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The ministers black veil analysis
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Nathaniel Hawthorne has written many classic books in his time period. Most of his books have some well-written meaning to them. In one of his books The Ministers Black Veil, the message in this story talks about secret sin. Whether or not the main character Mr. Hooper has his own sin or he is carrying the sins of all his people on his back is up to the readers to decide. If it was up in my mind Mr. Hooper is carrying the weight of his own sin, not the people’s sins. Mr. Hooper is a man of many words. He was the minister of the town and he was loved. That was until he came in the church one day with a Midnight black veil on his face. The whole congregation didn’t know what to do when they saw what they saw. Everyone was uncomfortable
Hooper was an all-round good minister, the type people looked up to and “had a reputation of a good preacher, but not an energetic one: he strove to win his people heavenward by mild, persuasive influences rather than thither by the thunders of the Word” (Monteiro 2). The morning he decided to wear the veil, the towns people believed there was a change in his behavior. “But there was something…it was tinged, rather more darkly than usual, with the gentle gloom of Mr. Hooper’s temperament” (Monteiro 2). His fiancé leaves the engagement, leaving him to become emotionally and physically insane. At the end of the story, he is on his death bed where he reveals the veils
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
Throughout Hawthorne’s short stories which examine secret sin based in Puritan societies, the protagonist, Mr. Hooper, a preacher in Milford, describes to his wife “Do not desert me though this veil must be between us here on earth” (32). Hooper who has arrived at a point where his community and wife have abandoned him while on his deathbed realizes that he is deserted because of his secret sin. This description of utter loneliness is in contrast with Hawthorne’s portrayal of Hooper, who once was a prominent priest in the Milford area. Hawthorne’s depiction of Mr. Hooper’s secret sin, taking form in the black veil alters his life indefinetely. In Nathaniel Hawthorne’s short stories, the author identifies secret sin as the cause of isolation, relationship struggles, and the community’s behavior.
If Roderick Usher and Mr. Hooper have anything in common it is that they both share the burden of hidden sin. Both Poe and Hawthorne use gothic elements to emphasize the human mind that is put through anxiety and depression because of their guilty conscience. Through body language and social interactions the reader becomes aware of the internal conflict that is going on inside a mind that is hiding a secret sin. It is apparent that the authors wanted the audience to put secret sins in perspective by examining an individual in society that has a secret sin.
...t to acknowledge that fact than to live your life a lie. By keeping sin secret from the world like Dimmesdale, your conscience eats at your spirit until you are no longer able to live a healthy, normal life. Hooper's demeanor and sermons scared everyone into seeing their own sins and when looking at his black veil, they saw their own faults, which petrified them for they knew they were pretending to be one of the elect, and that none of them could be perfectly sinless. The horror and the hate people felt towards both the black veil and the scarlet letter was an outward manifestation of the horror and hate they all had for their own sins. Thus it brings us back to the theme that Hawthorne makes so clear in both the Scarlet Letter and "The Minister's Black Veil," that though manifested sin will ostracize a person from society, un-confessed sin will destroy the soul.
Hooper delivers his sermon, which is about how everyone has a secret sin that acts as a barrier between themselves and the others around them, with a black veil covering his face, “each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought.” (106). The message of his sermon, paired with the veil, causes the townspeople to feel as if Mr. Hooper can see their individual secret sins and expose them to the public, which, in a Puritanical society, makes one vulnerable to public punishment or ostracism by the community. Due to their fears of having their Christian facades shattered and their subsequent sinful natures revealed, the townspeople alienate the minister. This reflects hypocrisy in the sense that their fears come from knowing they are essentially living double lives, which causes more hypocritical behavior to arise in the form of treating their minister in quite the opposite way one should treat a human being, especially one who serves the church in such a high position. Furthermore, on his deathbed, Mr. Hooper points out the townspeople’s hypocrisy when he exclaims, “Why do you tremble at me alone? Tremble also at each other. . . .I look around me, and, lo! on every visage a Black Veil!” (118). Through this exclamation, he is trying to urge the townspeople to reveal their secret sins and stop hiding under a
The Minister’s Black Veil beings with Parson Hooper, the reverend of Milford, arriving with a black veil covering his face. The people of the town begin to gossip, some say he has gone mad, while
In “The Minister’s Black Veil” Nathaniel Hawthorne conveys the idea that sin, whether it be your sin, secret sin, or a known sin, can sometimes lead to isolation and gives insight into people’s true character. The main character Parson Hooper was met with many confrontations in his literal representation of secret sin by wearing a black veil. In the beginning of the story, as Hooper leaves the church he dreadfully realizes the darkness and effect of the black veil which would soon lead to his own isolation. Hawthorne writes, “catching a glimpse of his figure in the looking-glass, the black veil involved his own spirit in the horror with which it overwhelmed all others.” Parson Hooper was so hurt by the people’s reaction and afraid of the black
Nathaniel Hawthorne in “The Minister’s Black Veil” is able to show the hypocrisy and the overemphasis of the Puritan people and their beliefs by engaging the reader in this short story by using “a gentlemanly person” (409) who decides to start wearing a black veil over his face. As Milford’s finest gather on “the porch of [the] meeting house” (409) and enjoy the hope of another Sunday service, the townspeople’s sunny disposition and picturesque setting soon changes as Parson Hooper emerges with a “simple piece of crape” covering his face. This unusual appearance of the Reverend to the townspeople even has some of them feeling faint and forcing some women “of delicate nerves to leave the service” (410). Even though Parson Hooper’s demeanor and his polite and gracious behavior is the same as always, and his preaching is much more interesting and entertaining, the townspeople perceive their minister far differently. As Parson Hooper continues to don the veil, people start to stare at him and rumors begin to fly, especially since his sermon dealt with the topic of secret sin. As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous.
