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Native american art figures
Native american art figures
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This photo was taken to represent the Modoc War and the intelligence of the Modoc Braves that was greatly underestimated. The Modoc war was also known as the Modoc Campaign. The U.S. Army needed a photographer to capture the images of the war between the two forces. They hired the photographer who was famous at the time for capturing movement on film, Eadweard Muybridge and titled the photograph of this particular photo “A Modoc Brave on the War Path.” The U.S. Army also could not get an action shot of a Modoc warrior without endangering the life of he photographer so, they hired the Native American in the image, which means he is not a Modoc warrior. Muybridge was the lead photographer for the early part of the war in the early 1870’s and the location of the war was held to the Northeast side of California.
The photo “A Modoc Brave on the War Path” highlights the hatred for the U.S. Army for the Modocs because they are willing to be in miserable conditions just to inflict pain on the Americans. The interesting aspect of the image is that the Native American posing as a Modoc warrior has the correct native dress and environment surrounding him to make the photo as authentic as possible but, he is using a American weapon which makes the photograph look staged. I also think that it's interesting that it looks as though Muybridge just walked onto this scene, but this man is in such a stereotypical pose. The Modoc soldier in the picture uses a stick perhaps to balance the weapon against the rigid stones that he is using for cover against the U.S. forces. As you can see the physic of the Modoc solider so how well in shape they are due to their reliance on solely hand labor to support their livelihood, whether it been hunting or build...
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...o settle a bet of whether all for hooves of a horse were in the air as they ran. This was impossible to be seen by just the human eye alone. So, Muybridge was asked to help by Stanford in which he agreed. Muybridge was never able to perfect the method of motion photography at the time because there was noting for him to work off of, by using 12 cameras to take photographs of the horse running in a sequence shot was able to make the assumption that Stanford’s prediction was correct that all hooves left the ground and were in the air at the same time while galloping. Muybridge went on to have a remarkable academic career which included teaching at the University of Pennsylvania from 1883-1886, publishing several books that explained the processes to capturing motion photographs, then shared the process of a projection device that he invented called the Zoopraxiscope.
N. Scott Momaday wrote these lines in his 1991 book of poems, In the Presence of the Sun: “In the shine of photographs / are the slain, frozen and black / … In autumn there were songs, long / since muted in the blizzard.” In this poem called “Wounded Knee Creek”, Momaday depicts the aftermath of Federal and Native American conflict at the Battle of Wounded Knee. He reminds the reader of how the event and loss of native life are remembered solely through these photographs of the dead and lost. Momaday’s work represents the Western tradition of artists using their art to memorialize and remember the past peoples and places that have been transformed, built up, and destroyed through government institutions of the West. It is this remembrance of
The painting itself is an incredible combination of colors, texture, and style. The scene includes a line of general white warriors all dressed identically in the foreground. They wear military clothing appropriate for the timeline of the Great Sioux War of 1876, including white gloves, a brimmed hat, and an ascot. The military men are
...d Native Americas in a negative light, such as Carl Wimer’s Abduction of Daniel Boone’s Daughter, George Caleb Bingham’s Concealed Enemy, and Horatio Greenough’s The Rescue. These two paintings and statue in particular should be included because they depict the views of people in that era. The view of Native Americans was that of savagery. In the painting by Wimer the woman is depicted a fair skinned maiden, due to the white dress who is being brutishly taken away. The statue by Greenough, which depicts a man protecting his family from a savage Native American, was outside of the United States Capital for nearly a hundred years before it was taken down. These views of indigenous people during the 19th century have lasting impacts on our country. It is our job to tell the real story of what happened to the Native Americans as victims of our view of manifest destiny.
Incidentally, as I write this paper I gaze upon a framed picture of a man. Over the right shoulder in the background is a blue field with silver stars behind his right shoulder. In juxtaposition behind his left shoulder is a field of red containing a pattern of gold and silver. His cover is stark white, precisely in the middle a gold eagle globe and anchor symbol. Determined blue eyes gaze back at me. His mouth set with resolve. His uniform, deep blue trimmed in red. Gold buttons run down the center. The leather neck fastened tight with two gold eagle globe and anchors on either side of the closure. A United States Marine stares back at me and I weep because some general, some officer one day may consider my son to be an acceptable loss.
