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Anti semitic characters in merchant of venice
Anti-semitism in Shakespeare
How is anti-semitism shown in the merchant of venice
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William Shakespeare’s The Merchant of Venice contains many examples that insult Jews because they were the minority in London in Shakespeare’s time. Although many parts of the play could be interpreted as offensive in modern times, Elizabethan audiences found them comical. The majority of London’s population at the time was anti-Semitic because there were very few Jews living there. Shakespeare’s The Merchant of Venice supports anti-Semitism actions and thoughts and therefore proves that Shakespeare was an anti-Semite.
In the second act, Launcelot is debating with himself whether or not he should seek a new employer. Launcelot’s problem is that he works for Shylock, who is Jewish. Launcelot persuades himself that, “Certainly the Jew [Shylock] is the very devil incarnation…” (2.2.24) Eventually, Launcelot convinces himself that he would much rather run away than be ruled by a Jew. Launcelot presents this argument to his father: “I am a Jew if I serve the Jew any longer.” (2.2.104) Before Launcelot accepts a new job with Bassanio as his master, he is reminded that Bassanio is much poorer than Shylock. His reply to Bassanio was, “You have the grace of / God, sir, and he [Shylock] hath enough.” (2.2.139-40)
Lorenzo insults Shylock behind his back when he tells Jessica (Shylock’s daughter) that if Shylock ever makes it to heaven, it is only because Jessica converted to Christianity. Lorenzo said, “If e’er the Jew her father come to heaven, / It will be for his gentle daughter’s sake…” (2.4.36-7) When Lorenzo says this, he is implying that Shylock’s faith and his Jewish heritage is not strong enough to get him into heaven. Lorenzo says that if Shylock is saved, it is by his Jessica’s sake, because she has chosen Christianity over Judaism. This statement implies that Lorenzo believes that Christianity is the religion that is powerful enough to admit one into heaven; therefore Lorenzo is biased against anyone that is not a Christian, such as Shylock the Jew.
Later in the play Jessica is insulted by Launcelot. Launcelot believes that parents’ sins are passed down to their children. He also believes that being Jewish is a sin. Launcelot frankly tells Jessica his opinion of her: “For truly I think you are damned.” (3.5.5) He explains that she is damned by both her father and mother because she was born Jewish. Launcelot tells Jessica that her only hope is that, “Your father got / you not--that you are not the Jew’s daughter.
The Christians also labeled Shylock as explicitly equated with the Devil, which in a primarily Christian society left Shylock as the other. For example, in (II, ii, 24-28), Launcelot Gobbo identifies Shylock as "a kind of devil", "the devil himself", and "the very devil incarnation." Shylocks own daughter compared Shylock's house to "hell" (II, iii, 2). Salanio identifies Shylock as "the devil...in the likeness of a Jew" (III, i, 19-21) and Bassanio echoes this sentiment by identifying Shylock as a "cruel devil" (IV, i, 217). Antonio further cements the association between Shylock and the devil by noting how Shylock's arguments remind him how "The devil can cite scripture for his purpose" (I, iii, 97-100).
Then there is the innocent and rich “Antonio” (Merchant), who is a Christian, and is a complete Anti-Semitec. Antonio’s character is wrong, he hates Jews, he loves being regarded as rich, and would do anything to make Shylock’s life a misery. Antonio hates Jews; this is proved in Act 1 Scene 3 where Antonio says, “The Hebrew will turn Christian, he grows kind”, this is blatant racism shown against the Jews. The story progresses, a new character is introduced, Portia.
Treatment of Jews in the 16th Century Looking at the history of Jews in England, it is evident that Jews were persecuted and murdered up until 1290, when Jews were expelled from the country. Jews were treated with strong disrespect both because of their alternative religious beliefs, and because of their financial status and ways of living. One can safely assume that Shakespeare never actually met a Jew, because Jews had been expelled three and a half centuries before he lived. Therefore the stereotypically evil character of the Jew was merely a myth, passed down through the generations. Shakespeare obviously intended on demonising the Jew of his play, making Shylock an outcast to the community of Venice.
This shows that Shylock puts his money before his religion. He says he hates Antonio because he is a Christian (and so an immediate enemy of the devout Jew) but more than that he hates him because he lends out money for no fee and so takes business away from Shylock. He also puts his money before his daughter, Jessica. When she runs away with Lorenzo she takes some of her father’s money and we hear from Solanio and Salerio that Shylock runs out into the street shouting; “My daughter! O my ducats!” He repeats the two phrases until they become confused, and it is clear that the money is more important to him than Jessica. Shakespeare emphasises the confusion in Shylock’s mind between his ‘daughter’ and his ‘ducats’ by using alliteration. The only time when money...
