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Short note on milkman
Short note on milkman
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Subject- This poem is about worrying about the minor things in life that are not very important.
Paraphrase- She was under the impression that the studio would keep itself clean and that no furniture would collect dust. It almost goes against the norm for her to wish the tapping of feet to be quieter and rather window panes to not have grime. A platter of fruit, a grand piano with a shawl from Persia, and a cat actively watching a charming mouse that had gotten up as the cat looked more intently. At five in the morning, each of the outside stairs would weep as the milkman walked upon them; the light of the morning sun would show the scraps of the previous night's cheese and a few mournful bottles. Meanwhile, he played a few notes on the keyboard and complained that they were out of tune, shrugged at his own reflection, scratched his beard, and left to get some cigarettes; while she is tormented by minor demons, as she pulls back the sheets, makes the bed, uses a towel to dust off the top of the table, and allows the coffee pot to remain on the stove. When the evening rolled around, the woman was in love again, however, throughout the night, she woke up in order to feel the morning light arrive, like the milkman coming up the stairs.
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Tone- cynical, awe, and
“She grieved over the shabbiness of her apartment, the dinginess of the walls, the worn-out appearance of the chairs, the ugliness of the draperies. All these things, which another woman of her class would not even have noticed, gnawed at her and made her furious.”
Without the use of stereotypical behaviours or even language is known universally, the naming of certain places in, but not really known to, Australia in ‘Drifters’ and ‘Reverie of a Swimmer’ convoluted with the overall message of the poems. The story of ‘Drifters’ looks at a family that moves around so much, that they feel as though they don’t belong. By utilising metaphors of planting in a ‘“vegetable-patch”, Dawe is referring to the family making roots, or settling down somewhere, which the audience assumes doesn’t occur, as the “green tomatoes are picked by off the vine”. The idea of feeling secure and settling down can be applied to any country and isn’t a stereotypical Australian behaviour - unless it is, in fact, referring to the continental
For my recitation I chose the poem, “Monstrance Man," by Ricardo Pau-Llosa. I selected this poem from the Poetry Out Loud archive because I liked the way it was structured and written. As I first skimmed the poem my understanding of it was shallow, but as I began to practice it I gained a deeper knowledge of its story and meaning. I realized the depth of the protagonist and how greatly I empathized with him. Specifically, I learned the definition of the term “Monstrance” and that
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
...e family’s life style; that they live in poverty and go to church on Sundays. The poem is centered on one question: “what did I know of love's austere and lonely offices?” The majority of the poem is examples of “love’s austere and lonely offices”. One such example would be when the boy polishes his shoes, probably getting ready to go to church. The father, although poor, still passes on good values to his son by going to church on Sundays. Another example would be the father waking up earlier than the rest of the house to get it warmed up. He deeply cares and loves his family and doesn’t want them to suffer in the cold and darkness as long as possible (only suffer at night). Another example of the father’s love is when he wakes up earlier and gets the wood from the cold outside weather to keep the family and house warm instead of enlisting for help from his family.
...h and every chair and thing. Commenced to sing, commenced to sob to sigh, singing and sobbing. Then Tea Cake came prancing around her where she was and the song of the sigh flew out of the window and lit in the top of the pine trees. Tea Cake, with the sun for a shawl. Of course he wasn’t dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace.” Janie lay in her bed reminiscing and is convinced that Tea will stay in her memory until the day she dies, after that day she will be together with him again – together with Tea Cake in heaven. The emptiness in Janie that was present in her before she left town with Tea Cake has subsided. Due to the love of Tea Cake let her know, Janie is now complete, the bee has nurtured the flower, and allowed it to grow.
Throughout her time in the room she notices the wallpaper “a smouldering unclean yellow, strangely faded by the slow-turning sunlight” (514). After a couple of days in her opinion the wallpaper is starting to change. She sees “a women stooping down and creeping about behind that pattern” (518). In the daytime she sees the women outside the house “I see her in that long shaded lane, creeping up and down. I see her in those dark grapes arbors, creeping all around the garden“(521). The places where the women is creeping is where the narrator can’t go so she he creeps in the daytime “I always lock the door when I creep by daylight” (520).
