Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Crime drama genre
Movies featuring car chases have always been popular in Hollywood. Classics like Smokey and the Bandit, To Live and Die in L.A. and Bullitt all contributed to the action genre. The movie Drive however, used car chases in a movie that drew from the action genre, the romance genre, and the crime genre of films. The movie is a depiction of the life of a man only known as “The Driver”. The movie follows him as he tries to balance his life of crime, with his love of cars and driving, and also an attempt at romance. The movie follows the Driver and details his daily life as a stunt driver, a mechanic, and a getaway driver for criminals. The Driver meets his neighbor Irene and her son Benecio, and begins to bond with them. He learns that Irene's husband is in jail and is due to be released soon. After her husband, Standard, is released, crime bosses immediately want payment for keeping him safe in prison. The Driver, having deep feeling for Benecio and Irene offers to help. Things go awry, Standard gets killed, the Driver is on the run with stolen money, and is furious for being set up. The movie follows his quest to make things right, however this causes a rift between Irene and the Driver, and at the conclusion of the movie the audience never knows what becomes of the relationship. In Drive the camera work soundtrack casting and style all fuse together to create a fantastic film detailing the criminal underworld, corruption, and romance.
The first scene that I believe showcases the brilliance of this movie is the very first scene of the film. In the scene the Driver is shown leaving his house, going to pick up a car, and driving to a dark location. The Driver then proceeds to wait on two burglars, and drives them through the streets...
... middle of paper ...
...oes things for a good reason, but they are bad things like killing and thievery. Opposite of Gosling in Carey Mulligan, a soft featured and nurturing woman, which make the audience believe that she is exactly what the Driver needs. The audience can feel the need that they have for each other. He needs her nurturing, and she needs him as a good guy.
Drive is a wonderfully shot film, with an interesting plot, and an amazing soundtrack. The film does a good job giving off a retro vibe to pay homage to the classic car films, but also carves out a niche of its own as a fast paced, romantic, crime drama. Through it's clever use of cinematography, setting, soundtrack, and color usage, Drive is a fascinating look into a man's life and the romance he wants and also how that romance ends up inadvertently ends up throwing him into a whirlwind of corruption and greed.
Crash is an Oscar winning, American drama from 2004 written, directed and produced by Paul Haggis. The film is about racial tensions and the effect it has on people showing their daily lives in Los Angeles, California post 9/11. The film asks hard hitting questions about racism and shows harsh realities that are normally avoided. Has an in your face approach, very raw and heart heavy. Shows reality that is normally avoided. Crash actually evolved from a real life incident where Haggis had his porsche stolen outside of a video store in 1991 in Los Angeles. There are a variety of races in this movie, hispanics, blacks, whites, asians and a particular persian family. Instead of
Two-Lane Blacktop is a 1971 road movie with no beginning, no ending and no speed limit, is directed by Monte Hellman. Actors and actress are singer-songwriter James Taylor (the Driver), the Beach Boys drummer Dennis Wilson (the Mechanic), Warren Oates (GTO), and Laurie Bird (the Girl). “Blacktop” means an asphalt road. It is existential road movie, because, as the race grows increasingly, the road itself takes on a real identity as if it were a place to live and not just a place to pass by. This is a freedom according to Monte Hellman, the road goes forever but that doesn’t mean there is anywhere to go but it will forever stand… Two-Lane blacktop might not have a destination but has a direction. It has been associated with
The author then looks back upon the time in his life when her mother decided to drive Hunter Jordan’s old car. However, she didn’t know how to drive, and was generally afraid to get behind the wheel. On that day, she drove crazily on the road, and declared to never drive again. James McBride also reflected on his life up to a teenager, who knew that bad things would occur in the not too distant future if he didn’t change his ways and behavior.