This is an example of the treatment of Jews at the time. It is very
During the falling action of the play, Gratiano took the chance to jeopardize his relationship with Nerissa when he gives away the ring he sworn he would never lose. As said by Gratiano to Nerissa in the falling action of the play, “Now by this hand, I gave it to a youth.”(4.2.161) when he explains that he gives his ring to the judge’s clerk to his wife Nerissa. Although Nerissa was just joking about taking the ring which disguised as the clerk, it comes to her surprise that her husband has the audacity to break a commitment. This ring plot brings suspense and tension to the scene as the two elements anticipate Nerissa’s reaction and it also gives background information as this scene is one of the major plots in the play. Correspondingly, the role of taking chances is shown in the link between Jessica and Lorenzo. Amid the rising action, Jessica (Shylock’s daughter) escapes her father’s house to abandon him and marry Lorenzo – who her father hates since Lorenzo is a Christian. Before Jessica leaves Shylock, she tells Launcelot – the fool – during the rising action, “I am sorry thou wilt leave my father so; / Our house is hell, and thou a merry devil ... / Lorenzo, who is thy new master’s guest. / Give him this letter, do it secretly” (2.3.1-7). Jessica tells Launcelot that she is also going to leave Shylock and
We frequently see the intent of greed and selfishness covered up by the words and face of virtue. Such exploit is displayed by the exceptionally stingy Shylock, an unpopular Jew who makes his living through the practice of usury. When confronted about his unsympathetic trade, he resorts to citing scripture, thus comparing his selfish trade with the actions of holy men (I, iii, 73-87). Antonio, a well respected and honorable merchant, sees right through the falsehood of the justification and asks Shylock, "Was this inserted to make interest good? Or is your gold and silver ewes and rams?" (I, iii, 91-92). The response from Shylock to the question reveals a glimpse of his true meaning. "I cannot tell; I make it breed as fast" (I, iii, 93-94) is a rather boastful reply of his wealth than a righteous rationalization. To which Antonio can only turn to his friend and say "The devil can site Scripture for his purpose. An evil soul producing holy witness is like a villain with a smiling cheek" (I, iii, 95-97).
During the sixteenth-century there was a very prominent existence of anti-semitism. The English audience had a very clear prejudice towards the Jewish people because of the deep-rooted concept of anti-semitism. This mindset carried from everyday life to plays and productions of the time. This ill will towards the Jewish people spawned from political and religious disputes that were unresolved. The portrayal of Shylock as a villainous Jew is a logical move for the sixteenth-century playwrights because of this common belief. When walking into a production of The Merchant of Venice during this ear, one must keep in mind the predisposition towards the Jewish people as well as the cultural beliefs at that time.
Being a Jew in Christian dominated Venice, Shylock is persecuted by society. He is the victim of popular Christian prejudice, which scorns his religion and restricts his means of employment. He is left with no choice but to be a moneylender and earn his money from collecting interest. To the Christians, collecting interest was against their teaching. This is one of the reasons for the Christians hatred.
It is arguably in comedy that metatheatricality emerges most strongly, allowing a play to parody its own status as drama. But while The Merchant of Venice does employ metatheatrical elements, its classification as comedy is both problematic and unsettling. Ultimately, metatheatricality imbues the story with tragic thematic undertones, and consequently a comic structure gives way to the tragic . It is in considering the play as a written work that such undertones seem to emerge most strongly. Ironically, the accumulation of words—the physical construction of lines within scenes—reveals a pattern in which words themselves emerge as the tragic threat. Speech and language become a precari...
Shylock in William Shakespeare's The Merchant of Venice Shylock has been very badly treated by certain Christians and he
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is evidenced clearly in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impenitent of that distinction. If he had been more daunted by Christian influence, he might have been forgiven, as Jessica is subjectively exonerated. He is not contrite and it is believed that his appalling birth cannot be absolved (Bonnell).
This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment for flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing everything. While Shylock speaks with Salerio and Solanio, he demonstrates his frustration with the Christian people.
...o, who she cares about for the sake of Bassanio. Jessica gives up her family ties to marry Lorenzo. Even Gratiano and Nerissa are devoted to one another. The play is truly about the happiness that true love brings.
Shylock also seems to show little or no love towards his daughter, Jessica. He may have been hurt by his daughter running away with a large amount of his wealth and with a Christian lover (Lorenzo); this is a point where Shylock can be viewed as a victim in the story. This still does n...