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Theme of death in literature
Theme of death in literature
The portrayal of death in literature throughout the years
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The Man in the Black Suit
We gathered together in our plain, small-town church for the funeral of my friend, Eric. We had to wait in a hall outside the room where Eric was lying in his coffin for some time, waiting for the room to open. Almost the whole town stood in the hall. I saw my neighbor, Mr. Crandle, leaning up against the wall, taking his dusty cowboy hat off to swat some manure off of his boot. Mr. Jackson, the town mechanic and bartender at the High Mountain Tavern and Sport Shop, was talking in whispered tones to his short, plump wife. I began to wonder if Mr. Jackson owned any other clothes besides the stained, blue overalls that he wore all of the time. The mayor, Bob "The Bobber" Thompson, was the best dressed of them all in his faded, brown, pin-striped suit. I began to wonder why he was known to all as "The Bobber." As I probed deeper into this question, I was awakened from my thoughts by the scuffling of feet and saw everyone entering the room. I stood outside for a long time, not wanting to see Eric in his final resting place, wanting to remember him alive.
As I entered the small, cramped room, some were trying to sing the hymn, "Father in Heaven, We Do Believe," while most wept, catching a final view of my friend before the oak coffin was closed and his earthly life was officially over. I was standing in the crowd, looking at Eric. He looked so peaceful, as if he was just sleeping and would wake up at any moment. The makeup on his face disturbed me. His skin was a bright peach color, his cheeks were pink, and his lips were full and red. He did not look like my friend, but like some sort of dead mime. His small, unmistakable smile eased my apprehensions, however, and the program went on.
Suddenly, the crowd seemed to part in slow motion and I saw the man in the black suit standing before the coffin. He looked to be in his mid-twenties, and yet he seemed somehow to be much older. Perhaps it was his dark eyes that seemed to sink into his pale face or his thin frame that seemed so frail. His hair looked the same as the first day I met him, combed sideways as if his mother still did it for him.
“Romero’s shirt,” is a story about a man –the protagonist, who takes pride in his work and the possessions he has acquired through his hard work. Romero is confined by his hard work and the need to provide for his family. While washing his car, Romero is approached by a man of distinct character, such as Romero before he came to El Paso. Thrown by the man’s personality, Romero lets his guard down and gives the man a small odd job. When the job is done Romero takes a nap and quickly realizes he left his favorite shirt outside. Unable to find his shirt, Romero automatically assumes that the old man has taken advantage of him by taking his food, money and his shirt. This in return leaves Romero feeling disappointed and taken advantage of.
In her article, Quindlen delivers her position to the massive mixed audience of the New York Times, drawing in readers with an emotional and humanizing lure; opening up about her family life and the deaths she endured. Later presenting the loss of her brother's wife and motherless children, Quindlen use this moment to start the engine of her position. Quindlen uses her experiences coupled with other authority figures, such as, the poet Emily Dickenson, Sherwin Nuland, doctor and professor from Yale, author Hope Edelman, and the President. These testimonies all connect to the lasting effects of death on the living, grief. She comes full circle, returning to her recently deceased sister-in-law; begging t...
What are the thoughts that go through the minds of those who near death? These are the questions at the heart of A Clean, Well-Lighted Place written by Ernest Hemmingway and Katherine Porter's The Jilting Of Granny Weatherall.
The funeral was supposed to be a family affair. She had not wanted to invite so many people, most of them strangers to her, to be there at the moment she said goodbye. Yet, she was not the only person who had a right to his last moments above the earth, it seemed. Everyone, from the family who knew nothing of the anguish he had suffered in his last years, to the colleagues who saw him every day but hadn’t actually seen him, to the long-lost friends and passing acquaintances who were surprised to find that he was married, let alone dead, wanted to have a last chance to gaze upon him in his open coffin and say goodbye.
Without the assistance of generous community members, the cemetery would not have been possible. “Pap” Taylor, a longtime citizen, gave the first acre of land, which inspired another outstanding citizen, namely “Uncle Bob” Wilson, to donate a second acre of land for burial p...
A 19-year old female from Harford County, Maryland, narrated the story of Black Aggie, the urban legend of an overnight stay in a cemetery. She grew up Christian, and still lives in one of the more rural areas of Maryland with her younger sister and parents, who own and work at an electrical contracting business. Accustomed to hearing many ghost stories and urban legends, she first heard the story of Black Aggie during a middle school slumber party. Late one Saturday night over pizza in our Hagerstown dorm, she was more than willing to share her favorite urban legend with me.
Guess what? I was right about the air. A few days later, my father said he felt really hot. Over the next few days, black spots and boils started appearing all over my father’s body. I knew that he was soon going to die. As he lay on his deathbed, he told me, “John, once I die, the officials are going to board the house up. I don’t know...