Tone is the attitude of a writer towards a subject, the writer’s subject can be formal, informal, sarcastic, positive, etc. Tone gives more emotion into a written piece, and is placed into a specific choice of words.
In addition, she always talks about the moonlight during these times of night. When the moonlight is not present, the narrator is not active. Her husband comes to visit and she does not do much. But at night, when her husband is sleeping, the narrator wakes up and starts walking around the room. The protagonist believes that there is a woman trapped by the wall, and that this woman only moves at night with the night light. The allusion to this light is not in the beginning of the story, but in the end. “She begins to strip of the wallpaper at every opportunity in order to free the woman she perceives is trapped inside. Paranoid by now, the narrator attempts to disguise her obsession with the wallpaper.” (Knight, p.81) In the description of the yellow wallpaper and what is seen behind it there are sinister implications that symbolize the closure of the woman. It implies that any intellectual activity is a deviation from their duties as a housewife. Her marriage seems to be claustrophobic as her won life, a stifling confinement for a woman's creativity. As imaginable, such treatment and "solitary confinement"(Knight, p.86) will do nothing but worsen her condition, affecting
The habitant, within this poem, is able to personify his home because he is aware of its identity and characteristics. This is demonstrated when he explains that by looking on the outside “through some aperture” he has the ability to see all that the machine is. The habitant can view the machine as a person, where “it sleeps, it weeps… it laughs”. He is able to see the machine for what it really is, he adopts a view and understanding that is much more complex than what other’s would adopt. By learning about the situation, and familiarizing yourself with it, you can see the truth.
The story begins with the narrator’s description of the physically confining elements surrounding her. The setting is cast in an isolated colonial mansion, set back from the road and three miles from the village (674). The property contains hedges that surround the garden, walls that surround the mansion, and locked gates that guarantee seclusion. Even the connected garden represents confinement, with box-bordered paths and grape covered arbors. This image of isolation continues in the mansion. Although she prefers the downstairs room with roses all over the windows that opened on the piazza the narrator finds herself consigned to an out of the way dungeon-like nursery on the second floor. "The windows in the nursery provide views of the garden, arbors, bushes, and trees”(674). These views reinforce isolationism since, the beauty can be seen from the room but not touched or experienced. There is a gate at the head of the stairs, presumably to keep children contained in their play area of the upstairs with the nursery. Additionally, the bed is immoveable " I lie here on this great immovable bed- it is nailed down, I believe-and follow that pattern about by the hour" (678). It is here in this position of physical confinement that the narrator secretly describes her descent into madness.
With nothing that demands her attention, the narrator is left with only the wallpaper to focus herself on. She describes the paper as a living thing and how, “On a pattern like this, by daylight, there is a lack of sequence, a defiance of law, that is a constant irritant to a normal mind.” (Gilman--). She begins to fixate on the paper, to an unhealthy degree, battling with the numbness of her mind that boredom brings. The point where the narrator has truly lost all sense of mind can arguably be when the narrator states, “Life is very much more exciting now than it used to be. You see, I have something more to expect, to look forward to, to watch. I really do eat better, and am more quiet than I was.” (Gilman----). Although she is eating better, she is losing her connection to reality. As she speaks less to her husband and handmaid, she sinks deeper into the bends and whorls of the wallpaper receding further into her
The word “morning” is repeated four times after the narrator’s first night in the apartment, as if to reassure herfeld that the world and future ahead of her is still as normal as it would ever be. Later on, though, these expectations are flipped, with the sun appearing pale instead of bright, not to mention the shining at all in a freezing mid-January day, a way to physically prepare the narrator for understanding her situation. This then takes on a somewhat meta-textual path, with the narrator looking back on her impatience with selfish protagonists wanting more only to be happier with what they once had only to realize that the narrator, like those protagonists, did feel homesick and longed for the more natural feel of her original home, emphasized by the cultural detail of dreaming of eating a certain Caribbean dish by her grandmother to contrast against the manufactured phoniness of the
Similarly, the furniture in the house is as sullen as the house itself. What little furniture is in the house is beaten-up; this is a symbol of the dark setting. The oak bed is the most important p...
John prescribes rest for her and places her into a room which is covered in yellow wallpaper that she finds repulsive. One thing that is very important is how the room used to be a nursery. This is ironic because she is almost treated as a...