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Ideolgy of zombie films
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The Living Dead
Since the beginning of film, people have been spellbound by horror movies. They seem to excite the viewer with emotions of fright, excitement and thrill. And since there have been horror movies there have been monsters to bring fright to the viewers during and after the movie. A common monster that can be found in multiple films is the zombie; also know as the living dead. One of the greatest living dead directors and screenplay writers would have to be George A. Romero. From his famous trilogy of living dead movies his final installment, Day of the Dead, proved to the world that zombies can be just as scary as any other horror monsters. He was thought as the only horror director that could make a good horror picture with the living dead. Then in 1985, a director and screenplay writer by the name of Dan O’Brian created the movie, The Return of the Living Dead, which regenerated the genre of the living dead. The Return of the Living Dead and Day of the Dead, both share a common theme that the living dead will always prevail over the living.
The Return of the Living Dead begins with Freddy on his first day on the job at a medical supply store. Freddy and a coworker unintentionally release a nerve gas from a secret U.S. military canister. Before they realize what they have done the dead in the shop start coming to life. Thinking the problem can be solved by disposing of the evidence in the store they ask a cremator to burn the bodies. When he agrees and the bodies are burned, unknowing to them the fumes from the smoke cause the gas to rain around the surrounding cemetery. Unfortunately a group of teenagers are partying in the cemetery when the dead start rising from their graves. Before anyone ...
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...ach other in the wilderness. So again in indirect ways the living dead have triumphed over living by making them run away from everything they know, into a primitive life environment. Therefore throughout the entire movie the living dead triumphed over the living.
The theme that the living dead will always overcome the living is displayed throughout the movies The Return of the Living Dead and Day of the Dead. Both movies showed that this theme came in both direct and indirect contact from the living dead. Most importantly both of these movies created a creature that could not be contained by the living. This puts fright back into the viewer that if one of these stories became true we would have no way of stopping the living dead. So the next time someone makes a joke about the dead coming to life remember that if it does happen this is no hope for mankind.
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
Romero’s cult classic work “Night of the Living Dead” displayed characters enacting their stereotypes, portraying men and women in their stereotypical sexist behaviors. Themes of such stereotypes are hinted within the movie, hidden underneath the idea of carnal, flesh eating ghouls. The character Barbra, is the embodiment of the helpless woman in horror films. Ben, the power controlling domineering male of the remaining survivors in the farmhouse. Harry, another male figure who try to apply his strength and ego amongst the group. Helen, is depicted as the unhappy housewife who is semi-defiant to her husband. These portrayals accurately depicted the stereotypes America held during the 1960s, effectively mirroring the time in which it was
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
Pregnancies are often correlated with the assumption that it will bring happiness to the household and ignite feelings of love between the couple. What remains invisible is how the new responsibilities of caring and communicating with the baby affects the mother; and thus, many women experience a temporary clinical depression after giving birth which is called postpartum depression (commonly known as postnatal depression) (Aktaş & Terzioğlu, 2013).
In Night of the Living Dead, the zombies were eventually eliminated. Or were they? Theorists argue that the monster’s elusiveness is due to its physical, psychological and social characteristics that cross the lines of classification. Human’s innate fear of the unknown is due to their inability to make a distinction or draw a clear conclusion. This is explained further in Jeffrey Cohen’s second thesis in “Monster Theory” that claims that; “the monster never escapes” (Cohen, 14). The zombie as a monster can never be destroyed completely and if it is, it leaves a remnant the make people feel uncertain of its destruction. Base on Cohen’s theory, the zombie’s different interpretation allows it to emerge in other forms (a faster, smarter zombie?)
Having a child can be the happiest moment of a person’s life. A sweet little baby usually gives new parents tremendous joy. That joy can be accompanied with anxiety about the baby and the responsibility the new parents are faced with. The anxiety, in most cases, fades and joy is what remains. For some new mothers, however, the joy is replaced with a condition known as postpartum depression. “Postpartum depression is a serious disorder that until recently was not discussed in public…Women did not recognize their symptoms as those of depression, nor did they discuss their thoughts and fears regarding their symptoms” (Wolf, 2010). As such, postpartum depression is now recognized as a disorder harmful to both mother and infant, but, with early detection, is highly treatable with the use of psychotherapy, antidepressants, breastfeeding, and other natural remedies, including exercise.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
Many women who are affected by postpartum psychosis are too afraid or embarrassed to come forward and claim the disorder. This is dangerous for both mother and child(ren) as the disorder has a 5% suicide rate and a 4% infanticide rate. Even if there is no physical harm done to the child there may be emotional harm. The behaviors that are exhibited by the mother to the child may “interfere with the children's emerging cognitive skills...”(Sohr-Preston & Scaramella, 2006). It has been theorized both before and after birth the mothers' health, physical and emotional, may affect the child's cognitive skills later in li...
Review of Domestic Violence policies in England & Wales (2011) Available at: eprints.kingston.ac.uk/18868/1/Matczak-A-18868.pdf (Accessed 14 November 2013)
The health professionals are able to monitor and assess the condition of the new mother with the help of psychological therapies. Psychological therapies are important in providing effective coping measures to an individual. However, in other clinical settings, patients undergo mother-infant therapies for counseling and support
Is there such a thing as free will, what is the relationship between mind and body, and the true difference between right and wrong are a few questions about human existence that have plagued philosophers and average men alike since the days of Socrates and Aristotle. While not everyone may pay these questions much attention, there is one philosophical thought that has probably crossed the mind of every human at some point in time, and that is the concept of death and what happens after. There are widespread thoughts about what happens postmortem which range from the idea of immortality during the days of the ancient Greeks to the belief in reincarnation that is associated with many Eastern religions. These beliefs, along with others similar to them, provide some with a sort of safety net because they know that their essence (soul, spirit, etc.) will continue to exist after they pass. That being said, not everyone shares these opinions and for some the idea of death can be frightening. Don DeLillo’s novel White Noise examines this fear through Jack Gladney and several other characters. While the novel does not offer any answers, it does stimulate thought regarding death in modern society and how it should be handled. Although many of the characters try to do things such as ignore or embrace their fear in order to get it off their minds, Jack cannot shake his angst, all of which mirroring the various reactions people in today’s society have regarding death.
Sable, M. & Washington, C. (2007). Social wellbeing in pregnant women. Journal of Psychosocial Nursing & Mental Health Services, 45(12), 24-32.
The word “Apathy” has its origin in Greek and literally means "without feelings." Isn’t that a description of the dead? That was what Victor Hugo was referring to when he wrote, "It’s nothing to die; it’s frightful not to live." In other words, we should not be afraid of dying, but not living. The apathetic are alive, but without feelings, so they are not living. They are the living dead.
Life then death, life after death, or life and death, and so on. These phrases represent the varying understandings throughout the world’s cultures of the relationship between life and death and its relationship to living creatures. Throughout, it is understood that all organisms spend time on earth in a specific form and after some time that form will wear away and the physical form of that being will die--the body will no longer function and can return to the earth and nutrients from which it came. However, the disagreement lies in whether or not there is a literal end to that organism’s existence, or its being, its spirit. Both a culture’s understanding of this relationship and historic influences, cause variations of cultural attitudes toward life and death.