On a December afternoon during the visit, Eric joined with a group of pastors to visit some of the local church members in a place called ‘death city.’ It was called death city because it was a huge housing development that was built upon a ritualistic burial site. The people had nowhere to go or live, so they had to start building homes on top of cemeteries. Before they ventured through the ironclad gates, they huddled together for a few words and prayer. One of the pastors explained the dangers they could encounter. “The place we are going is very dangerous, and you
The cemetery my grandfather is buried at Gate of Heaven Cemetery, one of the largest cemeteries in the New York City area. It’s filled with people of all backgrounds and nationalities that came to the city and surrounding area. It has become home to many people as it was created in 1917 and it’s still active to this day, showing exactly one hundred years of progression. The location of the cemetery’s first plots is important to begin with, because New York City is an urban and central hub for lots of the world, the cemetery being outside the city in Westchester County is done on purpose. A cemetery can be a somewhat depressing sight, so it’s placed away from everyone and where they will only see it if they travel out to. It creates a separation between “us and them” (233). Because of the large number of residents from New York City are buried there, the cemetery’s origins start the progressive story of how it grew. The beginning of the cemetery tells a great deal about who was living there at the time. The original tombstones had all of the last names seemed to be
At last I arrived, unmolested except for the rain, at the hefty decaying doors of the church. I pushed the door and it obediently opened, then I slid inside closing it surreptitiously behind me. No point in alerting others to my presence. As I turned my shoulder, my gaze was held by the magnificence of the architecture. It never fails to move me. My eyes begin by looking at the ceiling, and then they roam from side to side and finally along the walls drinking in the beauty of the stained glass windows which glowed in the candle light, finally coming to rest on the altar. I slipped into the nearest pew with the intention of saying a few prayers when I noticed him. His eyes were fixated upon me. I stared at the floor, but it was too late, because I was already aware that he wasn’t one of the priests, his clothes were all wrong and his face! It seemed lifeless. I felt so heavy. My eyes didn’t want to obey me. Neither did my legs. Too late I realised the danger! Mesmerised, I fell asleep.
“…so distinctly black, black as only coffins can be-it conjures up hush-hush criminal adventures in the rippling night and, even more, death itself: the bier, the obscure obsequies, the final, silent journey.”(Mann 2004 pp. 36)
This short story revolves around a young boy's struggle to affirm and rationalize the death and insanity of an important figure in his life. The narrator arrives home to find that Father James Flynn, a confidant and informal educator of his, has just passed away, which is no surprise, for he had been paralyzed from a stroke for some time. Mr. Cotter, a friend of the family, and his uncle have much to say about the poor old priest and the narrator's relationship with him. The narrator is angered by their belief that he's not able, at his young age, to make his own decisions as to his acquaintances and he should "run about and play with young lads of his own age ..." That night, images of death haunt him; he attempts make light of the tormenting face of the deceased priest by "smiling feebly" in hopes of negating his dreadful visions. The following evening, his family visits the house of the old priest and his two caretakers, two sisters, where he lies in wake. There the narrator must try and rationalize his death and the mystery of his preceding insanity.
The hikers never knew the two indigenous people, except for what they wore that night, what booze they drank, and what side they slept on. And those simple details were just enough to make the dead bodies Human: capable of joking, singing, fighting, and eating. So the sudden termination of these lives confused the hikers, for they weren’t sure what they should feel about the death of two strangers. The hikers stared and stared at the bodies, perhaps feeling sadness for the friends, parents, and lovers of these men, but feeling only emptiness for the men themselves. They were just two more anonymous faces, frozen in their final dreams and nothing more than dead.
Myra, who is dying of illness, escapes the confinement of her stuffy, dark apartment. She refuses to succumb to death in an insubordinate manner. By leaving the apartment and embracing open space, Myra rejects the societal pressure to be a kept woman. Myra did not want to die “like this, alone with [her] mortal enemy” (Cather, 85). Myra wanted to recapture the independence she sacrificed when eloping with Oswald. In leaving the apartment, Myra simultaneously conveys her disapproval for the meager lifestyle that her husband provides for her and the impetus that a woman needs a man to provide for her at all. Myra chose to die alone in an open space – away from the confinement of the hotel walls that served as reminders of her poverty and the marriage that stripped her of wealth and status. She wished to be “cremated and her ashes buried ‘in some lonely unfrequented place in the mountains, or in the sea” (Cather, 83). She wished to be alone once she died, she wanted freedom from quarantining walls and the institution of marriage that had deprived her of affluence and happiness. Myra died “wrapped in her blankets, leaning against the cedar trunk, facing the sea…the ebony crucifix in her hands” (Cather, 82). She died on her own terms, unconstrained by a male, and unbounded by space that symbolized her socioeconomic standing. The setting she died in was the complete opposite of the space she had lived in with Oswald: It was free space amid open air. She reverted back to the religious views of her youth, symbolizing her desire to recant her ‘sin’ of leaving her uncle for Oswald, and thus abandoning her wealth. “In religion , desire was fulfillment, it was the seeking itself that rewarded”( Cather, 77), it was not the “object of the quest that brought satisfaction” (Cather, 77). Therefore, Myra ends back where she began; she dies holding onto
It had been reported that, “Numerous people have told of hearing their doctors or other spectators in effect pronounce them dead” (Moody Jr, MD, 2015, p. 17). This is an out of body experience. Each reported feelings of peace and quiet, which transitioned into a bad buzzing noise. After proceeding through a tunnel, they have an “encounter with a very bright light” (Moody Jr, MD, 2015, p. 51). Questions resound around a reflection of their life, what they had learned during it, and if it was worth it. Invariably, each of the subjects’ encounter a border at which they are told they need to go back. “Considering the skepticism and lack of understanding that greet the attempt of a person to discuss his near-death experience, it is not surprising that almost everyone in this situation comes to feel that he is unique, that no one else has ever undergone what he has” (Moody Jr, MD, 2015, p. 83). Naturally, the outcome of this experience has an effect on the lives of those experiencing it.