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Essay on african american literature
African American literature essay
African American literature essay
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The American Man is manipulating her into thinking this unborn child will destroy their lives and their love for each other. He doesn’t want something to tie himself to her nor want a child. In one peer view of the short story, it states “Their silly interaction of the need to protect their freedom does not justify their first need for woman.” (Susanty). He is making life without him will be a miserable one, yet he knows that she would do it to be with him. The way he talks to her is enticing her into making this decision. The American Man says “I’ll go with you and I’ll stay with you all the time. They just let air in and then it’s all perfectly natural.” (Hemingway 3). He’s words of comfort are uncover words of controlling her mindset into …show more content…
The taste of freedom to this American Man is something he can’t do without. The thought of leaving his life style would make him put someone’s life at risk. The American Man manipulate Jig to get want he wants is to make life without him hard to do. “He chooses his words advantageously, almost deceitfully when trying to convince the girl who an abortion is easy surgery.” (Susanty) The manipulating in this story is hard to define the love that is between The American man and Jig. The American man is making men more dominated over women. That the only way to love someone is to make sure everything is all right by putting other’s lives in risk. The women in the story are either waiting on commands by men or treated like helpless children. Hashmi says, “the American does have "metaphorical capacity," and if he seems unable to grasp the white elephant’s simile it is because he "sees nothing of the beauty or the promise of a more romantic life that prompts Jig's simile. He simply chooses to "shut off" the discussion.” He didn’t want the images or thought of being a father, yet not having as much freedom like he does now. To keep Jig focused, The American stops her from discussing it. This will put Jig back in her place as far as who is dominant in the
The main characters’ conflict over not wanting the same things in life is the root of the women’s disillusionment. The theme is furthered by the complication of the antagonist manipulation of the Jig’s feelings for him. Similar to Cisneros’s written work, Hemingway uses the narrative point of view to illuminate the growing disillusionment the women feels about not being able to have everything if she terminates the pregnancy. Hemingway leads the audience to this conclusion when the protagonist states “no, we can’t it isn’t ours anymore… Once they take it away, you never get it back” when referring to her disappointment that the antagonist will not change his mind and they can no longer have everything they ever wanted
Hence, it implies her disbelief and realization that things would not change much whether or not she got the abortion. Jig’s desire to keep the child is further evident when she tells him “[they] can get along” (593). She sees the possibility of a happy life with the child; the American sees it as an obstacle. Therefore, he continues in his effort to persuade her otherwise because “[he knows] lots of people that have done it” (592).... ...
Through his endless amounts of pestering he never finds a way to get his desire and true feelings across to the young lady and becomes increasingly bothersome because of his inability to convey his feelings. “‘We can have the whole world,’ the American declares. ‘No we [cannot],’ Jig retorts. ‘ We can go everywhere.’ No, we [cannot]. It [is not] ours any more.’ ‘[It is] ours.’ ‘No, it [is not].’” (3) The American is insistent on continuing the nomadic lifestyle that the couple lives by aborting this baby, and pesters Jig continually hoping to sway her with the thought of living their same lifestyle that they currently live. However he never directly tells her his desires and instead attempts to manipulate her as he feels his desire is in their best interest regardless of how he achieves his desire. However he does not realize that in his examples he is strengthening Jig’s resolve and conviction in her own wishes. Earlier on in the narrative the American is quick to turn and begin attempting to conform Jig, without any warning or inkling of a change in topic he quickly turns it into what he wants: “‘Should we have another drink?’ ‘All right.’ ‘The [beer is] nice and cool,’ the man says. ‘[It is] lovely,’ Jig agrees. ‘[It is] really a simple operation, Jig… I know you [would not] mind it.’ [Jig] did not say anything.” (2) Without transition or a telling sign, the American quickly turns an agreement about how lovely the cool beer is on a warm day, into pressuring Jig to conform to his desires. All because of his selfish need and lack of responsibility to settle down and lead a life where they can raise the child, and his desire to continue living a life of excess and materialism, yet he cannot convey these desires of him
The Coddling of the American Mind, by Greg Lukianoff and Jonathan Haidt, is an article published by the Atlantic Journal about the negative effects trigger warnings and microaggressions have on students in college. Trigger warnings are disclaimers about any potential emotional response from a class or its material. (44) Microaggressions are words or actions that have no sinister intentions, but people take as such. (44) Greg Lukianoff is the president and CEO of the Foundation for Individual Rights in Education. (47) As the leader of the foundation, Greg Lukianoff has witnessed and fought many legal occasions of trigger warnings and microaggressions resulting in the masking of freedom of speech. Coauthor Jonathan Haidt is a professor at New
