Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The magician's nephew
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Magician’s Nephew is the genesis of Narnia. It all starts with a curious but cowardly Professor and two kids who want to find out what the Professor is doing so secretly in his lab. When they get there, the Professor tells the kids that he has found a way to travel between worlds and tricks them into trying his invention. Catastrophes and wondrous adventures follow.
The Magician’s Nephew takes place in multiple worlds. It begins in this world, in the early 1900’s, in a normal British neighborhood, in the backyard of one of the houses where a girl named Polly meets a boy named Diggory and they talk for a while until Diggory mentions that his uncle is working on a top-secret project. Diggory convinces Polly to go with him to see what the project is. When they walk into his uncle’s lab, the Professor sees the kids, shows them the rings, and tricks Polly into using one of them. Then the Professor explains to Diggory that he figured out a way to do teleportation and tells him what the rings do and how they work. “The moment you touch a yellow ring, you vanish out of this world. When you are in the Other Place I expect-of course this hasn't been tested yet, but I expect-that the moment you touch a green ring you vanish out of that world and-I expect-reappear in this,” the professor presumes (Lewis 25). He wants Diggory to be a part of his experiment to see if his theory is accurate, and Diggory realizes that if he does not go along with the Professor, Polly will be stuck in some other world. The Professor puts the rings in separate pockets and tells Diggory that he will teleport as soon as he touches one. When Diggory is ready, the Professor tells him to put his hand in the pocket were the yellow ring is. Then Diggory vanishes and...
... middle of paper ...
...hey are made to try his experiment for teleportation. The children travel to different worlds and are followed back by a witch who, after destroying her own world, wants to rule theirs. The children work together to stop the witch and send her back to her original world. Unfortunately, the place they expect to go is not where they end up, which results in the witch escaping in to the newly created world of Narnia. On the bright side, Diggory nourishes his mother back to health and plants a tree which will later be used to build a wardrobe that becomes a doorway to Narnia. Because The Magician’s Nephew is written late in the series, the reader, who already knows about Narnia, learns how Narnia came into being and how the human race became involved there.
Works Cited
Lewis, C. S. The Magician Nephew. New York: Macmillan Publishing Company, 1970. Print.
The moon has been worshipped as a female deity since the beginning of time. Not only is the moon a feminine principle, it is also a symbol of transformation due to its own monthly cycle of change. With this in mind, it is clear upon a close reading of The Princess and the Goblin by George MacDonald that the grandmother figure is a personification of the moon, and as such is a catalyzing agent for Irene's maturation and transformation through the course of the novel. Taking this a step further, the elder Irene contains the threefold aspect of the Moon Goddess. She is Artemis, Selene, and Hecate; the crescent moon, the full moon, and the dark moon; maiden, mother, and crone (Rush, 149).
doesn't give the reader a lot to ponder on as it is a simple happy
The Chronicles of Narnia are enticing books, which offer a wonderful fictional plot line, but also a deeper philosophical importance if one analyzes the series. Many religious allusions can be found between characters in Narnia and biblical people. Deeper understanding can be found throughout the stories even in many overlooked aspects of everyday life. “The Chronicles of Narnia” is a piece of literature filled with religious symbols and allusions, such as the actions of Aslan and the personality of Peter, that enhance one’s perception and understanding of the books.
Evaluation of an assumption can be done with data collection and analysis. To evaluate Dr. Napier’s philosophical assumption that we marry or partner with our “worst nightmare,” I would suggest using almost any information that demonstrates patterns of behavior associated with personality psychology, and information that can be gathered systematically through observation and measurement also known as scientific method. I would confer with books written by experts in the field of experiential therapy with couples, articles from social science journals, and legal statistics representative of the population experiencing a high rate of divorce as a result of irreconcilable differences.
...c child who is an innocent and has no place in the world of the wicked. His troubled self’s resolution comes at the end after Edmund has spoken to Aslan, the true ruler and god of Narnia. Both Edmunds own initiative and, less directly, religion lead Edmund back to before he was spoiled by the school he went to and the enchantment of the witch’s candy. Lewis therefore is following the Romantic tradition of innocence as a part of childhood since it was not Edmund’s fault he performed the incorrect behavior and was drawn to the side of evil.
A picture frame, some water, a little bit of magic—that was all it took for Eustace Scrubb’s journey of a lifetime (pattern 6). Some journeys through life have caused pain; others, a revelation (pattern 2). In C.S. Lewis’s novel The Voyage of the Dawn Treader, Eustace Scrubb was swept away into Narnia with his cousins Lucy and Edmund. Eustace’s excursion through Narnia altered him physically, mentally, and spiritually.
Nowadays, children books are full field with morals and lesson to teach children how to behave and react in real life situations. A classic subject that teaches children is the rivalry between good and bad, where good defeats bad after a battle. An example of a children novel that explores in different ways the good versus the bad is The Lion, the Witch and the Wardrobe, written by C.S Lewis. The author of this novel uses literary elements to demonstrate the idea of good and evil, an example of which would be characterisation. Aslan and the White Witch embody the characteristics of the good and the evil, two of which are their physical and psychological descriptions and their actions in the novel.
