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African american art essay
African american art essay
African art and its impact
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Artists and writers, with their brushes and pens, use their creativity to take an abstract topic and represent it in a tangible product. The details in an art piece can express comparable notions to the articulation of a written piece. Both African American painters and writers share common themes about their people, for example wisdom we can take from African American women. Claude Clarke’s artwork, “The Market Woman” is a all-embracing piece that emulates the knowledge and wisdom that African American women hold. Claude Clarke dedicated himself to present the world “the dignity of Black Americans instead of attempting to solve the concerns of all humanity”(Clarke). The style of painting is using the European methods. The lines are simple …show more content…
She exemplifies motherly wisdom when she finally confesses the pain and suffering she witnessed in her husband. She understand the strong gravitation of the life of darkness and sadness because she knows that “ain’t only the bad ones, nor yet the dumb ones that gets sucked under” (421). She has enough experience to know that anyone can be drawn to the life of addiction. More so, with her age and time being there for her husband she knows that the narrator must take care of his brother, Sonny. She knows, however, that he “may not be able to stop nothing from happening“ (422). This is an example of wisdom because she is not foolishly advising the narrator that he needs to save his brother from all evils of the world; he needs to make sure that he is there for him regardless of what the evil is that Sonny has fallen prey to. While this mother might have been close to the age of the woman in the painting, her darker experiences contorted her wisdom about the world to be more of a defensive and solemn. While she might have been happy sometimes during the end of her life, it was not the same as the the market woman’s bright
It shows that people’s opinions of her matter to her more than her opinion of herself. Also, it is shown that her mother is the one who gave Jeannette the confidence to tell the story of her past, which later provoked her to write this memoir.
The texture of the paint is smooth and flows very nicely the paintings composition is primarily bundled into the bottom right half of the image. The wings and legs of the animals as well as and table help form an invisible sloping line across the painting.
Did you know that in 1960, Betye Saar collected pictures of Aunt Jemima, Uncle Tom, and Little Black Sambo including other African American figures in areas that are also invalid with folk culture and advertising? Since, Saar collected pictures from the folk cultures and advertising she also makes many collages including assemblages, changing these into social protest statements. When her great-aunt passed away, Saar started assembling and collecting memorabilia from her family and created her personal assemblages which she gathered from nostalgic mementos of her great aunt’s life.
moreover, it shows us that she is like an animal that is trap in a cage suffering from the burden of not enjoying herself. Thus, lashing out at her husband while disregarding the danger she is putting her family through mentally traumatic events. As well as strains on the fact that she is not acknowledging the effects and extent of her addiction. Thus, shutting everyone out and eating herself apart. Therefore, she avoids discussing her issues with her husband on the movement to the city which might help with resolving her issue or lessen the magnitude of the stress she is going through.
Meta Warrick Fuller’s sculpture “Ethiopia Awakening” served as a metaphoric yearning for African culture, a symbolic image of emancipation, an awakening of African Americans diaspora identity, resurgence of Fuller’s artistic career and as a self-portrait of Fuller. The Progressive era, from 1890 to 1920, forms the backdrop to Fuller’s life and art. This period has come to symbolize the reform efforts of the middle class. White middle class progressives sought to reengineer industry and government, pushed for economic and social reforms. The Progressive era was also a time of intense contradictions and ambiguities. Race was the blind spot of white progressives. 1 At the turn of the twentieth-century African Americans continued to be caricatured and stereotyped as buffoons, servile menials, comic entertainers, threatening sub-humans which led to African Americans being objectified.2 When white Americans confronted African Americans in any meaningful way, they did so through the filter of a web of racist images that they placed over the black face of humanity like a mask over an actor. African American intellectuals understood that one of their central tasks to counter the negative representation of African Americans in art would be through the reimage of the physiognomy of African Americans. The task was an enormous one, especially since African Americans had only the most minimal control over the mass production and dissemination of information. In addition, the manufacture of products that displayed stereotypical and derogatory images of African Americans was particularly lucrative.3
After reviewing Jacob Lawrence’s direct and dramatic paintings, it was clear that his painting helped him express himself. The painting was and still is a product of the economic and cultural self-determination that African-American dealt in the Harlem Renaissance of the 1920s, during the migration and still evident in society today. The visual qualities in Jacob Lawrence artwork that is appealing are the vibrant colors and his clever way of self-expressing the time he was so familiar. In final analysis, his artwork expressed how he felt about his environment and what his perspective were during that time. And, how restrained his painting were, for instance, Street Scene – Restaurant, even though African- Americans had access to restaurants in the neighboring area but, he still place patriot outside the restaurant waiti...