The American Soldiers showing courage in the face of adversity during the raid has been evident throughout the research of this paper. From Cooks throwing boil pots of water, to Soldiers fighting with no shoes and half clothed. The adversary having planned and executed was not allowed to extract a devastating blow. This is a testament of the American Soldiers adaptability and courage.
This photograph depicts the Vietnam War Protests and the counter culture movement in America. The emphasis of this photograph is the young man placing flowers in the gun barrels; however, the National Guardsmen that holds the carnations also draws attention. It seems that the guardsman is taking the flowers out of the gun barrel, which adds an element of tension and intrigue to the photograph. This photograph is titled ‘Flower Pow...
PLACE: Where was the photograph taken ( city, state, Battlefield, house, ECT)? What was the significance of this location or place at the time the picture was taken?
Louis R. "Lou" Lowery (July 24, 1916 – April 15, 1987) was a United States Marine Corps captain. He was the only Marine Corps combat photographer to cover six major campaigns during World War II. He is best known for taking the first photographs of the first American flag that was raised on top of Mount Suribachi during the Battle of Iwo Jima on the morning of February 23, 1945.
Tim O'Brien does not go to war because he believes in its vitality. He never goes to war because he knows it strengthens his country. He goes to war because he is consumed by the pure embarrassment of his cowardice. His bravery is nonexistent; it is a combination of fear and shame masquerading as courage that forces him to be a hero. Without his fear, he would never have submitted his life to the insignificant
(Tim O’Brien and the Art of the True War Story: “Night March” and “Speaking of Courage”)
There were a vast array of people from different regions that were involved in the Kokoda campaign. The two that had the biggest impact on Kokoda were the Japanese and Australians. The Japanese had a plan to capture Port Moresby to protect their base at Rabaul and this is what caused Australians to fight back, as Port Moresby was Australia’s territory. Papuan’s and American’s were also involved in the campaign, fighting against the Japanese and with the Australian’s. 18,000 Papuan’s, also known as The Fuzzy Wuzzy Angels were involved in the Kokoda campaign. Majority of the 18,000 were carries of supplies for the troops and they played a vital role in this battle. As the number of sick and/or wounded troops increased, Papuan men also carried
American Soldier Rise begins with what is described as a “foreigner” (1) asking “Where can I in U.S. find soldier to see?” (2). This caused me to pause and question what or who was an American soldier? When we think of a soldier, our thoughts immediately go to someone being sent to a foreign country and engaging in violent confrontations
In Joseph Plumb Martin’s account of his experiences in the Revolutionary War he offers unique insight into the perspective of a regular soldier, which differs from the views of generals and leaders such as popular characters like George Washington. Martin’s narrative is an asset to historical scholarship as a primary source that gives an in-depth look at how life in the army was for many young men during the War for Independence. He described the tremendous suffering he experienced like starvation and privation. He did not shy away from describing his criticism of the government who he believes did not adequately care for the soldiers during and after the war. While he may be biased because of his personal involvement as a soldier, he seems to relate accounts that are plausible without embellishment or self-aggrandizement. Overall, “A Narrative of A Revolutionary Soldier” is a rich source of information providing an overview of military experience during the war.
Wallace, Joseph E. "Cameras For Everyone." The Camera. New York: Atheneum for Young Readers, 2000. 67-69. Print. Turning Point Invention.
The relationship between war and photography is born from the desire to capture it. Although this desire is what connects the two, it is fundamentally the technology that dictates the subject matter of war. There are major differences in subject matter of 19th Century war photographers and today’s photographers. Restricted by the technology of the time, photographers had to capture other aspects of war, away from battle. As photography’s technology advanced, it increased the opportunities for photographers as to they how they captured the chaos of war, many times right in the midst of battle.