Throughout Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the sensation of the veil, the separation it creates from good things in life, and the persistence of the black veil on earth symbolize sin in mankind. During the whole parable, Mr. Hooper is restrained by the black veil and cannot live a free, enjoyable life. Also, people around him cannot tolerate the overwhelming, dark feeling that the black veil generates. Similarly, sin can take over people’s lives and create a feeling of hopelessness and gloom. Hawthorne’s parable overall demonstrates power and impact of sin on
The veil upsets the minister's friends and neighbors deeply, and it becomes a wall between himself and his congregation. The first response is one of curiosity, which quickly turns into suspicion. Nobody can understand his motives for the donning of the black veil, and people become quite weary and uncomfortable around him.... ... middle of paper ...
Nathaniel Hawthorne's works are notable for their treatment of guilt and the complexities of moral choices. "Moral and religious concerns, in short, are almost always present in Hawthorne's work"(Foster, 56). Given Hawthorne's background, it is not a stretch of the imagination to say that his novels are critiques of Puritanism. Hawthorne lived in the deeply scarred New England area, separated from Puritanism by only one generation. His grandfather had been one of the judges in the Salem Witch Trials. Personal issues include the various ways Hawthorne's family and specific events in his life influenced his writing. Readers can easily recognize how "Young Goodman Brown" incorporates facts about his Puritan ancestors. Father Hooper in "The Minister's Black Veil" may be symbolically paralleled to Hawthorne's ancestors, trying to hide a sin they have committed. His descendants' remarks on him in The Custom House introduction to The Scarlet Letter mix pride in Hawthorne's prominence and a sense of inherited guilt for his deeds as judge. Hawthorne's guilt of wrongs committed by his ancestors was paramount in the development of his literary career. He investigates human weaknesses through the time period of his ancestors. Generally Hawthorne's writings contained powerful symbolic and psychological effects of pride, guilt, sin and punishment.
From the beginning of the story, Mr. Hooper comes out wearing a black veil, which represents sins that he cannot tell to anyone. Swathed about his forehead, and hanging down over his face, Mr. Hooper has on a black veil. Elizabeth urged, “Beloved and respected as you are, there may be whispers that you hid your face under the consciousness of secret sin” (Hawthorne 269). His fiancé says that in the black veil there may be has a consciousness of secret sin. Also, he is a parson in Milford meeting-house and a gentlemanly person, so without the veil, Hooper would be a just typical minister, “guilty of the typical sins of every human, but holier than most” (Boone par.7). He would be a typical minister who is guilty of the typical sins of every human without the black veil. Also, Boone said, “If he confesses his sin, the community can occur” (Boone par.16). If he confesses his sin about the black veil, all of the neighbors will hate him. Last, he said, “so, the veil is a saying: it is constantly signifying, constantly speaking to the people of the possibility of Hooper’s sin” (Boone par.11). Mr. Hooper’s veil says that he is trying to not tell the sins about the black veil. In conclusion, every people have sins that cannot tell to anyone like Mr. Hooper.
The corruption of hidden sin and guilt is exemplified by the late Gilbert Parker who once said, “In all secrets there is a kind of guilt… Secrecy means evasion, and evasion means a problem to the mortal mind.” Nathaniel Hawthorne, one of America’s major authors, often wrote about the harsh realities of human existence such as sin, redemption, and morality. In “Minister’s Black Veil,” the main character, Reverend Hooper, wears a veil over his face during his sermons. Though his sermons are very powerful, a feeling of fear and mystery is evoked in the congregation and often in everyday life due to the strange veil that he refuses to remove. On his deathbed, miraculously, Hooper still has enough strength to resist his veil being lifted; his eyes forever covered, he dies with the veil. Hawthorne uses symbols of the black veil to portray hidden sin, guilt, and peculiar shame attaching to sin in Puritan beliefs.
416), while it gave Hooper a more intimidating, enigmatic and somewhat inhuman demeanor that isolated him from the community his services were still available for his community. The book even says that it “enabled him to sympathize with all dark affections” (pg. 416) as many people, particularly the ones who were guilty of ‘secret sin’ felt comfortable and/or compelled by Hooper into confessing their sins. The people felt that they could tell him everything they kept secret, because the veil’s “gloom” and foreboding aura gave him the same aura of mystery. The black veil kind of symbolizes a cover-up that humans use every day to hide their real feelings and thoughts, as many people are never truly honest with others and each convey some sort of secret. It appears that the idea in this story is that humans by nature are sinful and are all guilty of some hidden sin that they try to keep in the dark because having sins is not considered human or moral. It’s not a very positive outlook on humans, but the book does seem to convey that idea, as Reverend Hooper himself is a flawed man guilty of secret sin as revealed in the end, making him no different from the rest of the townsfolk who have their own sins that they hide. However, it also shows that humans are hypocritical by nature because they are so flawed as in the end Hooper proved that he did exactly practice what he