Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on movie genre and social commentary
Essay on movie genre and social commentary
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on movie genre and social commentary
The Lives of Others
Introduction
The film The Lives of Others directed by Florian Henckel von Donnersmarck takes place in East Berlin in 1984 where the population of the German Democratic Republic is kept under strict control by the Stasi, the German secret police. Gerd Wiesler, a cold hearted member of the Stasi, is given the position to collect evidence against a playwright named Georg Dreyman without his consent or knowledge. Many of the characters do not change their morals except for Gerd Wiesler, who at the beginning of the film is portrayed as a strict, emotionless man who takes his job very seriously. However, through his involvement with operation Lazlo, his character transforms into a more caring and understanding human being who becomes more sympathetic towards others.
Body Paragraph 1: Concern and Care for Others
Topic Sentence: As Wiesler starts collecting evidence for operation Lazlo, his morals begin to change and his character develops from a serious, emotionless person to a human that feels affection towards other people and he starts to see more to life than the Stasi.
Sonata for a Good Man
While spying on Dreyman, after his good friend Jerska passes away, he hears him play Sonata for a Good Man, on the piano which brings out his true emotions.
The director uses a rotational pan that circles around Wiesler while he is listening to Dreyman play the song. Donnersmarck uses this camera movement to show that Wiesler’s emotions and views are spinning.
Wiesler is visibly moved by this song and is miraculously transformed into a “good man” through the power of music. This is Wiesler's turning point in the movie when he decides to be the "good man" so to speak.
After hearing this song he begins to see life o...
... middle of paper ...
...Instead of going with the Stasi to search Dreyman’s apartment after the interrogation, he flees to do the right thing.
Conclusion
Minister Hempf strongly believes that people do not change but his statement is proven wrong by Gerd Wiesler who changes drastically throughout the film. Wiesler, who was once a cold-hearted, emotionless, workaholic, changes into a sympathetic and man who is able appreciate life outside of the Stasi. Watching and observing the lives of others can impact your life in the long run by making you view things from a different perspective. Through Wiesler’s observations with Dreyman and Christa Maria Sieland he gets to experience the closest thing to love and he sees what its like to be in a relationship and to put someone else’s needs before yourself. He learns that there is more to life than work and that appreciating others is vital.
In Elie Wiesel’s Night, he recounts his horrifying experiences as a Jewish boy under Nazi control. His words are strong and his message clear. Wiesel uses themes such as hunger and death to vividly display his days during World War II. Wiesel’s main purpose is to describe to the reader the horrifying scenes and feelings he suffered through as a repressed Jew. His tone and diction are powerful for this subject and envelope the reader. Young readers today find the actions of Nazis almost unimaginable. This book more than sufficiently portrays the era in the words of a victim himself.
Throughout the memoir, Wiesel demonstrates how oppression and dehumanization can affect one’s identity by describing the actions of the Nazis and how it changed the Jewish people’s outlook on life. Wiesel’s identity transformed dramatically throughout the narrative. “How old he had grown the night before! His body was completely twisted, shriveled up into itself. His eyes were petrified, his lips withered, decayed.
Throughout the Nobel Peace Prize award winner Night, a common theme is established around dehumanization. Elie Wiesel, the author, writes of his self-account within the Nazi concentration camp Auschwitz. Being notoriously famed for its unethical methods of punishment, and the concept of laboring Jews in order to follow a regime, was disgusting for the wide public due to the psychotic ideology behind the concept. In the Autobiography we are introduced to Wiesel who is a twelve year old child who formerly lived in the small village of Sighet, Romania. Wiesel and his family are taken by the Nazi aggressors to the Concentration camp Auschwitz were they are treated like dogs by the guards. Throughout the Autobiography the guards use their authoritative
Through segregation, loss of identity, and abuse, Wiesel and the prisoners around him devolve from civilized human beings into savage animals. The yellow stars begin separation from society, followed by ghettos and transports. Nakedness and haircuts, then new names, remove each prisoner’s identity, and physical abuse in the form of malnourishment, night marches, and physical beatings wear down prisoners. By the end of Night, the prisoners are ferocious from the experiences under German rule and, as Avni puts it, “a living dead, unfit for life” (Avni 129). Prisoners not only revert to animal instincts, but experience such mental trauma that normal life with other people may be years away.
Wiesel and his father were harshly testing their bond as a family during the progression of their stay. It is remarkable how such appalling conditions can bring people together in ways unimaginable. Before Wiesel came, he never did much regarding his father. While they were at the camp, Wiesel couldn’t stand being without his father. Wiesel is surprised to see how the camp changed his father.
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
A fifteen-year old boy, Elie Wiesel, and his family are overwhelmed by the thought of uncertainty when they are forced out of their home; as a result, the family would be forced into a cattle car and shipped to Auschwitz. At first, the Jews have a very optimistic outlook while in
6) At one point, Wiesel says he does not feel human anymore. What did he mean by this and what things can make a person lose his sense of humanity and dignity?
Eliezer Wiesel loses his faith in god, family and humanity through the experiences he has from the Nazi concentration camp.
“The Perils of Indifference” In April, 1945, Elie Wiesel was liberated from the Buchenwald concentration camp after struggling with hunger, beatings, losing his entire family, and narrowly escaping death himself. He at first remained silent about his experiences, because it was too hard to relive them. However, eventually he spoke up, knowing it was his duty not to let the world forget the tragedies resulting from their silence. He wrote Night, a memoir of his and his family’s experience, and began using his freedom to spread the word about what had happened and hopefully prevent it from happening again.
...vision and music. Therefore the movie begins on a simple level. The viewer is introduced to many of the central elements of the film in a purely visual way – Donnie, his family, and the American suburbs. The music makes this an isolated and surreal presentation; the viewer sees the family from the outside before seeing them from the inside. The song also has a feeling of apprehension and of magnitude which makes what is seen seem more significant and mysterious.
Towards the end of the story, Wiesel’s dad becomes extremely sick. During an attempt to find his father in a mob, he dreams that “[he] were relieved of this responsibility, [he] could use all [his] strength to fight for [his] own survival, to take care of [himself]…” (Wiesel 106). The ellipses showcased the confusion in his mind regarding his father’s situation. Wiesel’s implicit thought about his father regards him as a dead weight, and questions the need of nursing him. Although Wiesel hasn’t completely scrapped his relationship with his father, the doubt set the foundation for the subsequent sacrifice. Their experiences in the Holocaust only separated their relationship, rather than bringing them closer together. Wiesel showcases, through the use of ellipses, that the Jews became less gregarious after the harsh treatment imposed on them by the
...is helps to show that they both have achieved happiness even though it is away from each other. Altmans views on the dual-focus strategy, the parallel between the couple and the plot, and relationship between music and plot are all shown in this scene.
‘Das Leben der Anderen’ (The Lives of Others) is a striking example of how a director can convey narrative links within a film by employing various styles and film techniques. The Lives of Others relies upon these visual means to assist with the telling of the story as much as it relies upon the script. In this selected sequence of the film, several narrative links are drawn here to form the conclusion of ‘Operation Lazlo’. These narrative links are further cemented by Donnersmarck’s use of various lighting styles, diegtic and non-diegtic sound, revealing camera shots and intricate mise-en-scene.
Aspects of good and evil are portrayed in a number of different ways throughout the film, ?Schindler?s List?. The story of Schindler's List reminds us that there is hope; that sometimes the actions of one person - one ordinary person even, for Oskar Schindler is not the stereotypical altruistic hero - can make a difference, even in the face of mass apathy and e...