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Effect of sexual assault
Violence is a prominent theme throughout many works of literature
Effect of sexual assault
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By-and-By
Death is inevitable. Amy Bloom, author of “By-and-By”, starts her short story by saying that “every death is violent.” Very much resembling this story, The Lovely Bones follows a young teenage girl who is abducted by death, due to a gruesome man with a thirst for death. It is in both stories that parallel in the antagonists and the story itself can be seen. It is for that reason that this short story compares with The Lovely Bones.
Eugene Trask, the antagonist of “By-and-By”, is a nineteen year old boy who is on a horrific rampage, which eventually leads to Anne Warburg’s demise. Parallel to Eugene, Mr. Harvey, the antagonist of The Lovely Bones, is a sexual predator, a pervert, and a child molester who brutally murdered Susie Salmon. The two stories link together, because death plays its part and the two protagonists of each story are brutally attacked and murdered. Though Eugene Trask is half the age of Mr. Harvey, their characteristics remain the same. Anne Warburg’s death in Amy Bloom’s short story was horrendous; she was raped, stabbed multiple times through the heart, and thrown down a mine shaft until her “flesh turns to a black thick cream.” Her innocence allows for a much stronger plot, because her death is not meant to be. She did not deserve to go through such a death, which is why the plot is stronger and more emotional. No innocent girl or child in general, should have to face such a wicked person and be slain in a monstrous manner. The difference between Eugene and Mr. Harvey is that Eugene confessed to his crime and “drew [the police] maps” for the location of Anne’s rotting corpse; Mr. Harvey, on the other hand, was much too fearful of his penalty, that he retreated to a safer location, leaving his guil...
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...ots at the bottom of a mineshaft. In either case “It’s very dark where [they are]…”
Death awaits the people, and it can be highly unpredictable. It could show mercy on its victims or it could lash out at them with everything it has. Eugene Trask of “By-and-By” and Mr. Harvey are two bloodthirsty men seeking any innocent soul they can find so they may murder them. They are the representations of evil; they are “demons” which have caused pain and suffering on their victims and the families of said victims. Eugene Trask’s murder of Anne Warburg and Teddy, as well as Mr. Harvey’s murder of Susie Salmon both bring out the wickedness that can sometimes be seen in the world. Their brutality used on their victims, as well as the location of their victims’ deaths parallel each other in the sense that the locations are both ironic and their killing spree is closely related.
“The Lovely Bones” is a book written by Alice Sebold. It was published in 2002, and it’s about Susie Salmon, a girl that was murdered and no watches her family and murderer from her own heaven. She tries to balance her feeling and watch out for her family since her murderer is still free and with nobody knowing how dangerous he is. In 2009, a movie adapted from the book came out as well.
The genre is “fiction, a supernatural thriller, and a bildungsroman” (Key Facts, 1). The Lovely Bones is written in first person. The novel is said to be complex, a distant place, and then a time of grieving from a loss of an innocent child who was murdered (Guardian, 1). The view of Heaven presented in The Lovely Bones is where you do not have to worry about anything, you get what you want, and understand why you want it. In this novel, Suzie teaches her family what she had learned from her life. The climax of the novel is when Suzie is able to achieve her dream to grow up when Heaven allows her to inhabit Ruth’s body and then make love Ray (Key Facts, 1). One fact about the novel The Lovely Bones is that the beginning of the book is famous for its intense descriptions on Suzie Salmon’s rape that she had to endure. It has been said from many people that The Lovely Bones is the most successful novel since Gone with the Wind (Spring, 1). The Lovely Bones was on the best-seller lists for several months in 2002 (Alice,
The Lovely Bones’s combination of themes work together to expose the raw emotion of a family in pain over the death of a precious loved one. The first and most significant theme to be presented in the novel is that of mortality. Throughout the novel, as Susie looks back over her violent death and its effects on her family, she makes a point that when someone dies, that person's desires and needs pass over with them into the afterlife (Thomas). For example, from watching her sister and Ruth Connor, she realizes that the concept of love is something she still wishes she could have, even in heaven. Her sister Lindsey meets a boy by the name of Samuel, and Ruth grows closer to Susie's first real crush, Ray Singh. These observations by Susie almost
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Edgar Allan Poe is known for some of the most horrifying stories ever written through out time. He worked with the natural world, animals, and weather to create chilling literature. Two most notable thrillers are “The Cask of Amontillado” and “The Tell-Tale Heart”. Poe was infatuated with death, disfigurement, and dark characteristics of the world. He could mix characters, setting, theme,and mood in a way that readers are automatically drawn into reading. Both of these short stories have the same major aspects in common.