There is a common theme in “Hill’s like White Elephants” and “The Birthmark” of a life altering decision. Both women are thinking about having an operation that will affect them for the rest of their lives. In “Hill’s like White Elephants”, Jig and the American are debating whether or not they should have an abortion. This decision is something that will affect both of them deeply throughout their lives together. By the way the two characters interact with each other the reader can deduce how important they feel the operation is. There seems to be a tension in their sentences with each other. Jig says things like “Everything tastes of licorice. Especially all the things you've waited so long for” and “That's all we do, isn't it-look at things and try new drinks” (Hemingway 841)? These responses to the American show that Jig is in a distasteful state of mind which would most likely stem from her thoughts about the operation and what they will do in regard to it. Because these thoughts of the operation are affecting her socially, it shows just how important the operation is to her. How Jig interprets the scenery around them while they are discussing the operation also suggests the importance ...
Hemingway, does not, however, tell us that there is in fact an abortion. Jigg and her lover lead a very simple life before they are forced to consider a solution to their situation. “That’s all we do, isn’t it—look at things and try new drinks?” said Jigg (Hemingway 2). With the “awfully simple operation” (Hemingway 2), however, their entire world will be turned upside down. The American reassures Jigg “It’s really not anything…” and the entire process will be over in a few minutes; everything will be completely natural and fine. Yet Jigg, worried about their life together afterwards, asks the American what will happen. He responds, “Just like we were before.” (Hemingway 2). This leads one to believe absolutely no change will happen, at least in the eyes of the characters. In the story of Jigg and the American, there is what some consider a death (abortion) and what some simply consider an operation. Jigg is worried things will change from the way things were between herself and the American. The American continues to reassure Jigg that by having the “perfectly natural” operation things will go back to normal and “We’ll be fine afterward.” (Hemingway
Hemingway also uses immorality as the central idea. The American is trying to convince the girl to abort: ‘“I have known lots of people that have done it…. ‘But if I do it, then it will be nice again if I say things are like white elephants…‘I’ll love it” I just cannot think about it” (596,597). Here one sees how the man manipulates the girl.
The American in “Hills like White Elephants” is constantly saying how simple of a procedure it is when in actuality he has no knowledge of abortions. He goes on to say that “she doesn’t have to be afraid because he knows lots of people that have done it (Hemingway 476) The taking of a life no matter how it is done is never as simple as saying other people have done it so don’t be scared. Even though the American says he just wants her to be happy. It is clear that the most important thing is not her safety or happiness but him being able to live his care free lifestyle burden free (Wyche). He is constantly pushing the conversation even when she ask him to stop. For him the thought of death is an escape from his responsibilities. Her indecisiveness is hindering his plans to travel and he says if she does have an abortion then he will be happy again and then she will be happy too. He is so simple minded and egotistical that he tells her what she needs to do to be happy and that that’s the only way. At this point the American has indirectly said I cannot love you and be happy if we have a child, but if she has this procedure then everything will be back to normal. In “A Clean, Well-lighted Place” the protagonist the young waiter has a similar outlook but in a different situation. The waiter is constantly saying that “he wishes the old man had just killed
The result of the couple being selfish, the readers can figure out that the man in this short story is controlling and manipulative. At first, he tries his best to avoid the elephant in the room, but when the topic is brought up, the man is very firm to make sure his girlfriend gets the abortion. While bringing up the topic, the man makes his reason known for the abortion, and he is pressuring his girlfriend to get the operation. The man is not ready to give up his lifestyle, and he believes that a baby will ruin his life. Once he realizes, that his girlfriend is thinking about keeping the baby, he becomes manipulative, and he tries to pretend as if he does not care if she gets the abortion. He is not trying to understand where she is coming
In Ernest Hemingway’s “Hills Like White Elephants” the character Jig is submissive to her counterpart The American Man, who is encouraging her to have an abortion. While Jig is not sure what she wants, she does not wish to press the subject of the operation because The American Man is intent upon persuading her to go through with the procedure. Throughout this story Jig’s helplessness, indecisiveness, and her lack of education become apparent, although by the end of the story she becomes confident, decisive, and ultimately takes back control of her decisions and life.
