Lockwood, "How did it all begin?" The answering of this question is what my paper will explain. I will attempt to break down the opening scene and show how it all started. By using tools of film such as sound, editing, mise en scene, and cinematography, this paper will show how the scene was made as well. Mise en scene played an important role in this movie as with any other movie.
Although I enjoyed the main portion of the movie, there were some obvious likes and dislikes in my opinion. I believe that I learned from this movie and it helped me understand more of what the people of that time were feeling.
From the beginning of the film, the potential for conflict is building up, due to the sound of celtic drums accompanying the opening credits, and continues through to a fade in shot, following a well-dressed man into public meeting. From the beginning of the film, the potential for conflict is building up. The scene cuts to the British security forces walking into another room, camera positioned following the characters, before taking their seats. Both scenes are iterating the prologue of forthcoming events, at separate media conferences, outlining the organisational process of the March, and the reasons behind it. This cross-cutting transition between parallel shots, allows the audience to be introduced to a wide variety of characters and their positions, assuring the audience that the film will not be one-sided. Alternating scenes also omits a sense of time, as both prologues are occurring at the same time, but in different places. Choreographed