Kafka’s ‘The Metamorphosis’, being a novella that is elusive to the reader in many ways even hundred years after its publication in 1915, provides us with a plethora of themes to explore. In this essay I would like to discuss some of these themes, not in a compartmentalized manner but rather in relation to each other, explicating their intricate causal, effective and complementary connections: while the question of language and communication (or the lack of it) remains at the root of Gregor’s alienation from society and family, as will be explained as the essay unfolds, it also contributes to his dehumanization and the subsequent loss of identity and his invalidation. Though the abovementioned themes are the most common in many discussions …show more content…
How does one characterize humanity? Is it merely language and thought that makes one human or is it the faculty of feeling as well? What does it mean to be Gregor? Who is Gregor? To the family, Gregor, after his metamorphosis, is no longer a son or a brother. As his sister shouts towards the closing of the third section of the story, “You’ve got to get rid of the idea that that’s Gregor. We’ve only harmed ourselves by believing it for so long.” The moment Gregor changes his human form, there occurred, first, an obvious kind of alienation: one from the human race itself into a race of animals. When he loses his voice, the next step in this alienation unfolds: he has lost the faculty of language, which is at the core of human communication. Kafka believed that language is the essence of our being and the Samsas’ understanding that Gregor’s loss of the ability to communicate or understand what is being communicated (the foundation of social living) deprives him of his humanity illustrates how personality and identity is socially created. As his father says, “If he could just understand us….then perhaps we could come to some kind of agreement with him.” Gregor is not understood, therefore he is unheard. His fate is that of the people who do not speak the language that the world around them speaks. Their conformity is at the cost of their identity, the assertion of their true
‘’Kafka gives no explanation for Gregor's change, nor is any sought. His change is accepted for what it is. This lack of a scientific explanation, or even any attempt to provide one, highlights the fact that the transformation is meant to be seen as allegorical and literal’’(Ker). Which adds to the melancholy mood Kafka establishes. This quote gives insight on Kafka’s reason for no explanation behind Gregor transformation.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
“Life can either be accepted or changed. If it is not accepted it must be changed. If it cannot be changed it must be accepted.”- Winston Churchill. Change is frightening, but without change you can never accomplish a greater goal. Gregor experienced a dramatic change in his life. He may or may not have experienced the physical change described, but he did experience a mental change. The mental change opened Gregor’s eyes to what really mattered in life. Once Gregor accepted his physical change he was able to begin his mental change. Gregor’s values in life had changed dramatically from beginning to end. Though Gregor was subjected to ridicule, he was given the greatest gift. The opportunity to change is the greatest gift anyone can
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
...within the story completely alienates Gregor from his family and the reality of life. The ironic setting, the family, specifically Grete, and the presence of the violin playing all contribute to Gregor’s downfall caused by the inability to communicate. Gregor’s struggle to converse both begins and ends his downfall, yet people, surroundings, and objects spark his depression. Kafka emphasizes the true importance of communicating and how society depends on it. The inability to properly communicate combined with uncontrollable factors often relates to the destruction of families in our modern society. Focus less on the world’s distractions and more on the people that need the most support, because many never know when others need to express themselves and require insight.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
house. This way of narrating it is very opened to us, and makes us feel like we
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
Gregor’s family and how they treat him reflects the way that Kafka interacted with his family. The similarities between Kafka’s family and Gregor’s family can be seen in their name. Kafka’s friend remarks, “The hero of the story is called Samsa, it sounds like a cryptogram for Kafka” (Kennedy and Gioia 299). Kafka’s family was middle-class, and his father was a businessman. They had servants and maids just like Gregor’s family. Kafka was the eldest out of six children, and was very close to his sisters. This is seen ...
Franz Kafka illustrates in his book the struggle that most humans have throughout their life: ‘Who am I?’ He demonstrates this through his radical and exaggerated formation of The Metamorphosis, a man becoming a bug; or a bug always thinking he was a man, then realizing that he is and always has been a bug. This bug, Gregor Samsa, goes through an immense psychological realization at the beginning of the book; he had been deceived by his own mind from the beginning of his life. Throughout Gregor’s Metamorphosis, Gregor experiences the loss of his self actualization, recognition, belonging, security, and physiological needs. His situation had taken away all the basic psychological needs of any human as illustrated by Maslow’s Hierarchy of
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
In The Metamorphosis, Franz Kafka manifests naïveté of Gregor Samsa by prolonging his realization of societal banishment due to underexposure. Revelations made by Samsa later prove his ignorance of his purpose in the eyes of his family. In addition to the many instances in which Gregor is trialed, Kafka’s continuous stream of distractions mimic Gregor’s persona.
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but a closer reading with Marx and Engels' economic theories , unveils an impressive metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Gregor, the protagonist, denotes the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict, that arises between the two after Gregor's metamorphosis, contributes to his inability to work. This expresses the impersonal and dehumanizing structure of class relations. Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey.
Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity.
Isolation and alienation of one's own choice and others can lead to the dehumanization of a human. In Kafka’s short novel, The Metamorphosis, the character Gregor Samsa experiences isolation and alienation. Gregor is never recognized by his family for his efforts, but is instead taken for granted. The moment he becomes a bug, his family begins to realize that they can no longer rely on him for support. Due to Gregor’s loss of usefulness and his hideous outer appearance, it leads to isolation and alienation.