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Analysis of the merchant of venice
Analysis of the merchant of venice
Merchant of venice a romantic comedy
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William Shakespeare’s The Merchant of Venice is one of his most controversial plays for a variety of reasons. Written in sixteenth-century England, where anti-Semitism was common and the presence of Jews was not, the play poses many questions concerning racial, religious and human difference. The play is especially tricky to examine in today’s society, as its anti-Semitic themes and language can be uncomfortable to face in a world post-Holocaust. Additionally, the depiction of the relationship between Jews and Christians, which has always been an ambivalent one, adds a very interesting albeit difficult dimension to this play. Ultimately, through dramatic plot and distinctive characters, The Merchant of Venice explores what it means to be Jewish and what it means to be Christian. A closer analysis of these opposing groups unearths inconsistencies between what the characters preach versus what they practice, as well as their problematic notions of justice, mercy and love.
Though he clearly fulfills the role of the villain and main antagonist in this play, the character of Shylock is extremely complex and multi-dimensional. He seems to have two sides that can be emphasized or played up in order to create a fundamentally different play, as has been done many times throughout history; post-Holocaust reproductions, for example, are obviously radically unlike than ones that may have come before (Rich 1). In most modern adaptations, Shylock is seen as a sympathetic character, perhaps due in part to the widespread acceptance in most modern societies of those from varying religious and racial backgrounds. However, it is entirely possible that Shakespeare, who was a genius playwright famous for his complex and multi-faceted characters, del...
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... actually considered this a happy ending for the Shylock character (4); by converting he is “saved” from the possibility that “misfortune [may] cross… / … a faithless Jew” (2.4.35-37).
This paper barely scratched the surface of the religious and moral complexity that is The Merchant of Venice, but it is clearly a complicated play and for many reasons: the racially charged tension, the anti-Semitic language and the morally ambiguous characters. What makes this play so exciting is that it provides neither answers nor apologies, provoking the ongoing disagreement as to what is really happening in this play. Shakespeare’s multi-layered characters and complicated representations of mercy, justice, love, religion and difference produce a remarkable piece of work that has kept people talking and guessing for centuries, and is sure to continue to for centuries to come.
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
In reading Shakespeare, minds of readers are expanded due to his use of Early Modern English and extensive vocabulary. Shakespeare’s works also provide readers with great entertainment whose portrayal of the human condition transcends the generations. The Merchant of Venice contains many witty lines and sub-plots. “Prejudice feeds on ignorance” (Leggatt 215). If teachers do not teach their students the origin of such stereotypes, then they are developing ignorant students who will forever believe that Jews are incarnations of the devil. Considering the Jewish Stereotype that is supported and developed in Shakespeare’s The Merchant of Venice, the play is, indeed, still useful as a high school reading experience because, due to its sensitive topics, assists in eliminating innocence and creates a more discerning eye for world issues in students.
Shakespearean works are well known for their depth, symbolism and philosophical view upon different aspects of life. Mirroring is one of Shakespeare’s favorite tools. Mirroring is used to emphasize the contrast and show differences between the sides of the society and ways of living of the characters. The Merchant of Venice is no exception. Just like all other plays of Shakespeare it has many of antagonisms and it portrays the most important and hot conflicts that used to be popular at that time just as much as they are now. Exploring this multi dimensional play is exciting, because the more you think about it, the more hints and tints you discover. The play takes place in two main locations – Venice and Belmont. These two places portray two different lifestyles. One of the most important and essential themes of the Merchant of Venice is wealth. Shakespeare has a special view of this subject; he sees love as a form of wealth (Milton 34). Venice represents earning of money, accumulating it, protecting it, fighting for it; and at the same time Belmont demonstrates having money an all other life’s pleasures, this is why life in Belmont is so happy, slow and peaceful, and the whole location is so dreamlike. Being rich and having nothing to worry about is a dream of most people. To my mind, Belmont and Venice present two different sides of wealth.
Throughout the play, everyone who could claim any type of social or familial tie to Shylock leaves him. Launcelot the Clown, moves to a Christian master, who has the,"grace of God..." (II,ii L.139) His own daughter Jessica forsakes him, and his entire Jewish culture, to marry Lorenzo, and become a Christian. Thus Shylock has no one from whom he can receive solace. Shylock, therefore, becomes a character motived by isolation, and a feeling of desertion. His emphasis on the binding values of money and law are the only thing he can claim as his own. When Shylock finds out about his daughter’s trickery, he begins to forsake the bonds of family, in sake of temporal laws defining right ...
