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Critics comment on waiting for godot
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In Waiting for Godot, Vladimir and Estragon spent the entire play waiting for a man named Godot. Upon hearing that Godot will not come, they agree on going somewhere, yet they simply stay still and do not move. The abrupt ending to the anticipation that is built up in the story of James and Irene justifiably would draw critics to call it a point-less story. Waiting for Godot may also be perceived to be a pointless story with no meaning; however, unlike the story of James and Irene, the ending of Waiting for Godot successfully delivered a message. Samuel Beckett brilliantly crafted the ending of his play to illustrate the human life as being meaningless and absurd.
Vladimir and Estragon spent the entire duration of the play believing that a man named Godot was sure to come meet with them; however, they were only disappointed at the end of the play when the boy brought them the news that Godot would have to post-pone his arrangement.
VLADIMIR: You have a message from Godot
BOY: Yes Sir.
VLADIMIR: He won’t come this evening.
BOY: No Sir.
VLADIMIR: But he’ll come tomorrow.
BOY: Yes Sir. (Beckett 81-82).
The boy’s message to Vladimir may have provided the readers with the conclusion that the entire play was senseless because Vladimir and Estragon never had the opportunity to meet Godot. After all, it only makes sense for a play called Waiting for Godot to end with Vladimir and Estragon ending their long wait for this man named Godot. Moreover, the fact that Vladimir and Estragon must still wait for Godot, puts their lives into question. If Vladimir and Estragon are spending their lives waiting for a man that they do not directly speak to or know if he will truly meet them, is there a...
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...he thoughts of suicide, confirmation of Godot’s canceled meeting, and the seemingly hapless state of Vladimir and Godot in the final line of the play all contribute to deliver a message about human life. As I have shown, Beckett successfully displayed why the human life is a concept that is plagued by a lack of meaning and a state of murkiness. Ultimately, the ending of Waiting for Godot prompts the readers to question the point of the character’s lives in the play. Vladimir and Estragon began doing nothing but waiting for Godot and ended the play doing the same exact thing. To conclude, the ending of the play shall be deemed a success because it addressed the pointlessness of life through a play about two men trapped in a life of waiting, waiting for Godot.
Works Cited
Beckett, Samuel. The Complete Dramatic Works. London: Faber and Faber, 1990. Print.
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Waiting for Godot is Not an Absurdist Play. Samuel Beckett's stage plays are gray, both in color and in subject matter. Likewise, the answer to the question of whether or not Beckett's work is Absurdist also belongs to that realm of gray in which Beckett often works. The Absurdist label becomes problematic when applied to Beckett because his dramatic works tend to overflow the boundaries which scholars attempt to assign. When discussing Beckett, the critic inevitably becomes entangled in contradiction.
Throughout the tragicomedy, the pair anxiously awaits the arrival of Godot. Vladimir and Estragon’s loyalty to Godot is evident within the first act of play. During a conversation between the two, Estragon asks Vladimir, “And if he doesn’t come?” to which Vladimir answers “We’ll come back tomorrow” and the go on to continue this dialogue: “Estragon: ‘And then the day after to-morrow.’/ Vladimir: ‘Possibly.’/ Estragon: ‘And so on.’/ Vladimir: ‘The point is—‘/ Estragon: ‘Until he comes’” (Beckett 10). In the New Testament of the Holy Bible, John 3:16 states that “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life” (King James Version, John, 3.16). This biblical verse is used frequently in the Christian church to represent the idea of salvation. However, the Bible never gives an exact time frame on salvation, leading Christians to wait for God’s impend...
Humans spend their lives searching and creating meaning to their lives, Beckett, however, takes a stand against this way of living in his novel ‘Waiting for Godot’. He questions this ideal of wasting our lives by searching for a reason for our existence when there is no one to find. In his play, he showcases this ideology through a simplistic and absence of setting and repetitive dialogue. Beckett’s ability to use these key features is imperative to his ability to convey his message of human entrapment and existence. The play opens with very general stage directions “a country road, a tree, evening”.
Although Samuel Beckett's tragicomedy, Waiting for Godot, has no definite meaning or interpretation, the play acts as a statement of hopelessness regarding human existence. Debate surrounds the play because, due to its simplicity, almost any interpretation is valid. The main characters, Vladimir and Estragon, are aging men who must wait for a person, being, or object named Godot, but this entity never appears to grace the men with this presence. Both characters essentially demonstrate how one must go through life when hope is nonexistent as they pointlessly attempt to entertain themselves with glum conversation in front of a solitary tree. The Theater of the Absurd, a prevalent movement associated with Waiting for Godot, serves as the basis for the message of hopelessness in his main characters. Samuel Beckett's iconic Waiting for Godot and his perception of the characteristics and influence of the Theater of the Absurd illustrate the pointlessness and hopelessness regarding existence. In the play, boredom is mistaken for hopelessness because the men have nothing to do, as they attempt to occupy themselves as, for some reason, they need to wait for Godot. No hope is present throughout the two-act play with little for Estragon and Vladimir to occupy their time while they, as the title indicates, wait for Godot.
Once again Vladimir asks Estragon and Estragon forgets. Vladimir also notices that the tree has blossomed overnight. Vladimir is the only one to notice anything different from the day before. Vladimir is the only one with some memory, probably why they wait for Godot every day. Everyday Godot never shows up, so the constant cycle continues. It is the most useless cycle, but they still have a little hope. That one day Godot shows up and saves them. So Vladimir waits for Godot for as long as he can, but has no idea how long he has waited because he does not understand