Crash is a movie based over a day and a half in Los Angeles. It is an overview of a group desperate people 's lives overlapping as the deal with tense situations such as race and privilege that accompanies city life. One of the main characters is the white district attorney who uses his political prowess to step on other races; his wife who was recently carjacked
The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable to the independent American films of the late sixties, a time of great political and social debate. Easy Rider (1969) was considered a new voice in film that was pitched against the mainstream. In the 1960s, there was a shift to highlight the outsiders or the anti-heros in film. This counter-cultural radicalism seems to have also influenced the 1991 film, Thelma & Louise. The characters of both films act as figures of anti-heroism by rebelling against the conventional and unintentionally discovering themselves at the same time. Despite their different backgrounds, the protagonists of Eas...
two parts where Spain can have one half and Portugal the other. In the newer
Vietnam veteran Travis Bicklea finds that his life has been turned upside down after returning America from the battle-field. He suffers from the insomnia and sense of isolation, which leads him to take a job as taxi-driver at night; many of his customers represent the people from the lowest class of society: prostitutes, adulterous husbands and wenchers. Since Travis has promised the cab company that he will drive anywhere, at anytime, his likelihood of seeing the best of human nature is fairly slim. So, he tries to create an extra-occupational life for himself. He befriends Betsy, a beautiful girl working at a Senator's campaign office. Unluckily, with on possession of the slightest amount of social skills, Travis takes her to a porn movie on their first date, so Betsy rejects him and refuses to see him anymore. Then another girl bumps into Travis¡¯s life. One day, a prepubescent prostitute who is desperately trying to escape from her pimp named Sport (Keitel). Travis is touched by her plight and resolves to assist her, despite her later unwillingness to cooperate. Meanwhile, Betsy refuses to accept his repeated attempts to apologize, and he begins to go psychotic under the force of various pressures. Travis purchases several semi-automatic guns, takes up a rigorous physical training, shapes his hair into a bristly-looking Mohawk, and decides to assassinate the candidate for whom Betsy is working. After his attempt to assassinate the senator failed, Travis then goes after Sport, killing him and a Mafioso who just happened to be in the wrong place at the wrong time in a spray of bullets. After this massacre, Travis tries to kill himself in Iris's room, but has wasted so many bullets that he has none left with which to commit suicide. Nevertheless, his bloodbath turns him into a media hero, and Betsy suddenly discovers an interest in him. In turn, Travis rejects her, and he drives off into the night toward an uncertain future.
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
With the help of superb editing, sound, mise en scene, and cinematography, this film cannot be topped. The fist scene of the movie creates an atmosphere that helps the viewer know that he/she will enjoy this wonderful classic. Throughout the movie there are surprises and fun that makes this a movie that people will want to watch again and again. Gene Kelly said it best when he said, "Dignity, always dignity. " That is what this movie has from beginning to end, dignity.
Many of the first film elements that can be found in this movie work as an introduction to the two main characters of the story. These elements are meant to force the spectator- even one who had never heard speak of, or seen the two Hollywood stars shown on screen- to focus their attention on them.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
The movie opens up introducing the main characters, Paige and Leo. Paige and Leo are a happily married couple who live in the city and on one very snowy night, are involved in an accident. The accident causes Paige to be thrown onto the hood of the car with her head leading her way crashing through
Each character in the film reach a point in their lives that makes them question themselves as people, and what they express towards others. Crash shows stories of race, class, and gender post September 11th. The film shows that almost everyone as being unconsciously prejudice towards others and we lack love for others. The first time we see a sense of racism is when a Persian man wants to buy a gun but the gun shop owner refers him as “Osama”, is refused service and is then escorted out. Two African-American men discuss about how they as a group are always being stereotyped but they themselves hijack a couple’s car moments later. It is then revealed that the couple were the district attorney and his wife named Jean. The couple choose to have the locks replaced incase the hijackers decide to pay them a visit but the locksmith in Hispanic, Jean throws a loud tantrum, believes that he has made copies and says he might give them to “his gang banger friends.” Four other characters are shown across town, two police officers looking for the stolen car, and another couple. The officer in charge shows his side of racism when he pulls over the truck although it isn’t the missing truck they are looking for because the person driving was a black male. He tells the driver he is being arrested but has no real reason to arrest him and touches his wife
The movie Crash is in the streets of Los Angeles. If you notice all of the characters seem to play the victim and accuser in different racial situations. There is a story behind each character over a two day period. There is the detective who is prejudice against his own race whose younger brother is a criminal. There is Jean who is prejudice against black people after getting robbed. John is the cop who is racist against all black people and sexually assaults Christine in front of her husband. This movies show’s so many of the social psychological principles through the story of each individual.
II. Definition: Driving is a curious combination of public and private acts. A car isolates a driver from the world even as it carries him through it. The sensation of personal power is intoxicating. Aggressive driving includes such things as illegal or improper lane changes or turns, failing to stop or yield right of way, excessive speeds, and an assortment of gestures, looks and verbally abusive language.