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The relationship between psychology and cinema
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Recommended: The relationship between psychology and cinema
The gothic traces of the sensation novel creates an ideal boulevard for the popular psychology of the
Victorian period; a time of subconcious curiosity and indeed scientific discovery. The juxtoposition
of the wild yet domestic framework of The Moonstone is not excluded from this enthusiasm . The
novel thrives in the realms of the unknown much like the shivering sand of Cobb's Hole. From this
sand the artefacts of discovery are drawn as the vindication of truth occurs in the realms of
the unconcious. We will explore the relevance of the contemporary psychology and its
preoccupation in The Moonstone by examining the Victorian enthrallment of contemporary
pyschology and the supernaturalism of Collins characters, observing the quivers of both themes
throughout the novel.
The mid nineteenth century sensational novel though criticised for its commonplace compromise is
a reliable validation of the importunate effect of the investigation into contemporary psychology.
The preoccupation of this supernaturalism is dichotimized with the detective elements of The
Moonstone .Throughout the novel, we seem to question the validity of what is commonplace and
conventional and what is other worldly and experimental. This is well depicted through the
changing narratives upholding the conventions of a small provincial Robinson Crusoe enthusiast, a
dutiful christian member of the 'Mothers Small Clothes Conversion Society' to the professional
ranks of Sergeant Cuff and Mr Bruff and finally the intellectual and scientific Mr Candy and more
especially Ezra Jennings. The supernaturalism of contemporary psychology is always depicted by
what is deemed empirical by the uneducated and...
... middle of paper ...
...ysterious location in Collin's narrative is to conceal and
reveal secrets, and to complicate the characters knowledge of each other and themselves. Both a
grave and a hiding place, a natural phenomon and a preternatural horror ' (169).
Works Cited
Levy, E. 'The Moonstone' and the Problem of Pain in Life. Canada: Victorian Association of Western Canada, 2002. Print.
Robert, L. 'Shivering Sands' of Reality: Narration and Knowledge in Wilkie Collins' The Moonstone . Canada: Victorian Studies Association of Western Canada, 1997. Print.
Hutter, D,A. Tranformations and Literature: The Implications of Detective Fiction. USA: Indiana University Press. 1975. Print.
Mossman, M. Representations of the Abnormal Body in 'The Moonstone'. USA: Cambridge University Press.2009. Print.
Collins, W. The Moonstone. England: Penguin Group. 2012. Print.
“The Charmer” by Budge Wilson is a short story about a Canadian family that finds misfortune and conflict within their lives. Conflict being the predominant theme which directly affects all the participants in the family. The story is written in third person and narrated from the young girl Winifred’s point of view. Budge Wilson uses Zack’s smothered childhood, charming personality and irresponsible behaviour to create emotional conflict between members of the family.
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Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
In the poem pride, Dahlia Ravikovitch uses many poetic devices. She uses an analogy for the poem as a whole, and a few metaphors inside it, such as, “the rock has an open wound.” Ravikovitch also uses personification multiple times, for example: “Years pass over them as they wait.” and, “the seaweed whips around, the sea bursts forth and rolls back--” Ravikovitch also uses inclusive language such as when she says: “I’m telling you,” and “I told you.” She uses these phrases to make the reader feel apart of the poem, and to draw the reader in. She also uses repetition, for example, repetition of the word years.
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Michael MacDonald’S All Souls is a heart wrenching insider account of growing up in Old Country housing projects located in the south of Boston, also known as Southie to the locals. The memoir takes the reader deep inside the world of Southie through the eyes of MacDonald. MacDonald was one of 11 children to grow up and deal with the many tribulations of Southie, Boston. Southie is characterized by high levels of crime, racism, and violence; all things that fall under the category of social problem. Social problems can be defined as “societal induced conditions that harms any segment of the population. Social problems are also related to acts and conditions that violate the norms and values found in society” (Long). The social problems that are present in Southie are the very reasons why the living conditions are so bad as well as why Southie is considered one of the poorest towns in Boston. Macdonald’s along with his family have to overcome the presence of crime, racism, and violence in order to survive in the town they consider the best place in the world.
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
Federico Garcia Lorca’s “Romance de La Luna, Luna” is a Spanish poem that tells the story of a young gypsy boy and the moon. His love and infatuation with the moon leads to his death. This poem not only tells the story of this young child’s demise, but also shows the effects when someone is lured in by an appealing temptation.
An issue which is mentioned throughout the story is the concept of “Ignorance is bliss”, which is an old cliche meaning what we don’t know can’t hurt us. While massaging his naked female neighbor’s body, the narrator is asked if he’s going to tell his mother. No, he answers. “So you even know that certain things are better left unsaid! You really are a devil” (Mahfouz, 13). The neighbor makes the obvious point that sometimes there are things that don’t have to be repeated, for the benefit of all the parties involved. Some might argue that the Truth will always come out, and by hiding it someone will end up being affected by it much more later on. But that is only if the information does get repeated. Knowledge doesn’t always have to be repeated, as was shown by our narrator and his neighbor. If the narrator had told his mother, would any of the parties benefit from this knowledge?
Woolrich reinforced the detective fictions of yesterday, introducing to the American audience new detectives, who not only wheels a gun but also uses their knowledge of psychoanalysis to catch the perpetrator and solve the crime. Though Woolrich extends his knowledge of the human mind, he, just like MacDonald, Chandler and Hammett gives reference to 18th-century authors which include Sir Arthur Conan Doyle and Edgar Allan Poe.
Ronald Reagan once said, “We fought a war on poverty, and poverty won.” I read the book, Dancing in the dark by Morris Dickstein. This book was about the great depression, and the impacts it had on American life. The traditional thought of poverty, people dying of hunger and people lying in the roads, has been erased. America has abolished poverty by the traditional standards but the thought of poverty and what it is has changed. In America we consider poverty to be spending all your money on bills, so you have no money left for food to feed your family. We consider poverty to be just being poor. One-Third of our population makes less than $38,000. This is not enough to be able to be above the poverty line. Anything below this “line” is considered being poverty. How do they decide this line? They take the cost of a very basic diet, and they multiply it by three, for a family of three. That being said, One-half of the jobs in America pay below $38,000 a year, so no wonder we are losing the war on poverty.
if one was to look at the underlying themes in the novel, they would realize that
The idea of a detective catching an elusive convict or solving an improbable crime has been prevalent in all corners of the world, spread throughout many cultures and societies. The detective genre is held as the idea that an individual has to solve a crime. This detective usually has nothing to gain from solving the crime, but they see it more as an obstacle. The detective doesn’t always take every case, as human beings, we are too often curious of the impossible; our natural instinct is to question why and how things work in this world. People crave mystery, to taste a bit of improbable, to see what the detectives see, to see what is overlooked by many. The idea of an intelligent witty, sharp “sleuth” with an obedient sidekick has been prevalent
The Moonstone, written in 1868 by Wilkie Collins is a mystery novel about a gem called "The Moonstone". The moonstone is somewhat a symbol of what everyone strives for, beauty and power. In the book, justice plays a huge role in terms of doing what is fair and morally right through action and attitude. Although the moonstone is overbearingly beautiful and breathtaking, like all beautiful things, it has a history "..that crime brings its own fatality with it" (Ch. IV). With such great beauty, the moonstone almost takes power and control over people, making them act out in such ways just to get their hands on it.