Over the summer, after taking a break from reading a novel just for entertainment, I sat down to read How to Read Literature like a Professor and it was the exact novel to refresh and supplement my dusty analysis skills. After reading and applying Foster’s novel, How to Read Literature like a Professor, towards The Bonesetter’s Daughter I found a previously elusive and individualized insight towards literature. Although, The Bonesetter’s Daughter is full of cryptic messages and a theme that is universal, I was able to implement an individual perspective on comprehending the novel’s universal literary devices, and coming upon the unique inference that Precious Auntie is the main protagonist of the novel.
The character I choose from the novel Lovely Bones is Mr. Harvey. His role in this novel was that he is a serial Killer. What is a serial killer? A serial killer is someone that killed more than three people over a period more than a month. Mr. Harvey killed Susie the main character in this novel. He rapped her, and cut her body up, and packaged it, and drove 8 miles and dumped it in a sinkhole.. Mr. Harvey doesn't really have a family. His dad abandons his mom after the argument that they next to the car in the streets over truth and consequences in Mexico. His mom was desperate that she taught him how to steal and shoplift. We know that his father was an abusive person. He also taught him about buildings. We know that Mr. Harvey’s life and Susie’s are the not exactly the same. In fact we know its the total opposite. Mr. Harvey never know what love is, since his father was abusive and his mother was a thief. Susie always had a loving family. Her dad and mom loved her and was overly protective.
Confusion, fear, wonderment, shock and horror—just a few words of many to describe the emotions Edgar Allen Poe’s tales are known to elicit. Critics say that Poe was well ahead of his time in his ability to examine the human psyche and create characters that really make the reader think, if not recoil in horror. One particular theme Poe quite often repeats is that of madness and insanity. He is known for his wonderfully twisted tales involving such characters as an unstable brother with a mysterious ailment (The Fall of the House of Usher,) a methodical murderer (The Tell-Tale Heart,) and an enraged, revenge seeking, homicidal maniac (The Cask of Amontillado.) Through analysis and citations of the tales listed above, in conjunction with the opinions of literary critics, the reader will clearly see the oft repeated theme of madness and insanity hard at work.
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
Regardless of what people think Poe did or did not do, he did change the face of literature through some of his short horror stories. Two of his stories that were discussed within this paper are, “The Cask of Amontillado” and “The Fall of the House of Usher.” Within these two stories Edgar Allan Poe has given it a horror reading, with descriptive places, such as “wet and gloomy” and “evil atmosphere.” Besides the stories giving off a sense of horror, they also contain characters with disturbed psyches. The character with a disturbed psyche in “The Cask of Amontillado” was Montressor. He got revenge by murdering Fortunato, who ruined his self-esteem. He bricked Fortunato in alive in the catacombs and walked away feeling pity on him but knowing what he had done and having to live with it. In “The Fall of the House of Usher,” Roderick Usher was distracted by his thoughts knowing he buried his sister alive within the vaults of their home. She got out of the encasement, Roderick and the narrator placed her in, and attacked Roderick in her bloody
Poe loves to write about darker, morbid things that make the reader judge the protagonist’s actions, yet pity him for doing such a thi...
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
As a literal deathbed revelation, William Wilson begins the short story by informing the readers about the end of his own personal struggle by introducing and immediately acknowledging his guilt and inevitable death, directly foreshadowing the protagonist’s eventual downward spiral into vice. The exhortative and confession-like nature of the opening piece stems from the liberal use of the first person pronoun “I”, combined with legal and crime related jargon such as, “ crime”, “guilt”, and “victim” found on page 1. Poe infuses this meticulous word choice into the concretization of abstract ideas where the protagonist’s “virtue dropped bodily as a mantle” (Poe 1), leading him to cloak his “nakedness in triple guilt” (Poe 1). In these two examples, not only are virtue and guilt transformed into physical clothing that can be worn by the narrator, but the reader is also introduced to the protagonist’s propensity to externalize the internal, hinting at the inevitable conclusion and revelation that the second William Wilson is not truly a physical being, but the manifestation of something