She is a seventeen year old in her prime who feels immortal because she has a long life to live, therefore decision making are not based on careful planning but emotions, peer pressure and fantasies. Risk taking from a teenager normally comes from poor judgement, why would America take the decision of leaving the comfort of her home to go to a country which is mainly travelled by the men in her town? Why did she leave with the most unlikely candidate, her brother-in-law? In adversity her first yearn was for her mother’s touch, her food and her home, the fragile little girl in her cries for a mother touch when times are hard because that’s what she is used to, mom handling the
The subtle manipulative control that the American has over Jig’s thoughts and actions transforms itself into a complete control over her decision. After finding out that she is pregnant, Jig has a difficult time weighing her options because of her dependence o...
This short story is about a couple arguing about abortion. The girl, Jig, does not want to, but the American man says that it is the only thing between them. The girl wants to continue on with her life of exploring the world with the addition of the baby, but the man says that it would take the world away from them. The man has experience in this, but the woman seems not to. She is reluctant, and does not want to talk about it any more after a point. There are many elements in the story, such as disconnection, manipulation, dominance, innocence, and irresponsibility.
...ings from a metaphorical perspective. They are advised that the train will arrive in five minutes; meaning while they are at the height of their clash their decision must be made almost immediately. After a moment the American picks up "the two heavy bags and carried them around the station to the other tracks"(146) from their initial position on the side with the stark, ominous hills, thus signifying his affirmation of her wishes. He takes, what is to him the emblem of their past life together, his "baggage", and brings them to her side of the tracks, the side of life. They've both chosen the same direction in life. Though the text itself does not implicitly reveal their final decision, Hemingway's use of symbolism within the setting make their choice crystal clear: she decides not to have an abortion, and he, though not without staunch reservations, acquiesces.
It was July 1519. The stage was set in Leipzig, and thousands of Europeans flocked to Pleissenburg Castle, where the Protestant Martin Luther and Scholastic Johann Eck had gathered to debate one of the most seminal theological issues of the era. The seeds of the Protestant Reformation had been planted, but the turmoil had barely begun. At a superficial level, it was difficult for many contemporary followers to comprehend where Luther and Eck disagreed. Both theologians believed in the presence of God in human life and both agreed on the existence of salvation. Yet, it was their interpretations that differed. It was Luther’s belief in justification by faith alone against Eck’s defense of the Catholic doctrines of free will, grace, and good works that sparked centuries of discord all across the world. It all centered on the theme of perspective and reflected the critical philosophical distinction between truth and reality. As Friedrich Nietzsche would write centuries later, “There are no facts, only interpretations” (“Philosophy”). Throughout history, one concept that has been similarly presented and interpreted in myriad lenses is that of the devil. In Mikhail Bulgakov’s novel, The Master and Margarita, and Director Stanley Donen’s film, Bedazzled, the two devil characters are united by their manipulative actions and anthropomorphic characterizations. Although they differ in the expressions of their power, each interpretation reflects an increased disparity of power between the devil, God, and humanity as a whole.