C.S Lewis is the author of The Chronicles of Narnia: The Lion, the Witch, and the Warrdrobe. Lewis was born on November 29, 1898, in Belfast, Ireland. He was born Clive Staples Lewis to Flora August Hamilton Lewis and Albert J. Lewis. Lewis’s mother passed away when he was on ten years old. After his mother died he went on to get his pre-college education at boarding schools and he also received help from a tutor. Lewis served in World War I with the English Army, but unfortunately was sent home when he was wounded. Lewis was a graduate of Oxford University with a focus on classic philosophy and literature. As a child, he was disappointed with the Christian faith, but when he became older he found himself embracing Christianity. During World War II, he gave popular radio broadcasts on Christianity and they won many converts. Lewis’ speeches were collected in Mere Christianity. In the year of 1954, C.S. Lewis joined the staff of Cambridge University as a literature professor. He met an English teacher by the name of Joy Gresham and in 1956 they married each other and became a happily married family. The two were joyful during their marriage; unfortunately in 1960, the wife became ill with cancer died. Lewis began publishing his works in the mid- 1920s. Lewis started to publish The Chronicles of Narnia during the 1950s. The Lion, the Witch, and the Wardrobe was the first in the seven book series to be released. This was the story of four siblings who discovered a wardrobe with a magical land in the back of it (“Clives…”). In The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Lewis describes Aslan, Edmund, and Lucy.
Aunt Neva gave the boy his appreciation of fantasy, by reading him the Oz books,
Narnia: the Lion, the Witch, and the Wardrobe, based off of the novel written by C.S. Lewis, Edmund
The Narnia Chronicles have already established themselves as timeless works of literature. They appeal to both the atheists and the God-fearing, to both the uneducated and to scholars; to children and adults. An understanding of the Biblical allegory in these books is not essential to their appreciation. A critical analysis of these works, however, does allow the reader to more fully appreciate Lewis' unique gift to simplify complex narratives and craft beautiful children's fantasies. This, in turn, allows the reader to gain both a deeper understanding of Lewis as a skilled creative writer, and a deeper satisfaction of his art. To be able to appreciate C.S. Lewis as such an artisan can only add to one's enjoyment of his works.
Narnia's first characteristic of note is the portal through which it is reached the wardrobe. By connecting the secondary world with the first, real' one, rather than simply beginning the story within Narnia, Lewis is able to introduce thoughts about truth and rationality. As the first to discover Narnia, Lucy must convince her siblings that the second world does indeed exist. Here, the Professor gives the children a lesson about finding truth in a logical and considered manner:
Think back to your childhood; a time where everything and anything was possible. Magic and imagination was something that was used everyday in your life. Now think about where you are in your life right now. There is no longer any magic or mystery. Neil Gaiman and Antoine De Saint-Exupry write two different novels that include multitudes of fantasy. But in the midst of all of the fantasy is the fact that children and adults think differently. Both of these novels explore the idea that children think positively while adults grow out of that stage, developing a pessimistic way of thinking from what they experience in life.
Characters- The first character introduced in the story is a boy name Pip, he is the boy I talked about above. The next two introduced, are his mother and father. They are both dead, and Pip is all alone in life accept for his sister. That is who is introduced next. His sister is married to a man named Joe. Pip lives with these people. The scary convict described above was the next character introduced into the story. Mr. Wopsle is the next character introduced into the story. He was the clerk at the church, and he also goes to the Three Jolly Bargemen with Joe. The whell-wright was Mr. Hubble, and his wife. Joe’s uncle’s name is Mr. Pumblechook, he and Pip are pretty good friends in the beginning sections. They share many experiences together. Miss Havisham and Estella are the next to be introduced. Estella is Miss Havisham’s supposable daughter. Miss Havisham find...
Gabriel García Márquez was born on March 6th 1928 in Aracataca, to Luisa Santiaga Marquez Iguaran and Gabriel Eligio Garcia. From a young age, Márquez was mindful of what was happening in his country regarding the political history and violence. Colombia has had a complex, strenuous history of civil wars, dictators, and revolutions. Yet growing up in Aracataca there was also “magical” for Márquez. He was close to his grandparents. His grandfather, a dedicated liberal fought in the Thousand Days’ War of 1899-1902, and his grandmother influenced him with her countless fables on ghosts and the dead, and with child stories helped shape Márquez’s own signature-writing style, later to be known as "magical realism." Between the war memories his grandfather gave and the marvelous tales that he was told by his grandmother, García Márquez learned, at a very young age, the art and power of storytelling. In 1946, Marquez went to law school at the National University of Bogota. There, instead of focusing on law, he began reading Kafka and publishing his first short stories in leading liberal newspapers which were inspired by Kafka. Márquez was considered one of the leading Latino writers. He received worldwide admiration for his novel “Cien años de Soledad” (1967), “One Hundred Years of Solitude.”