While visiting the Nasher Museum of Art at Duke University, the works of Archibald Motley caught my attention. Two paintings by the same artist are the focus of this compare and contrast paper. Both are oil paintings during the same time period. Portrait of my Grandmother was painted in 1922 and Hot Rhythm was painted in 1934 only 12 years later. Although the paintings are by the same artist and have similarities, there are also differences which make the artist’s work interesting. Portrait of My Grandmother and Hot Rhythm are two paintings by Motley that capture different emotions (aspects would be a better word) of African Americans.
Kara Walker’s piece titled Gone: An Historical Romance of a Civil War as It Occurred b 'tween the Dusky Thighs of One Young Negress and Her Heart represents discrimination on basis of race that happened during the period of slavery. The medium Walker specializes in using paper in her artwork. This piece is currently exhibited in the Museum of Modern Art. Even though this artwork depicts slavery, discrimination is still an issue today in America, the country where people are supposedly free and equal. Even though slavery ended in the 19th century, we still see hints of racial discrimination for African Americans in our society. Walker uses color, image composition, and iconography to point out evidence of racial inequality that existed in the
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
The exhibition is not too large as it only contains around eighty artworks. These works all have African Americans as the main subject since Marshall believes that African Americans deserve more attention in art because they are almost “invisible” in a way. Mastry is arranged chronologically, starting with Marshall’s earlier works and then leading to galleries with themes such as beauty or the civil-rights struggle. Mastry should be visited because it allows a person to learn about African American art which is underrepresented and underappreciated. The general idea or thesis of this exhibition is that African Americans have been looked down on throughout history and viewed as subhumans, or even invisible. Marshall’s exhibition is about appreciating African Americans and viewing them as what they are: humans.
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Kara Walker’s Silhouette paintings are a description of racism, sexuality, and femininity in America. The works of Kara Elizabeth Walker, an African American artist and painter, are touched with a big inner meaning. A highlight of the picture displayed at the Museum of Modern Art in San Francisco will be discussed and the symbolism of the sexuality and slavery during the Atlantic slavery period will be enclosed. The modern Art Museum has works of over 29,000 paintings, photos, design and sculptures among others. The use of black Silhouette is her signature in the artistic career.
Drugs is one of the themes in this story that shows the impact of both the user and their loved ones. There is no doubt that heroin destroys lives and families, but it offers a momentary escape from the characters ' oppressive environment and serves as a coping mechanism to help deal with the human suffering that is all around him. Suffering is seen as a contributing factor of his drug addiction and the suffering is linked to the narrator’s daughter loss of Grace. The story opens with the narrator feeling ice in his veins when he read about Sonny’s arrest for possession of heroin. The two brothers are able to patch things up and knowing that his younger brother has an addiction. He still buys him an alcoholic drink at the end of the story because, he has accepted his brother for who he really is.
This investigation will examine a few key works by the anonymous female artist group know in popular culture as the Guerrilla Girls. In this essay it will reveal several prominent themes within the groups works that uncover the racial and gender inequalities in politics, art and pop culture with the use of humor. These collaborating artists work and operate with a variety of mediums, their works display a strong message concerned with activism connected by humor allowing the Guerrilla Girls to communicate and resonate a more powerful message to the viewer. The ways in which this collaborating group has employed many questions and facts against the hierarchy and historical ideologies which have exploited women and their roles in art. This investigation will allow the reader to identify three areas in which the Guerrilla Girls apply a certain forms of humor to transform society’s view on the prominent issue of gender in the art world. These specific ploys that are performed by the Guerrilla Girls are in the way they dress, the masks they wear, pseudonymous names of dead women artists and the witty factual evidence in their works. These are all examples to evoke audiences in challenging not only the art society which dictates the value and worth of women in art but also to confront yourself and your own beliefs in a way that makes audiences rethink these growing issues.
12 Million Black Voices by Richard Wright is a photo and text book which poetically tells the tale of African Americans from the time they were taken from Africa to the time things started to improve for them in a 149 page reflection. Using interchanging series of texts and photographs, Richard Wright encompasses the voices of 12 Million African-Americans, and tells of their sufferings, their fears, the phases through which they have gone and their hopes. In this book, most of the photos used were from the FSA: Farm Security Administration and a few others not from them. They were selected to complement and show the points of the text. The African-Americans in the photos were depicted with dignity. In their eyes, even though clearly victims, exists strengths and hopes for the future. The photos indicated that they could and did create their own culture both in the past and present. From the same photos plus the texts, it could be gathered that they have done things to improve their lives of their own despite the many odds against them. The photographs showed their lives, their suffering, and their journey for better lives, their happy moments, and the places that were of importance to them. Despite the importance of the photographs they were not as effective as the text in showing the African-American lives and how the things happening in them had affected them, more specifically their complex feelings. 12 Million Black Voices by Richard Wright represents the voice of African-Americans from their point of view of their long journey from Africa to America, and from there through their search for equality, the scars and prints of where they come from, their children born during these struggles, their journeys, their loss, and plight...