Response to Shakespeare's The Merchant of Venice by a Modern Audience Since the time of Shakespeare, The play “Merchant of Venice” has had a dramatic effect on the modern audience today. In the 16th century, Jews were completely disliked, & Jews were not allowed to live in England unless they had converted to Christianity. = == ==
His vengefulness is shown mainly towards two people in this play. Antonio being the greater of the two. He seeks revenge on Antonio because of how Antonio has treated Shylock in the past. One example of his vengefulness is when he said this to himself on page 15 “If I can catch him once upon the hip, I will feed the fat the ancient grudge I bear him.'; Not only does this prove that Shylock dislikes Antonio, it also proves that he holds grudges that aren’t usually solved without revenge. The other person that Shylock wants revenge from is his daughter Jessica. When Jessica and Lorenzo fall in love they decide they are going to elope. They do this the night that Shylock goes out for dinner when he goes Jessica steals some of his money and his dead wife’s ring. This made Shylock furious and he said, “ She is damned for it.';(page 44) Shylock seems to go after anyone that crosses his path, it is for good reason though being a Jew in Venician society. In a way you may feel sorry for him until you realize how greedy this man is.
... rather than a villain, by emphasizing the speech that he makes to Lorenzo and Tubal and by making Portia's cruelty in Act 4, scene 1 especially evident. Because of this notion, The Merchant of Venice is not innately anti-Semitic. It can either be anti-Semitic or an aggressive criticism of anti-Semitism, or anything in between? It depends on how it is interpreted by directors and by actors and how the audience receives it.
In Shakespeare’s play, The Merchant of Venice, a modernistic class-conscious theme develops around how several of the play’s characters manipulate sources of wealth in order to achieve social equality. The rise of international markets, readily available sources of credit, and the overall "commodification of English society" (Lecture, 9/3/03) had created a new commercial dynamic in Shakespeare’s era that gave form to a financial meritocracy never before possible in English history. Consequently, in Shakespeare’s play, the tension that results from the challenges presented to the status quo by the commercialization of society manifests itself through the exchange of gifts and debts between three principle relationships. In the characters of Antonio, Portia, and Shylock, Shakespeare illustrates that as a result of the commodification of society even the motivations for expressing generosity are now subject to a cost/benefit analysis. Variously stifled by the traditional limitations placed upon on them by their social positions, Shakespeare’s central characters in The Merchant of Venice seek to address their frustrations through an economic advantage, which in the end analysis, works to emphasize a connection between Shakespeare and the basis of modern class antagonisms.
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
In looking at Shylock, the sixteenth-century audience would deduce all view except the greedy, selfish, manipulating, Jew. In accordance with the normative view, Jews were believed to be out of tune with the universe. This is re-enforce in act 2 scene 5 lines 27-30 when Shylock is comment...
Shylock Deserves Sympathy Shylock is indeed a complex character and has the dimension of pain-he has suffered, still suffers and is one of a people who have suffered over centuries. However, to what extent should Shylock suffer and does he deserve our sympathy or hostility. Although anti-Semitism is totally unacceptable today, it was quite normal in Shakespeare's time. However, as he has done with other villains, Shakespeare actually plays around with his audience's preconceptions and makes Shylock an interesting, complex and sometimes likable character.
William Shakespeare shows how two tradesmen can have completely different lives when others view them differently in the play The Merchant of Venice. In the play, Bassanio, Antonio’s friend, needs money to pursue his love. They seek a loan from Shylock, a Jewish moneylender in Antonio’s name. The contract is for three times the value of the bond in three months or else Shylock cuts off a pound of flesh from Antonio. While all this is happening, there are love plots going on. One of which is for Shylock’s daughter to elope with Lorenzo, a Christian. Later on, Antonio’s source of money, his ship, is reported sunken in the English Channel, dooming him to the loss of one pound of his flesh. There is a trial on the bond, and when it seems sure that Antonio will die, Portia, disguised as a doctor of laws legally gets Antonio out of the situation and Shylock recieves harsh penalties. Antonio and Shylock, two similar businessmen of Venice, are viewed differently and are treated oppositely to heighten the drama of the play and mold a more interesting plot.
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
Upon an initial examination of William Shakespeare’s play, The Merchant of Venice, a reader is provided with superficial details regarding the moral dilemmas embedded in the text. Further analysis allows a reader to recognize the multi-faceted issues each character faces as an individual in response to his or her surroundings and/or situations. Nevertheless, the subtle yet vital motif of music is ingrained in the play in order to offer a unique approach to understanding the plot and its relationship with the characters. Whether the appearance of music be an actual song or an allusion to music in a mythological or social context, the world of Venice and Belmont that Shakespeare was writing about was teeming with music. The acceptance or denunciation
Shakespeare’s Merchant of Venice contains many themes and elements that are considered timeless or universal. Samuel Taylor Coleridge defines a timeless or universal element as a “representation of men in all ages and all times.” A universal element is relevant to the life of every human being – it is universal. The first major theme that plays an important role in the play is the Christians’ prejudice against the Jews. A second important theme is the attitude toward money. Perhaps the most important theme of the play is the love between people. This love can occur between the same sex, or the opposite sex, platonic or romantic. In Merchant of Venice, the three timeless elements are prejudice, money, and love.